Kinology Boards Yasmine Benkiran’s Venice Critics Week Film ‘Queens’ (EXCLUSIVE)

Elsa Keslassy International Correspondent Ruben Östlund’s Palme d’Or winning film “Triangle of Sadness” has been sold by Coproduction Office to major distributors around the world. “Triangle of Sadness,” which was acquired by Neon for North America at the Cannes Film Festival, just had its North American premiere at Toronto and is playing at the San Sebastian Film Festival. Coproduction Office has now sold the movie worldwide to major distributors. Recent deals have been closed with Stay Golden (China), Edko (Hong Kong), Impact (India), Gaga (Japan), Green Narae (South Korea), Catchplay (Taiwan), TBA Studios (Philippines), Sun (Latin America), Frontrow (Middle East), Forefont (South Africa) and Les Films 26 (French-speaking Africa). 

Naman Ramachandran “Gangs of London” producer Pulse Films has unveiled the first clip from “Name Me Lawand,” which will have its world premiere at the BFI London Film Festival. Directed by Edward Lovelace (“The Possibilities Are Endless”), the film is in competition at the festival’s The Grierson Award for documentaries. The documentary, filmed over four years, follows Lawand Hamad Amin, who spent his early years in Iraq unable to hear or communicate. His profound deafness meant he could not learn language, and with no access to a deaf education, Lawand grew isolated and trapped inside himself.

Anna Marie de la Fuente Barcelona-based Film Factory Entertainment has picked up world sales rights to “El Otro Hijo,” the feature debut of Colombia’s Juan Sebastián Quebrada. The Evidencia Films production adds to the growing list of Colombian pickups by Film Factory, including last year’s sweeping Premios Platino winner, “Memories of My Father” (“El Olvido que Seremos”) by Fernando Trueba. and Laura Mora’s “Kings of the World,”which competes at the upcoming San Sebastian Film Festival and is part of Toronto’s Industry Select section. “Film Factory is excited to be on board; Colombian cinema is very strong and we are eager to discover new talents from the country. We believe we found one in Juan Sebastián Quebrada,” Film Factory’s Vicente Canales told Variety.

Elsa Keslassy International Correspondent  SF Studios (“A Man Called Otto”) is set to produce and distribute “The Abyss,”  a female-driven Swedish disaster film directed by Richard Holm (“Johan Falk”) and chronicling the tragic events that took place in the mining town of Kiruna. Now shooting on location, the movie is headlined by Tuva Novotny(“Annihilation”) who stars alongside  Kardo Razazzi (“Honour”)and Peter Franzen (“Vikings”), Felicia Truedsson (“Young Royals”), Tintin Poggats Sarri (“Charter”) and Edvin Ryding (“Young Royals”). “The Abyss” stars Novotny as Frigga, who tries to balance her risky job as a security manager in the Kiirunavaara mine with her family life, her new love Dabir (Razazzi) and her ex, who doesn’t want to let go (Franzén). But when the ground suddenly starts to shake under their feet, the puzzle of life doesn’t matter and the struggle to not be pulled into the abyss begins. 

Brent Lang Executive Editor New Slate Ventures has come on board as a production partner for Insignia Films’ “Free Money.” The announcement was made just ahead of the documentary feature’s world premiere at the 2022 Toronto International Film Festival. Jordan Fudge, Jeremy Allen and Tess Cohen will join producer Amanda Pollak, and executive producers Stephen Ives, Bradwel Iro (LBX Africa), Chris Buck (Retro Report) to back the film.  The film explores what happens when universal basic income (UBI) comes to the Kenyan village of Kogutu. GiveDirectly, a non-profit organization, is sending free money for 12 years as part of an experiment. Filmmakers Lauren DeFilippo and Sam Soko juxtapose the story of these young economists, bankrolled by Silicon Valley and convinced that they have found an infallible algorithm to improve lives, with those of the villagers.

Leo Barraclough International Features Editor Alexander Rodnyansky, the producer of Oscar nominated films “Leviathan” and “Loveless,” has boarded the next project from Kazakh director Adilkhan Yerzhanov (pictured), whose film “Goliath” has its world premiere at Venice Film Festival on Thursday in the Horizons Extra section. The new project, “Nosorog,” tells a contemporary story of Tamara, a distraught woman on a desperate search for her missing son in a small town consumed by violent riots. To help get her son back, she hires a shady detective, Brayuk, with unexpected consequences. Rodnyansky joins producers Aliya Mendygozhina and Olga Khlasheva on the project, which is a co-production between the State Center of Support of the National Cinema of Kazakhstan and Kazakh film company Golden Man Media.

Christopher Vourlias Paris-based sales agency and production company Luxbox has released the trailer for “Trenque Lauquen,” Argentine director-producer Laura Citarella’s adventure mystery that has its world premiere Sept. 8 in the Horizons sidebar of the Venice Film Festival. Variety has been given exclusive access to the trailer, which can be seen below. Filmed in two parts, Citarella’s fourth feature begins with a pair of men both searching for a woman who has mysteriously vanished. While one of them claims to be her boyfriend, the other has also forged an intimate bond with the missing woman, with a series of flashbacks revealing that he’s also fallen in love with her.

Penelope Cruz and Javier Bardem are wrapping up their time at the 2022 Venice Film Festival.

