Here Are All the String Covers in ‘Bridgerton’ Season 3

Derek Lawrence After spending more than a decade of their lives spearheading the phenomenon that was HBO’s “Game of Thrones,” David Benioff and D.B. Weiss weren’t necessarily in a rush to return to the world of adaptation. Neither had taken the quick plunge into Liu Cixin’s Chinese science-fiction epic “The Three-Body Problem” when the proposal of a series was first presented to them, despite it already sitting unread on Weiss’ Kindle.

Leo Barraclough International Features Editor The Match Factory has finalized global sales for the Cannes competition title “The Substance,” directed by Coralie Fargeat and starring Demi Moore, Margaret Qualley and Dennis Quaid. The Match Factory has sold to Italy (I Wonder Pictures), Spain (Elastica Films), Scandinavia (Nonstop Entertainment), South Korea (Challan), Hong Kong (Golden Scene Company), CIS (VLG.FILM LTD.), Ukraine and Baltics (Adastra Cinema), Taiwan (Catchplay), Australia and New Zealand (Madman Entertainment), Poland (Monolith), Greece (Feelgood Entertainment), the former Yugoslavia (MCF Megacom), Bulgaria (Beta Film) and Romania (Independenta Film 97).

Olivier Richters is joining the Reacher universe!

Angelique Jackson “Surreal.” That’s the best way Margaret Qualley can sum up her experience at the Cannes Film Festival this year, as one of the only actors to star in not one, but two films premiering in competition — Yorgos Lanthimos’ bizarre black comedy “Kinds of Kindness” and Coralie Fargeat’s feminist body horror thriller “The Substance.” This is Qualley’s third time at Cannes. For her first, in 2012, she walked the red carpet with her mother, Andie MacDowell; the second was in 2022, where she starred opposite Joe Alwyn in Claire Denis’ “Stars at Noon,” making her Cannes debut as an actor. “I’m the luckiest person,” Qualley told Variety about her various experiences at the festival.

Selome Hailu “My Next Guest Needs No Introduction With David Letterman” has been renewed for a fifth season at Netflix, which will consist of two episodes in which the venerated late night host interviews Miley Cyrus and Charles Barkley. “They did shoot a pilot with another girl,” Cyrus says in the trailer, likely referring to “Hannah Montana,” the Disney Channel series that launched her career. Upon showing that pilot to a focus group, she continues with a smile, “They weren’t relating with her.

and at just become the mother duo we never knew we needed? Yes—yes, they did. On May 19, the costars of The Substance were giving Black Swan two ways; Qualley in head-to-toe balletcore and Moore wearing a mermaid gown with a three-dimensional bow detail at the bust.Margaret Qualley and Demi Moore attend the premiere of The Substance on May 19.

SZA to Fred Again.. and Bring Me The Horizon head Down Under for unmissable shows.

Warning: Spoilers below!Give them everything. The internet is in a tizzy over the latest steamy scene in “Bridgerton” Season 3. In the hot and heavy moment, which happens in the fourth episode of the Netflix hit, Colin (Luke Newton) and Penelope (Nicola Coughlan) get busy in a carriage — as an instrumental version of the 2011 hit “Give Me Everything” by Pitbull plays — for nearly three minutes.

CANNES – For a moment, we thought Coralie Fargeat’s “The Substance” had overstayed its welcome. But, no, the “Revenge” director was just taking a breath before unleashing a wild and operatic ending for her Cannes Film Festival debut.

Have you ever dreamed about being a better version of yourself? With her second film, Coralie Fargeat not only addresses this question but takes aim at ageism and sexism in the entertainment industry with a riotous, dreamlike horror-thriller that ends in a delirious symphony of blood, guts and otherwise undefinable viscera. Imagine David Lynch’s Mulholland Drive fused in a telepod with David Cronenberg’s Dead Ringers, add the unbelievably dynamic pairing of Demi Moore and Margaret Qualley, process it through the ultra-vivid color palette that is Fargeat’s hyper-saturated imagination, sprinkle a bit of J.G. Ballard on top, and you have the perfect breakout genre movie of the year.

The Substance” — a body horror thriller from French director Coralie Forgeat starring Demi Moore and Margaret Qualley — rocked Cannes Film Festival on Sunday night with an 11-minute standing ovation. Its the tale of a once-great actress (Moore) whose certain age has relegated her to a Jane Fonda-style fitness show. When she’s fired, she is offered a trial of the medical treatment the film is named after.

Owen Gleiberman Chief Film Critic Shocking and resonant, disarmingly grotesque and weirdly fun, “The Substance” is a feminist body-horror film that should be shown in movie theaters all over the land. By that, I don’t mean that it’s some elegant exercise in egghead darkness like the films of David Cronenberg, or a patchy postmodern punk curio like “Titane.” Coralie Fargeat, the writer-director of “The Substance,” has a voice that’s italicized, in-your-face, garishly accessible and thrillingly extreme.

Ellise Shafer With only her second film, Coralie Fargeat has gone from admiring body horror king David Cronenberg to being in competition with him at this year’s Cannes Film Festival. Fargeat’s “The Substance,” described as a feminist take on the body horror genre and starring Margaret Qualley and Demi Moore, bows at Cannes on Sunday night, the day before Cronenberg’s latest frightful offering, “The Shrouds,” will do the same.

Kevin Costner was honored with France’s Order of Arts and Letter at the Cannes Film Festival on Sunday, ahead of the Out of Competition world premiere of his two-part Western epic Horizon: An American Saga.

The stars of Yorgos Lanthimos‘ new movie are taking over the 2024 Cannes Film Festival!

Is Billie Eilish going more Taylor Swift? Or are fans just quicker to pick up on this kind of thing thanks to Tay? Either way, we’re kind of into it!

EXCLUSIVE: In a competitive situation, Netflix has landed for development Forever, Interrupted, a limited series based on the 2013 bestselling novel by Taylor Jenkins Reid, sources tell Deadline. Laura Dern and Margaret Qualley are set to star in and executive produce the project, from A24 and company-based producer Jessica Rhoades. Julia Bicknell is writing the adaptation and will serve as showrunner. Netflix declined comment.

Filmmaker Coralie Fargeat’s “The Substance” horror had been under wraps for some time. Described as a body horror seen through a feminist lens, for months, all the French writer/director has said about the movie was that it would “push boundaries with a different kind of violence.” But if the Cannes Film Festival synopsis wasn’t already self-evident, the newly released teaser for “The Substance” basically gives up the ghost.

Based on Julia Quinn’s Romancing Mister Bridgerton Season 3 of Netflix and Shondaland’s Bridgerton watches the friends-to-lovers romance between Colin Bridgerton (Luke Newton) and Penelope Featherington (Nicola Coughlan) bloom. While their book comes fourth in the series after Benedict’s love story, the show has moved their installment up in the order of Bridgerton sibling romances. Francesca’s (Hannah Dodd) love story also intertwines more significantly in the expanded two-part season, with Part 1 releasing May 16 on Netflix and Part 2 June 13.

Elsa Keslassy International Correspondent “The Substance,” Coralie Fargeat’s buzzy horror movie starring Margaret Qualley and Demi Moore, has sold to one of France’s biggest distributors, Metropolitan FilmExport, ahead of its world premiere in competition at the Cannes Film Festival. The Match Factory is handling international sales on the female-powered movie, and MUBI just acquired the rights in North America, U.K., Ireland, Germany, Austria, Latin America and Benelux, where they will release the film theatrically this year. MUBI has also acquired the movie for Turkey and India.