‘Megalopolis’ Review: Francis Ford Coppola’s Mad Modern Masterwork Reinvents The Possibilities Of Cinema – Cannes Film Festival

No one really expected this year’s Cannes Film Festival to replicate the stellar showing of last year at the Oscars where three official selections – Killers Of The Flower Moon, Anatomy Of A Fall, and The Zone Of Interest – took an unprecedented three of the ten slots for Best Picture and a total of 20 nominations and 3 wins between them. How many times can the French catch lightning in a bottle like that achievement? Who thought 2019 could be equaled or topped when Parasite became the first Palme d’Or winner to also take the Best Picture Oscar since Marty did it in 1955, and where Quentin Tarantino’s Once Upon A Time In Hollywood (also an official selection that year) went on to ten nominations and two Oscar wins?

Ellise Shafer George Lucas and Francis Ford Coppola reflected on their lifelong bond as the “Megalopolis” director presented the “Star Wars” auteur with Cannes Film Festival‘s honorary Palme d’Or on Saturday night. In his speech, Coppola recalled his first meeting with Lucas, who shadowed him on the set of his first studio film, “Finian’s Rainbow,” in 1968.

Kelly Rowland stole many red carpet headlines from this year’s Cannes Film Festival, with a visible confrontation with a female security officer as she made her way up the famous steps and into the Palais.

Seemingly from out of nowhere, actor turned director Gilles Lellouche throws a Molotov Flanby into the Competition with only his second feature, a terrific and unexpectedly potent piece of genre filmmaking that could, to avoid spoilers, be described as a kind of mash-up of Badlands and La Haine, as if directed by Walter Hill. Throw in a little Eurocrime, from the likes of Fernando Di Leo and late-period Jean-Pierre Melville, and you’re getting close to what Lellouche has achieved here, a romantic banlieue opera that delivers all the gritty, vicarious thrills of the now-standard post-Goodfellas gangster movie but also burrows into issues of class and gender in refreshingly unpredictable ways.

It has been a big week for the beloved 1964 musical, The Umbrellas Of Cherbourg at the Cannes Film Festival where it won the 1964 Palme d’Or and went on to international acclaim and five Oscar nominations, plus served as one of the key inspirations for Damien Chazelle’s Oscar winning La La Land.

Greta Gerwig dealt with a lot of pink while directing the Barbie movie and now she’s wearing the color on the red carpet!

transforming the red carpet of the 77th annual Cannes Film Festival into a chichi bridal aisle. Stealing the spotlight from the marquee movies premiering at this year’s fête along the French Riviera, celebrated starlets such as Anya Taylor-Joy, Uma Thurman, Kelly Rowland and Helena Christensen stunned in wedding-inspired gowns from luxe houses of design. And the radiantly white regalia left online onlookers saying “yes” to each dress.

EXCLUSIVE: Francis Ford Coppola‘s $120 million passion project Megalopolis has closed a fresh raft of deals following its buzzy world premiere in Competition at the Cannes Film Festival last week. 

Elsa Keslassy International Correspondent Cannes Film Festival president Iris Knobloch said she learned about the “power of cinema to carry messages, liberate speech and accomplish a duty of remembrance” from her parents, who are Holocaust survivors. Speaking at the Kering Women in Motion Talks at the Cannes Film Festival on Tuesday, the Munich-born Knobloch said her parents took her to the movie theater several times a week.

Now a Cannes veteran, French filmmaker Christophe Honoré has returned to the Competition with the world premiere of Marcello Mio, his French-Italian comedy that stars longtime collaborator Chiara Mastroianni — who, in the film, adopts the persona and appearance of her late father, Marcello Mastroianni. The movie received applause that lasted a touch over eight minutes during its unveiling this evening.

Angelique Jackson Nathalie Emmanuel‘s first trip to the Cannes Film Festival was certainly a memorable one. The “Fast and Furious” franchise star and “Game of Thrones” alum knows what it’s like to be in the spotlight, but Cannes is unique. First, consider the fact that she’s the leading lady in legendary filmmaker Francis Ford Coppola‘s longtime passion project “Megalopolis,” which made its world premiere at the festival.

Talk about an identity crisis!

EXCLUSIVE: Paolo Sorrentino‘s anticipated new movie Parthenope has sold around the world for Pathé here in Cannes where the film is playing in Competition.

Cannes Film Festival. The actress and singer, 31, was moved to tears after her new film, “Emilia Perez” received a 9 minute-long standing ovation at the Cannes Film Festival on Saturday. This marked the longest standing ovation for any movie premiere at the France-based cinema bash so far this year.A Variety video shows Gomez smiling and tearing up as the crowd cheers after watching her performance in the film.Directed by Jacques Audiard, “Emilia Perez” is about a Mexican cartel leader, played by Karla Sofía Gascón, who is seeking gender-affirming surgery.

Cate Blanchett blew kisses to the Cannes Film Festival audience as her new film, “Rumours,” earned a four-minute standing ovation at Cannes Film Festival on Saturday night. The crowd welcomed the film’s dark humor, laughing throughout the entirety of the late-night screening. While some of the auditorium emptied out while the credits rolled, the majority of filmgoers waited patiently to pay their respects to the film’s stars.

Demi Moore is back on the red carpet in Cannes!

Nicolas Cage is stepping out to promote his new movie!

The cast of Megalopolis took to the red carpet at the 2024 Cannes Film Festival on Thursday (May 16) to attend the movie’s premiere.

Rithy Panh has dedicated the lion’s share of his career to interrogating the genocidal Khmer Rouge era in his native Cambodia, and it is no trivial obsession. Panh fled Phnom Penh when he was just 11, and after his family was devastated in the Killing Fields, he escaped to a Thai refugee camp at 15. Now 60, Panh has been committed to keeping the memory of the impact of Pol Pot’s tyrannical regime alive in documentary, narrative and animated film.

Imax has committed screens around the world to show Francis Ford Coppola‘s magnum opus “Megalopolis,” the company’s CEO Richard Gelfond confirmed at a Cannes Film Festival event on Thursday. The film’s trailer, which debuted on Tuesday, said that “Megalopolis” would be coming to Imax theaters this year — but it was not specified that the release would be global. The run-up to the premiere of Francis Ford Coppola’s self-financed epic at Cannes on Friday has been filled with anticipation and controversy, partly because “Megalopolis” has yet to secure a U.S.