SAG-AFTRA Board Approves Netflix Contract as Streamer Joins Legacy Studios’ Bargaining Unit

Despite playing the part of a villain on Netflix’s Selling the OC, Alexandra “Alex” Hall did not always intend for that to be her identity.

EXCLUSIVE: Industry star Myha’la Herrold has become the latest big name to join the cast of Black Mirror’s highly-anticipated sixth season.

The first trailer for A Jazzman’s Blues is finally here.

Angelique Jackson Ahead of the film’s world premiere next month at TIFF, Netflix has released the first trailer for Tyler Perry’s “A Jazzman’s Blues,” the billionaire media mogul’s longtime passion project. Written, directed and produced by Perry, the period drama tells the tale of forbidden love, starring Joshua Boone and Solea Pfeiffer as Bayou and Leanne, a star-crossed couple navigating the world as young Black people in the deep South during the 1940s and through the decades that follow.  “That was our first kiss. Ain’t nothing felt that good in all my life,” Boone’s Bayou narrates as the trailer opens on the lovers sharing a sweet smooch while sitting in a sun-soaked tree.

other children’s programs.” The limitations do not apply to adult programs and cease when the minor reaches 18.“This negotiation reflects a healthier collaboration between SAG-AFTRA and the AMPTP in the interdependent relationship we share. The AMPTP was motivated to come to the table and improve a contract that has hindered our members for years.

A confluence of hard bargaining and legislative lobbying helped secure significant gains in two new agreements SAG-AFTRA reached earlier this month covering exclusivity, which are standard provisions in TV contracts that can hold TV series regulars off the market and unable to work for unreasonably long periods of time, guild leaders said in a podcast released on Thursday.

EXCLUSIVE: Brad Peyton (Rampage) and Toni Calderon (The Gentleman Driver) have partnered on a new docuseries focused on the high-energy, high-intensity world of amateur sportscar drivers.

Netflix is rebooting “The Mole,” a high-stakes competition series that will debut on the streamer this fall, TheWrap has confirmed.In the new and reimagined version, 12 players must work together in challenges to add money to a pot that only one of them will win at the end. Unbeknownst to them, one of their teammates has been designated as “the Mole” and tasked with sabotaging the group’s money-making efforts.

Netflix is bringing back classic competition series The Mole.

Joe Otterson TV ReporterA rebooted version of the reality series “The Mole” has been ordered at Netflix, Variety has learned.The new version of the former ABC series is expected to bow on Netflix this fall. Like the original American version, the Netflix version is based on the Belgian format “De Mol” created by Bart De Pauw, Michel Vanhove, Michiel Devlieger, and Tom Lenaerts and distributed by Primitives.The streamer has given the new show a 10-episode order.

Prince Charles is sharing some rare personal opinions on “The Crown”. 

Hulu has debuted the trailer for the upcoming murder mystery rom-com series Wedding Season!

SAG-AFTRA’s national board has voted overwhelmingly to approve a new three-year contract with Netflix. The contract now goes to the guild’s membership for ratification.

Drama series Locke & Key is set to return to Netflix for a third season this summer. Netflix describes Locke & Key as a "coming-of-age mystery about love, loss, and the unshakable bonds that define family.”

A growing number of consumers are defying the media maze by paying a visit to their neighborhood movie theaters. It’s simpler to buy a ticket than re-subscribing to Netflix or Disney+.

“Bullet Train” is hurtling into theaters very soon. The action movie stars an incredible cast of stealthy characters who approach Brad Pitt’s main man inside the speedy train. The movie adapts Japanese author Kotaro Isaka’s novel “Maria Beetle.” David Leitch directed the fast-paced film.

“Netflix argued the WGA should accept a substandard formula the company negotiated with DGA and SAG-AFTRA. After a hearing, however, an arbitrator determined differently: that the license fee should have been greater than the gross budget of the film,” read the WGA West memo from president Meredith Stiehm and other leaders.