‘Jackass Forever’ Film Review: The Johnny Knoxville Harm Offensive Is Back, Irresistibly So

EXCLUSIVE: Matthew Modine (Stranger Things, The Dark Knight Rises) is the latest addition to the cast of Christopher Nolan’s anticipated film Oppenheimer for Universal Pictures.

Minamata, the Andrew Levitas film starring Johnny Depp, is getting a U.S. theatrical release this weekend with 27 runs, a full year after it was first skedded for U.S. screens.

Tomoko (Muneaki Kitsukawa) — the young daughter of his host family — the real song drops on the soundtrack, a moment of excessive underlining. Another moment, where Smith reflects on rejecting a bribe from a Chisso executive, is complicated by unnecessarily non-linear storytelling and some aggressive scoring from composer Ryuichi Sakamoto.Cinematographer Benoît Delhomme (“At Eternity’s Gate) crafts a naturalistic look with practical lighting and a fluid camera, rendering the film with a dark beauty, but Levitas also incorporates archival and recreated footage of the protests at Chisso, as well as capturing the photographic process with slow, almost completely still black-and-white sequences.

Jackass is still a hit!

Rebecca Rubin Film and Media ReporterAfter living through a pandemic for nearly two years, Americans, as it turns out, were in desperate need of a laugh.That may explain why Paramount’s go-for-broke action comedy “Jackass Forever” triumphed at the domestic box office while Roland Emmerich’s disaster epic “Moonfall” turned into an epic disaster.“Jackass Forever,” the fourth installment in the ongoing saga of projectiles to the groin, collected $23 million from 3,604 North American locations in its debut, landing on the higher end of expectations. The latest “Jackass,” starring Johnny Knoxville, Steve-O, Wee Man and other daredevils from MTV days, had been widely expected to win the weekend, but its victory is still surprising and impressive because it has been some time since a pure comedy has claimed the top spot on box office charts.

Brent Lang Executive Editor of Film and MediaWith much of the country bracing for or digging out from a nasty winter storm, two new releases are hoping to provide so much sizzle that moviegoers will brave the ice and snow to hit up their local multiplexes.In one corner: Lionsgate’s “Moonfall,” a disaster epic from Roland Emmerich, one of the most successful purveyors of cinematic destruction. In the other: Paramount’s “Jackass Forever,” the latest entry in the long-running series in which Johnny Knoxville, Steve-O and Wee Man risk life, limb and nether regions in the service of comedy. “Jackass Forever” scored a stronger Thursday previews showing, netting $1.7 million.

this — this insipid, hackneyed, laughable joke of a motion picture — is actually really cool. And the weirdest part of all is, they’re kind of right.

With its daredevil stunts and hilarious pranks, Jackass was one of the most popular shows of the noughties making huge stars of its cast. Now the original line-up is back for one more round of dangerous action with the film Jackass Forever, set to hit cinemas next week. Its main star Johnny Knoxville has vowed that this really will be his last foray into the world of crazy stunts after he sustained yet another serious injury.

Rebecca Rubin Film and Media ReporterWill this be the weekend that “Spider-Man: No Way Home” is dethroned at the box office once and for all?Paramount’s go-for-broke action comedy “Jackass Forever” and director Roland Emmerich’s disaster epic “Moonfall” certainly hope that’s the case. After an excruciatingly slow January at the movies, one that let “Spider-Man” tower over the competition for weeks, the two nationwide releases will try their hand at getting audiences to multiplexes.“Jackass Forever,” the fourth installment in the ongoing saga of projectiles to the groin, appears to have the best shot at taking down “Spider-Man: No Way Home,” which has spent six of the last seven weeks at No. 1.

Jackass aired its first episode on April 12, 2000, and the world would never be the same. Created by Jeff Tremain, Johnny Knoxville, and Spike Jonze, a group of men put their bodies on the line and their morals to the side as they performed dangerous and hilarious self-injuring stunts and pranks.

Carol Speed, who lit up the screen in the cult blaxploitation film The Mack died on Jan. 14 in Muskogee, Okla. She was 76 her family announced her death in a statement published online, but did not specify the cause.