Christopher Vourlias Directing duo Dušan Zorić and Matija Gluščević make their feature debut with “Have You Seen This Woman?,” which has its world premiere Sept. 8 during the Venice Film Festival’s Critics’ Week. Variety has been given exclusive access to the trailer. Divided into three chapters, “Have You Seen This Woman?” presents three acts that follow three different lives of a middle-aged woman of the same name. In the heat of a summer day, Draginja discovers a dead body that resembles her. Elsewhere, another hires a fake husband to show off in front of her friends. Finally, on a cold winter night, a third Draginja roams the streets hoping to recover her lost memory. Through three different life possibilities, each tries to get out of her skin in her own way.

Chris Pine's rep is denying a fan theory. In a statement to ET, the 42-year-old actor's rep shuts down claims that Harry Styles spit on Pine at the premiere of their flick, at the Venice Film Festival. «This is a ridiculous story… a complete fabrication and the result of an odd online illusion that is clearly deceiving and allows for foolish speculation,» Pine's rep tells ET.

The tragedy at the center of “Love Life,” the new film from Japanese director Kōji Fukada which premieres in Competition at this year’s Venice Film Festival, does not come to disrupt a perfectly happy family. Cracks are visible in the facade of the life shared by Taeko (Fumino Kimura) and Jiro (Kento Nagayama) even before the fatal accident that claims the life of Keita (Tetta Shimada), her young son from a previous marriage.

Nick Vivarelli International Correspondent Last year Andrea Scrosati – who is group COO and continental Europe CEO of Fremantle – was at Venice with two films. This year Fremantle’s got six pics launching from the Lido, three of them in competition, which is a larger contingent than any of the U.S. studios or streamers.  Fremantle’s business model, which involves a cluster of companies mostly across Europe that they either fully own or are majority investors in, has been bearing fruit on their film side. Their output has grown “from 8 to 32 delivered movies in two years,” Scrosati says.  And the multi-pronged company’s Venice lineup – which includes Luca Guadagnino’s “Bones and All,” Emanuele Crialese’s “L’Immensità,” and Joanna Hogg’s “The Eternal Daughter” – is a reflection of that.

Penelope Cruz turned heads in two amazing looks at the 2022 Venice Film Festival this weekend!

Brendan Fraser suits up for the red carpet premiere of his new movie, The Whale, during the 2022 Venice Film Festival on Sunday (September 4) in Venice, Italy.

Marta Balaga LevelK has boarded Icelandic crime drama “Cold,” directed by Erlingur Óttar Thoroddsen and based on the bestselling book “The Undesired” (“Kuldi”) by Yrsa Sigurdardóttir. Still in production, it was recently pitched at Venice Gap-Financing Market. The story centers on Óðinn, living alone with his daughter Rún. As he investigates decades-old deaths at a juvenile treatment center, he begins to suspect that the sinister secrets are connected to his ex-wife’s mysterious suicide. As well as his daughter’s strange behavior. “Erlingur is an established, talented director who respects the audiences and finds it fascinating to thrill them,” says LevelK’s CEO Tine Klint.

Marta Balaga German helmer Alex Schaad takes on the body-swap trope in Venice Critics’ Week title “Skin Deep,” produced by Walker + Worm Film in co-production with Bayerischer Rundfunk and Donndorffilm. Beta Cinema, which handles the sales, has shared its trailer exclusively with Variety ahead of the film’s world premiere at the Italian fest. The intimate, character-driven story sees a young couple – played by “And Tomorrow the Entire World” actor Mala Emde and Jonas Dassler – deciding to visit a remote island, hoping they might be able to solve their problems in a place that literally allows you to be someone else. But Schaad, who co-wrote the script with his brother Dimitrij, wasn’t trying to deliver another “Freaky Friday,” eschewing easy laughs for a much more philosophical approach.

Trace Lysette arrives at the premiere of her new film Monica at the 2022 Venice Film Festival on Saturday (September 3) in Venice, Italy.

Naman Ramachandran Prolific Singapore-based production company Akanga Film Asia, led by producer Fran Borgia, has revealed a robust film slate, including several global co-productions. Borgia and filmmaker Yeo Siew Hua teamed on 2018 film “A Land Imagined,” which reaped a rich haul of awards around the world including top prizes at Locarno, Golden Horse, El Gouna, Pingyao, Singapore and Valladolid. They have now re-teamed on “Stranger Eyes,” which is selected at the ongoing Venice Production Bridge’s gap financing market. The film follows master of surveillance Inspector Goh, who, as he keeps a close eye on a suspected credit card thief, is drawn into the suspect’s world and starts to see himself in the skin of the perpetrator. As it sets him to question the true meaning of his work, Goh is tasked to track down a serial voyeur on the loose who has been videotaping people’s most private moments.

Bardo” be Alejandro González Iñárritu’s third best director Oscar in a row following “Birdman” and “The Revenant” wins? It’s a question many were asking heading into the Venice Film Festival, where the Netflix-backed “Bardo” world premiered in competition. The three-hour-long drama, which wrapped at 12:15 a.m. Venice time, earned a standing ovation of just over four minutes at the Sala Grande. A number of audience members began leaving before the movie ended given the late hour, but the vast majority stayed to applaud the helmer.Iñárritu was visibly moved by the reception to his film, certainly one of his most personal efforts to date, and had tears in his eyes as he embraced his cast and producers.

“White Noise.” She ditched her usual pantsuit look and instead donned a baby blue kaftan and shiny flats for the evening.Many were confused about why she was there, but rumors have swirled around that it was due to her connection to Netflix. The streaming giant is also at the helm of Clinton and her daughter Chelsea’s documentary, “In Her Hands.” The project will be the first from the Clintons’ new production company, HiddenLight Productions.