Kelly Rowland stole many red carpet headlines from this year’s Cannes Film Festival, with a visible confrontation with a female security officer as she made her way up the famous steps and into the Palais.
08.05.2024 - 21:51 / deadline.com
An entertainment division of leading French union CGT has thrown its weight behind Cannes Film Festival and other French festival workers who are intending to strike and protest next week over pay and the nature of employment contracts.
The Audiovisual and Cinema Professionals branch of major union CGT took to Instagram tonight to express solidarity with the workers, noting that the “The SPIAC-CGT supports the strike during the Cannes Film Festival, decided by the general assembly of Under The Screens, The Waste: The Collective of Precarious Workers at Film Festivals.”
The union continued: “We cinema, audiovisual and animation technicians are united with these workers who are constrained to work in conditions which are financially and materially more and more difficult, so that participating films can be shown in the best possible conditions. The making of a film only has a sense if it can be shown, and festivals play a big part in the life and promotion of cinematic works particularly in France.”
The SPIAC-CGT statement noted that the situation for festival workers was set to get tougher due to upcoming reforms of unemployment benefit and backed their demands to be integrated into France’s intermittent scheme, designed to ensure regular income for workers in the entertainment sector.
The group said: “Festival workers currently do not enjoy that status and turn to employment benefit in between contracts. Stricter rules around eligibility for unemployment benefit means they will have no means to survive financially between gigs…The successive reforms of employment benefit and those that are coming are making the situation more and more fragile for festival workers who too often are subjected to low salaries and
Kelly Rowland stole many red carpet headlines from this year’s Cannes Film Festival, with a visible confrontation with a female security officer as she made her way up the famous steps and into the Palais.
CANNES – A very popular actor in his native France, Gilles Lellouche has dipped his toe into filmmaking co-directing one movie and helming another over the past 20 years. Nothing he’s directed previously would prepare anyone for the impressive visual authority he welds over the camera in “Beating Hearts,” which debuted at this year’s Cannes Film Festival.
France’s Precarious Film Festival Workers Collective has warned that the Cannes Film Festival and France’s other major film events will be at “risk” due to a widescale exodus from the industry by festival staffers after plans they drew up to resolve their ongoing pay dispute were “rejected” by the French culture and labor ministries.
It has been a big week for the beloved 1964 musical, The Umbrellas Of Cherbourg at the Cannes Film Festival where it won the 1964 Palme d’Or and went on to international acclaim and five Oscar nominations, plus served as one of the key inspirations for Damien Chazelle’s Oscar winning La La Land.
transforming the red carpet of the 77th annual Cannes Film Festival into a chichi bridal aisle. Stealing the spotlight from the marquee movies premiering at this year’s fête along the French Riviera, celebrated starlets such as Anya Taylor-Joy, Uma Thurman, Kelly Rowland and Helena Christensen stunned in wedding-inspired gowns from luxe houses of design. And the radiantly white regalia left online onlookers saying “yes” to each dress.
Trite as it certainly sounds, the saccharine label of a “lover letter to cinema” applies all too precisely to French director Arnaud Desplechin’s enchanting docufiction effort “Filmlovers!” (“Spectateurs!”). But even with that obnoxiously overused denomination hanging over it, this multifaceted personal essay succeeds at rekindling or reaffirming one’s own relationship with the miracle of this young art form that we so often take for granted.
Elsa Keslassy International Correspondent Cannes Film Festival president Iris Knobloch said she learned about the “power of cinema to carry messages, liberate speech and accomplish a duty of remembrance” from her parents, who are Holocaust survivors. Speaking at the Kering Women in Motion Talks at the Cannes Film Festival on Tuesday, the Munich-born Knobloch said her parents took her to the movie theater several times a week.
“Yellowstone” star, 69, insisted that he “didn’t f–king cry” as it seemed he did when his new movie, “Horizon: An American Saga,” received an 11-minute standing ovation at the Cannes Film Festival. Costner appeared on “Jimmy Kimmel Live!” Tuesday after his trip to France and revealed what was going through his mind when he experienced the positive response to his Western feature. “I actually started walking my life backwards for a second,” he said.
