F1 stars Pierre Gasly and Esteban Ocon hit the red carpet at separate premieres at the 2024 Cannes Film Festival held at Palais des Festivals this week!
03.05.2024 - 15:19 / deadline.com
EXCLUSIVE: A24 has acquired North American rights to Parthenope, the new film from Oscar winning filmmaker Paolo Sorrentino, ahead of its world premiere at the 77th Festival de Cannes.
Parthenope is the seventh Sorrentino movie to play the Croisette following 2004’s The Consequences of Love, 2008’s Il Divo which won the Jury Prize and the Ecumenical Jury Prize, 2011’s This Must Be the Place starring Sean which also won the Ecumenical Jury Prize, 2013’s The Great Beauty and 2015’s Youth. The Great Beauty would go on to win the Best Foreign Language Film Oscar in 2014.
Sorrentino’s previous directorial, The Hand of God, inspired by his youth, received a 2022 Oscar nomination for Best International Film and was released on Netflix stateside.
Pathe is handling foreign sales and is releasing the movie in France and Switzerland.
The movie follows Parthenope, who born in the sea of Naples in 1950, searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters. Sorrentino shot the Italian-French co-production between Naples and Capri.
The pic stars Dario Aita, Celeste Dalla Porta, Silvia Degrandi, Isabella Ferrari, Lorenzo Gleijeses, Biagio Izzo, Marlon Joubert, Peppe Lanzetta, Nello Mascia, Gary Oldman, Silvio Orlando, Luisa Ranieri, Daniele Rienzo, Stefania Sandrelli and Alfonso Santagata.
Parthenope was produced by Fremantle film with The Apartment Pictures, a Fremantle Company, and Pathé in association with Numero 10, in association with Saint Laurent and PiperFilm. Producers are Lorenzo Mieli for The Apartment Pictures, a Fremantle Company; Anthony Vaccarello for Saint Laurent, Paolo Sorrentino for Numero 10 and Ardavan Safaee for Pathé. Douglas Urbanski
F1 stars Pierre Gasly and Esteban Ocon hit the red carpet at separate premieres at the 2024 Cannes Film Festival held at Palais des Festivals this week!
Elsa Keslassy International Correspondent Cannes Film Festival president Iris Knobloch said she learned about the “power of cinema to carry messages, liberate speech and accomplish a duty of remembrance” from her parents, who are Holocaust survivors. Speaking at the Kering Women in Motion Talks at the Cannes Film Festival on Tuesday, the Munich-born Knobloch said her parents took her to the movie theater several times a week.
appeared to scold security at the red carpet premiere of the French-Italian film “Marcello Mio” during the Cannes Film Festival.Photos from the event showed Rowland pointing her finger towards a female security guard during their heated exchange.But according to insiders, Rowland was not the instigator in the incident.“The people who are assigned to helping stars walk the red carpet were being aggressive and Kelly was trying to ignore it,” a source claimed to the Daily Mail Wednesday.They continued: “By the time she got to the last woman she had had it because she scolded Kelly and told her to move when she was trying to wave to fans and help the paparazzi get their shot.”Rowland appeared to be enjoying herself at the glitzy premiere before the incident. As the source noted, she was initially smiling and waving to fans in her gorgeous red gown with a long train as she made her way up the red carpet steps.But according to the insider, the former Destiny’s Child member isn’t bothered about being in the center of drama.“She doesn’t care if she comes across like a diva if she knows that she is advocating for herself,” said the source.
Ellise Shafer Gary Oldman took the opportunity to clarify his comments about his acting in the “Harry Potter” franchise during the Cannes press conference for his new film, “Parthenope,” on Wednesday. When asked about a prior comment in which he disses his performance as Sirius Black as “mediocre,” Oldman said he didn’t mean to “disparage anyone out there who are fans of ‘Harry Potter’ and the films and the character who I think is much beloved.” “What I meant by that is, as any artist or any actor or painter, you are always hypercritical of your own work,” he continued. “If you’re not, and you’re satisfied with what you’re doing, that would be death to me.
Paolo Sorrentino embraced the stars of his latest film “Parthenope,” including Gary Oldman, Celeste Della Porta and Stefania Sandrelli, as the film received a 9.5-minute standing ovation at Cannes Film Festival on Tuesday night. Tears streamed down the face of Della Porta, who plays the title character, and Sorrentino looked visibly moved as he addressed the crowd. “For me, this movie is a celebration of the journey of my life,” he said.
Oscar winner Paolo Sorrentino ascended the red carpet here this evening for his latest Cannes competition entry, Parthenope, which was welcomed by a nine-minute standing ovation.
