Naked and NOT afraid!
06.07.2021 - 10:59 / deadline.com
The first decade of Nadav Lapid’s career has been a rapid ascension to the top.
The Israeli filmmaker premiered his debut feature at Locarno (2011’s Policeman), became the hit of Cannes Critics’ Week in 2014 with his The Kindergarten Teacher (later remade with Maggie Gyllenhaal in the lead role), and then landed the prestigious Golden Bear in 2019 with Synonyms.
Now, he is appearing in Cannes Competition for the first time with Ahed’s Knee, the ostensibly simple, and once again autobiographical,
Naked and NOT afraid!
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Ben Croll Nadav Lapid was used to mining the past.
After serving up three very potent films over the past decade, Israeli director Nadav Lapid issues forth a shrill and strident screed in his fourth feature, Ahed’s Knee (Ha’Berech). Undeservedly included in the Cannes competition, this rough and hasty-looking outing is nothing short of a bilious broadside of anger at and resentment toward anything to do with the Israeli government.
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Israeli writer/director Nadav Lapid has been on the international radar for quite some time, 2011’s “Policeman” made international waves, and 2014’s ‘The Kindergarten Teacher” was so well regarded, Hollywood, Netflix, and Maggie Gyllenhaal made a remake in 2018. But things started to really take off for Lapid after “Synonyms” won the Golden Bear award at the 69th Berlin International Film Festival in February 2019 and introduced most of the world to breakout star Tom Mercier.