Also Read: 'The Painted Bird' Director Explains Why His 'Brutal' WWII Film Is Timelier Than 'The Avengers'Marhoul’s film isn’t shy about the steady stream of ugliness, and that’s likely to turn away the terror-sensitive, and yet its immersive aesthetic also allows for the visually poetic and compassionate, even if those moments are few and far between.Our unnamed protagonist, played by Kotlár with uncanny watchfulness, is not explicitly identified as Jewish or Roma.