After a week of small and impromptu demonstrations, Cannes Film Festival workers are set to hold talks this afternoon with festival management, the CNC, and France’s other major entertainment unions about how to resolve their ongoing dispute over pay and worker benefits.
le town.The controversial movie “The Apprentice,” depicting the former president’s rise to fame in New York high society during the 1970s, premiered Monday at the Cannes Film Festival in France to a glamorous crowd including Cate Blanchett and Bella Hadid.The movie received a standing ovation ranging from eight to 11 minutes, according to accounts.In the drama, Sebastian Stan plays a younger Trump as he meets power lawyer and fixer Roy Cohn (Jeremy Strong of “Succession”) and first wife Ivana (Maria Bakalova of “Borat Subsequent Moviefilm”).While his political ambitions are said to be hinted at, “The Apprentice” does not cover the 2016 and 2020 presidential elections or Trump’s four years in the White House. It also has nothing to do with the NBC reality TV series he hosted.What it does have, according to viewers, are shocks aplenty.During one cringey scene, Trump is said to get liposuction and a hair transplant.And, in another jarring moment, he violently rapes Ivana.
Cannes Film Festival. The actress and singer, 31, was moved to tears after her new film, “Emilia Perez” received a 9 minute-long standing ovation at the Cannes Film Festival on Saturday. This marked the longest standing ovation for any movie premiere at the France-based cinema bash so far this year.A Variety video shows Gomez smiling and tearing up as the crowd cheers after watching her performance in the film.Directed by Jacques Audiard, “Emilia Perez” is about a Mexican cartel leader, played by Karla Sofía Gascón, who is seeking gender-affirming surgery.
Imagine a film where Cate Blanchett plays a version of Angela Merkel. And Charles Dance is a Joe Biden parody in full British accent.
CANNES – You have to give Jacques Audiard credit. The famed French filmmaker has proven time and time again he isn’t afraid to take big swings.
Filmmaker Coralie Fargeat’s “The Substance” horror had been under wraps for some time. Described as a body horror seen through a feminist lens, for months, all the French writer/director has said about the movie was that it would “push boundaries with a different kind of violence.” But if the Cannes Film Festival synopsis wasn’t already self-evident, the newly released teaser for “The Substance” basically gives up the ghost.
Rithy Panh has dedicated the lion’s share of his career to interrogating the genocidal Khmer Rouge era in his native Cambodia, and it is no trivial obsession. Panh fled Phnom Penh when he was just 11, and after his family was devastated in the Killing Fields, he escaped to a Thai refugee camp at 15. Now 60, Panh has been committed to keeping the memory of the impact of Pol Pot’s tyrannical regime alive in documentary, narrative and animated film.
Russian director Kirill Serebrennikov to Cannes this year with his fourth film in Competition and his first in English. Titled Limonov: The Ballad, it tells the incredible story of Eduard Limonov — pronounced “Le-morrr-nov” not “Limunuv” — a Russian renegade poet who traversed the world, reinventing himself whenever times got hard (and they usually did). To star, the director chose British actor Ben Whishaw, himself a chameleonic actor who’s just as at home taking tea with the Queen in his Paddington guise as he is playing Hamlet onstage at the Old Vic. Here, he talks about getting to grips with an enigma and recalls his first-ever Cannes for her movie Bright Star in 2009.
“Mommie Dearest” actress walked the red carpet at the premiere of the action film “Furiosa: A Mad Max Saga” starring Chris Hemsworth and Anya Taylor-Joy. She was joined by Laurent Bouzereau, 62, who is the director of her new documentary that is premiering at Cannes, and her son Liam Dunaway O’Neill, 43, who appears in the HBO doc.The Hollywood icon wore a black blazer over a white shirt with black pants.
Ben Croll Shortly before last year’s Cannes Film Festival, director Sophie Fillières attended a cast and crew screening of “Anatomy of a Fall.” The filmmaker had a supporting role in the film, playing the deceased’s sister, and she soon celebrated her work’s Palme d’Or win from afar, hanging back in Paris, where she was preparing to shoot her seventh feature, “This Life of Mine.” The five-week production kicked off in late June, running smoothly and wrapping on the last day of July. The next day, Fillières checked into the hospital; in less than a month, she was gone.
EXCLUSIVE: France’s main union for people employed in the entertainment and culture sectors – CGT-Spectacle – is poised to give its official support for planned strike action by festival workers during the upcoming edition of the Cannes Film Festival.
The Anaheim City Council gave final approval today to DisneylandForward, the $1.9 billion, Disney’s multi-decade expansion plan for Walt’s original park. Today’s 7-0 procedural vote came after a unanimous vote approving the project in April. The zoning and other changes laid out by the plan to take effect in 30 days.