Jon Burlingame When composer Emile Mosseri and director Lee Isaac Chung began talking about the music for “Minari,” Chung’s reminiscence about his Korean family’s struggle to succeed at farming in Arkansas, they decided what the score shouldn’t be: overtly Korean or American in style.“No twangy guitars or harmonicas,” says Mosseri of the A24 film, which had an Oscar-qualifying run last month and will get a wider rollout starting Feb. 12.