’Galileo: A Rock Musical’ Review: Grafting 80s-Style Power Ballads Onto The Story of a Renaissance Visionary Yields Assertive But Awkward Results

Owen Gleiberman Chief Film Critic If you want to know how the definition of “scandal” has changed with the decades, you couldn’t do much better than to see “Taking Venice,” Amei Wallach’s highly enjoyable and revealing documentary about a legendary uproar in the art world. The film chronicles what happened at the 1964 Venice Biennale — the exhibition of contemporary art, held every two years, that culminates in the awarding of an esteemed grand prize. At the time, the Biennale was considered to be a kind of art-world equivalent of the Olympic Games.

Spotify’s CEO, after he claimed that “the cost of creating content” in today’s world is “close to zero”.Daniel Ek, the CEO of the streaming giant, sparked backlash following the comments he made yesterday (May 29) – implying that it is easier and more affordable than ever to create “content” thanks to modern technology.Writing on X/Twitter, he shared an update which read: “Today, with the cost of creating content being close to zero, people can share an incredible amount of content. This has sparked my curiosity about the concept of long shelf life versus short shelf life.”He continued: While much of what we see and hear quickly becomes obsolete, there are timeless ideas or even pieces of music that can remain relevant for decades or even centuries.

Jessica Kiang It’s not only because of its similar time frame that Boris Lojkine‘s hurtling, headlong social-issues drama “The Story of Souleymane” recalls “Two Days, One Night” by the Dardenne brothers. Lojkine’s film, which was awarded the jury prize and a well-deserved best actor award in the Un Certain Regard competition in Cannes, is similarly invested in its electrifying lead — non-professional Abou Sangare, making an unforgettably persuasive and poignant debut — and similarly effective in maintaining a level of urgency and high-stakes personal peril that few genre thrillers can muster.

Owen Gleiberman Chief Film Critic When you sit down to watch a documentary about the Beach Boys, you know what you want: to be immersed in the California dreamin’ of the group’s early surfin’-hit days, in the jaunty beauty of songs like “I Get Around” and “Help Me Rhonda,” and in the story of how Brian Wilson began to figure out a way to turn pop songs into miniature symphonies. You want to be immersed in the recording of “Pet Sounds,” in the Beach Boys’ rivalry with the Beatles, in the derailed masterpiece that was “Smile,” and in how Brian’s mental and emotional problems began to tear himself and the group apart.

Joey King is on the cover of Only Natural Diamonds, the Natural Diamond Council’s seasonal magazine, so it’s only natural that she’d talk about her engagement ring!

By the time we meet them, Chatila and Reda already are down in the lower depths. Cousins from Palestine, they have spent much of their lives living as refugees on the run. Having made it as far as Athens, a kind of holding zone for people from the Middle East trying to slip into Europe, they are trying to scrape together money to get to Germany.

Kelly Rowland is speaking out about what happened on the red carpet at the 2024 Cannes Film Festival during that tense altercation with a security guard.

Jessica Kiang The dogged pursuit of the relationship unicorn that is the good break-up informs the wit and winking wisdom of Jonás Trueba‘s “The Other Way Around,” a delightful showcase for the Spanish director’s lithe, airy style, here accented with glistening strands of Madrileño meta-melancholy. A hip, popular twosome decide to call it quits after 14 years, cuing a very funny yet properly grown-up portrait of the ideal couple trying to smoothe, and even to celebrate, their transition into ideal exes. It’s the celebration aspect that will prove their undoing.

A.D. Amorosi With the arrival of the Paramount+ documentary miniseries “Lolla: The Story of Lollapalooza,” alt-rock fans who attended the era-defining Lollapalooza festival in its national heyday will experience a rush of nostalgia, and viewers from Gens Z and Alpha will see and hear what Gen X has been crowing about since 1991. That’s the year Perry Farrell created a touring farewell party for his Jane’s Addiction, invited still-new bands such as Nine Inch Nails and Ice T’s Body Count for the ride, and found a tribe of like-minded rebel youth enthralled with his tribal gathering.

The first of a four-part crime story based on a real event is airing on Channel 4 tonight (Monday, May 20). The series gives a fascinating account of a man who awoke from a Covid coma to discover that the police had identified him as a fugitive from justice and one of America’s most wanted criminals.

Swept Away, the musical with music and lyrics by roots rock band The Avett Brothers, will arrive on Broadway this fall following previous stagings at California’s Berkeley Repertory Theatre and Washington’s Arena Stage.

As we bid farewell to the chillier days of spring and welcome in the slightly more tropical season of summer, it's time to refresh our wardrobes with some effortlessly chic, breezy pieces. And one place that is renowned for being a go-to for those transitional items that will see you through the seasons in style is, of course, M&S.

Police arrested a man on suspicion of assault after a brawl spilled out onto the street. Officers were called to Old Market Street in Blackley just before 11pm yesterday after reports of a 'disturbance'.

CANNES: You are no doubt familiar with the work of Renate Reinsve. The Norwegian actress earned accolades for her performance in Joachim Trier’s stellar “The Worst Person in the World,” and if you happened to attend the 2024 Sundance Film Festival this past January, you may have seen her in Aaron Schimberg’s lauded “A Different Man.” Reinsive has already proven her prowess as an actress, but there is a scene in her latest endeavor, “Armand,” which, and excuse the justified hyperbole, is simply startling.

Netflix‘s Baby Reindeer.Harvey appeared on Piers Morgan Uncensored last Thursday (May 9), her first television interview since confirming her identity earlier in the week.Baby Reindeer is a semi-autobiographical series written by the comedian Richard Gadd that claims to tell the “true story” of a struggling stand-up (played by Gadd) who is maliciously stalked by an older woman named Martha.In the interview, which has been viewed over 10 million times, Harvey denied many aspects of the show’s narrative, saying that she did not stalk Gadd, attack his girlfriend, destroy the bar he worked in or contact his parents. She also strongly denied being convicted of any charges, which is the fate that befalls Martha in the show.Viewers were quick to question the ethics of the interview since Gadd has previously stated that his real stalker was “mentally unwell”.

The Story So Far have shared details of a UK and European tour, set to take place later this year – find ticket details below.The upcoming tour will comprise 13 shows across the UK and Europe, and kicks off with an opening slot at the Engine Rooms in Southampton on October 23. From there, seven more headline dates are scheduled for Bristol, Oxford, Glasgow, Newcastle and Norwich.A slot at Outbreak festival is also listed amid the headline shows, taking place in Manchester on October 27, and the last of the UK dates are set for the O2 Institute in Birmingham and The Roundhouse in London on November 1 and 2 respectively.From there, Parker Cannon, Kevin Geyer, Ryan Torf and Will Levy will head overseas for four gigs across Europe.These include a show at the Trix venue in Antwerp on November 5, and continue with shows in Hamburg (6) and Cologne (7).

Beauty buffs have discovered a sagging eye anti-ageing cream which they insist works 'so powerfully' on wrinkles, they've started to use it on their entire face. Better still, the youth-defying cream, which is said to act as a 'filler' without the needles, is currently on sale.

Poor Pauly D!

In Jane Schoenbrun’s films, ecstasy and annihilation coexist on the other side of a screen. Their 2021 debut We’re All Going To The World’s Fair took the chokehold of internet addiction and turned it into a horror movie; their new film I Saw The TV Glow returns to the genre and expands on the contemporary themes.

Whenever Marvel releases a project that deals with the idea of a multiverse, fans go crazy with rumors about who will show up as a cameo. And for “Deadpool & Wolverine,” the multiverse story was compounded by the fact that many believe the film will end the “X-Men” universe that began over at Fox in 2000.