Paolo Sorrentino has done a wide range of films but until his most personal, The Hand Of God two years ago (a prize winner in Venice) he had not returned to Naples, the land of his youth except for the very first feature he made, 2001’s One Man Up. Since then though he has been to Cannes with his films 6 times, and his impressive list of movies have included The Consequences Of Love, Il Divo, Loro, and his Oscar winning The Great Beauty. There have been more mixed reactions for his starry English language films as well like Youth and This Must Be The Place, but Italy seems to drive his creative mojo and may be closest to his heart is the current phase of his filmmaking career when he has found new inspiration by going back to his youth, first in The Hand Of God which closely reflected his own coming of age in Naples, and now his latest, Parthenope which reflects the youth he wished he had experienced. Instead he moved away to a whole new career in film (that was indicated at the end of Hand Of God). It had its World Premiere at the Cannes Film Festival Tuesday night.
Cannes Film Festival Tuesday. Photos from the event show Rowland smiling at the crowd as she walked up the red carpet steps to go into the theater — before she seemingly got into a heated exchange with a female security guard. The former Destiny’s Child member looked upset and angry as she pointed her finger toward the woman.
Now a Cannes veteran, French filmmaker Christophe Honoré has returned to the Competition with the world premiere of Marcello Mio, his French-Italian comedy that stars longtime collaborator Chiara Mastroianni — who, in the film, adopts the persona and appearance of her late father, Marcello Mastroianni. The movie received applause that lasted a touch over eight minutes during its unveiling this evening.
opens up a world of fashion possibilities. Witness to all manner of sartorial eccentricities, the "montée des marches" can turn out to be a fabulous spotlight—especially for the models.
EXCLUSIVE: Paolo Sorrentino‘s anticipated new movie Parthenope has sold around the world for Pathé here in Cannes where the film is playing in Competition.
look is definitely one for the books. It's like she heard Hollywood is still doing the and said “hold my beer.” The supermodel, who arrived in the south of France , hit the Croisette on Monday, May 20, in a show-stopping cinched halter gown that's so sheer it looks like it's cut from a nylon body stocking.By GlamourThe dress as well as the shoes—a pair of peep-toe patent —are from 's fall/winter 2024 collection.
Demi Moore looks stunning while hitting the red carpet at the premiere of her movie The Substance held at Palais des Festivals on Sunday (May 19) in Cannes, France.
Cannes Film Festival. The actress and singer, 31, was moved to tears after her new film, “Emilia Perez” received a 9 minute-long standing ovation at the Cannes Film Festival on Saturday. This marked the longest standing ovation for any movie premiere at the France-based cinema bash so far this year.A Variety video shows Gomez smiling and tearing up as the crowd cheers after watching her performance in the film.Directed by Jacques Audiard, “Emilia Perez” is about a Mexican cartel leader, played by Karla Sofía Gascón, who is seeking gender-affirming surgery.
Cate Blanchett blew kisses to the Cannes Film Festival audience as her new film, “Rumours,” earned a four-minute standing ovation at Cannes Film Festival on Saturday night. The crowd welcomed the film’s dark humor, laughing throughout the entirety of the late-night screening. While some of the auditorium emptied out while the credits rolled, the majority of filmgoers waited patiently to pay their respects to the film’s stars.
Selena Gomez is hitting the red carpet!
Richard Gere poses for a family photo while attending the 2024 Cannes Film Festival premiere of his upcoming film Oh, Canada held at Palais des Festivals on Friday (May 17) in Cannes, France.
When Adi (Ciprian Chiujdea) is beaten up outside the one dance club in the village where he grew up, his father takes up the cudgels, chivvying the local police chief into finding out who did it. It would be obvious enough to anyone but dad Dragoi (Bogdan Dumitrache) that this is a straight-up case of gay-bashing, which would seem to signal that Emanuel Parvu’s Cannes Competition title Three Kilometers to the End of the World, a slice of Romanian life, will be a worthy but familiar story of a boy’s coming out to a hostile world. Indeed, bloodied Adi with his black eyes and traumatic lesions is soon being punished, locked in his room by his parents as his desperate mother prays to the icons on the wall for guidance. We have undoubtedly been down this donkey-track before.
Christopher Vourlias Logical Pictures is launching a new Africa venture that will see the production, financing and distribution outfit expand its global footprint into the fast-growing African market. According to the group’s head, Frédéric Fiore, the move will help position Logical Pictures as the preferred financing partner on the continent for the international industry and the leading production company of African content with global ambitions.
Nick Vivarelli International Correspondent The persistent vibrancy of Italian cinema, despite increasing financing difficulties, is undisputable if you look at the range of the country’s current output and what’s percolating in the pipeline. It spans from highly sophisticated new works by maestros such as Paolo Sorrentino and Luca Guadagnino to crassly commercial global megahits like Netflix Italy original “The Tearsmith” and promising fresh fare from Cinema Italiano’s next generation.