‘Red, White And Blue’: John Boyega Is Superb In Steve McQueen’s Challenging, And Unafraid ‘Small Axe’ Film [NYFF Review]

Amazon is spicing up your November with a whole lot of new programming to stream. Heading to Prime Video next month are series you love, like Seasons 1-6 of Community, all of which lands on the platform on Nov.

Small Axe anthology on the BBC have been revealed.Mangrove, the first of five original films, will premiere on BBC One and iPlayer on November 15.

Steve McQueen helped raise the curtain on the 2020 BFI London Film Festival on Wednesday night, with his feature Mangrove — one of his five films in the BBC/Amazon Small Axe anthology — getting its European premiere in London and simultaneously across select cinemas around the U.K.

Two years after opening the BFI London Film Festival with his all-star crime thriller Widows, London-born Steve McQueen again has been given curtain-raising honors. Mangrove — which tells the real-life story of the city’s Black activists who became known as the Mangrove 9 after their historic 1970 trial, the first to expose racial prejudice within the Metropolitan Police — will kick off the event Oct.

Jake Kanter International TV EditorIt’s been more than six years in the making, but Steve McQueen’s anthology drama Small Axe finally has a date for when it will land on British TV screens.The BBC has announced that it will premiere the five-part series on November 15 on BBC One and iPlayer.

Owen Gleiberman Chief Film CriticIn “Red, White and Blue,” the fifth and final film of Steve McQueen’s Small Axe anthology (and the third to be shown at this year’s New York Film Festival, after the lilting reggae house-party movie “Lovers Rock” and the wrenching social-protest courtroom drama “Mangrove”), Leroy Logan (John Boyega), a British research scientist, figures that he’s had enough of the lonely work of staring at tissue specimens through a microscope, so he decides to become a member

Todd McCarthy Red, White and Blue, the third and final installment of Steve McQueen’s Small Axe quintet of films about racial issues specific to Great Britain being world premiered at the New York Film Festival, zeroes in on the ordeal of a young black Londoner set on helping to definitively break the color barrier at London’s Metropolitan Police Force in the early 1980s.

One of the great joys of the New York Film Festival has been watching Steve McQueen’s new film anthology “Small Axe.” Composed of five works set between the late-’60s and early-’80s, the two recently screened films — “Lovers Rock” and “Mangrove” — are intimate slices of life of a little-represented community, British Black folks from the West Indies, resiliently thriving amidst a racially hostile environment.

Watch Video: 'Small Axe' Trailer: John Boyega, Letitia Wright Tackle London Racism in Anthology SeriesAlso cheering on his consideration of police work are Leroy’s “auntie,” a family friend who has worked for years as a liaison between the police and the city’s West Indian population, and Leroy’s wife Gretl (Antonia Thomas, “The Good Doctor”), who playfully but honestly tells him that he’s the kind of person who wants people to witness him at his job, and that he’s a sucker for a snappy

A West Indian proverb holds, “If you are the big tree, we are the small axe.” “Lovers Rock,” the first film made available of Steve McQueen’s Amazon miniseries “Small Axe,” first interpreted the saying as a metaphor for the joyous spirit in the Black British community. But his newest installment, “Mangrove” swings a different emphasis on the rebellious phrase.

Todd McCarthy If Lovers Rock provided a sensuous, feel-good vibe to the opening night of this year’s unusual New York Film Festival, Mangrove supplies a follow-up thwack to the head and punch to the gut.

Enoch Powell was, and why the “rivers of blood” speech was important — but for the most part, McQueen and Siddons provide enough information to make sense to those unfamiliar with these events without having characters dump exposition all over each other.As with “Lovers Rock,” the period detail seems precise, and the music choices provide both energy and context. And even with so many characters on trial, the film finds time to include some nugget of empathy or specificity for each one.

Naman Ramachandran Spanish auteur Pedro Almodóvar’s English-language debut “The Human Voice” and British artist Steve McQueen’s “Lovers Rock” have been added to the British Film Institute London Film Festival.Almodovar’s short, loosely based on Jean Cocteau’s play, presents a woman on the edge portrayed by Tilda Swinton, who is waiting for her lover to call. It will play in the festival’s shorts program, and screen at BFI Southbank on Oct.

Lovers Rock, another instalment in Sir Steve McQueen’s Small Axe anthology, has been added to the line-up of the BFI London Film Festival.

Also Read: 'One Night in Miami': Regina King Opens Up About Directing 4 Men Portraying Real-Life Icons (Video)Boyega and Wright’s entries were featured at this year’s New York Film Festival, which was held virtually due to the COVID-19 pandemic.

A new trailer for a collection of films made by Steve McQueen gives a glimpse at the performances of Letitia Wright and John Boyega.

“If you are the big tree, we are the small axe,” states a Jamaican proverb, inspiring the title of “Small Axe”, an upcoming anthology series from director Steve McQueen for Amazon Prime Video.

“If you are the big tree, we are the small axe,” this is the Jamaican proverb that has inspired filmmaker Steve McQueen‘s, “Small Axe,” a collection of five films inspired by real-life events about ordinary people showing courage, belief, and resilience to overcome injustice and achieve something transformative in their West Indian community.

Greg Evans Associate Editor/Broadway CriticBritish perfumer Jo Malone has slammed her namesake former company for its treatment of John Boyega, the Star Wars actor who resigned this week as the brand’s global “ambassador.”“I am so horrified and disgusted about what has been done to John,” Malone said today on UK’s ITV program Lorraine. “How dare somebody treat him [like that], and he finds out he is replaced on social media?…They never spoke to him.