North West has officially made her on-stage debut in a live production of The Lion King!
05.05.2024 - 19:53 / deadline.com
A24’s I Saw The TV Glow beamed out one of the best limited openings of the year as the specialty market shows signs of life after a dreary April.
The ‘90s era trans coming-of-age horror-thriller grossed $116.3k at four theaters in New York and LA for a per screen average of $29k for Jane Schoenbrun. It’s the helmer’s second outing after We’re All Going To The World’s Fair established them as an edgy new voice. The film, which premiered at Sundance, saw multiple sold-out Q&As over the weekend with strong reviews and exit polls. Expands into selected top markets this weekend with a continued rollout to follow.
Produced by Emma Stone under her Fruit Tree Banner, it follows a teenager named Owen (Justice Smith) trying to make it through life in the suburbs. The weirdness starts when his older classmate (Brigette Lundy-Paine) introduces him to a mysterious late-night TV show, a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.
Oscilloscope’s Telluride-premiering Wildcat, directed an co-written by Ethan Hawke and starring Maya Hawke as Flannery O’Conner, also had a nice opening with an estimated $58.1k on four screens in NY/LA, with sold-out showtimes over the weekend. The PSA of $19.4k was buoyed by strong engagement from key talent and a targeted marketing campaign.
The life of literary icon Flannery O’Connor, which flits between her reality and her stories, also stars Laura Linney, Cooper Hoffman and Steve Zahn. The film rolls out to select markets through May.
And Sideshow/Janus Films’ release of Ryusuke Hamaguchi’s Evil Does Not Exist is seeing an estimated $43.3k on three screens (Film Forum, Film at Lincoln Center in NYC and AMC The Grove in
North West has officially made her on-stage debut in a live production of The Lion King!
Jordan Moreau Witness her: “Furiosa: A Mad Max Saga” is off to the races at the box office this holiday weekend. Director George Miller’s R-rated prequel to “Mad Max: Fury Road” has made $3.5 million in previews so far. The Warner Bros.
Rebecca Rubin Senior Film and Media Reporter “Garfiosa”? “Furiofield”? Whatever the portmanteau for this Memorial Day weekend’s dual release of “Furiosa: A Mad Max Saga” and “The Garfield Movie,” the two newcomers are aiming to jolt the sluggish summer season. (“Barbenheimer” it is not, but exhibitors will take what they can get as overall ticket sales remain roughly 20% behind 2023.) “Furiosa,” the fifth entry in director George Miller’s post-apocalyptic “Mad Max” series, looks to lead the way with $40 million to $45 million from 3,750 venues over the four-day holiday weekend. Sony’s animated “The Garfield Movie” should trail in second with $30 million to $35 million from 4,000 venues between Friday and Monday.
EXCLUSIVE: Ozark‘s Felix Solia has signed on to star opposite Jacob Moran, Madeleine McGraw and Violet McGraw in The Necklace, a horror film from director Juan Pablo Arias Munoz that heads into production in Atlanta in late May.
Naman Ramachandran It was a neck-and-neck battle atop the U.K. and Ireland box office between Paramount’s “IF” and Disney’s “Kingdom of the Planet of the Apes.” While Disney’s simian saga won the three-day weekend, Paramount’s Imaginary Friend tale was the winner including previews. “IF” bowed with £2.4 million ($3 million), while in its second weekend, “Kingdom of the Planet of the Apes” grossed £2.1 million ($2.7 million) for a total of £7.6 million ($9.7 million), per numbers from Comscore.
There have been a million films about films. How many times have you seen a director make a movie about the love of movies? It’s so commonplace that it almost loses its meaning.
MGM/Imax’s The Blue Angels lands a hefty $1.3 million on just 255 domestic Imax screens from limited showtimes in the large format exhibitor’s exclusive theatrical engagement. The Paul Crowder film, with Glen Powell and Bad Robot as producers, follows the Navy’s famed demonstration flying squadron. It also “ushers in a new era for IMAX Documentaries, or Docu-busters,” the company said. It’s no. 9 at the domestic box office
Refresh for latest…: After starting early offshore release on John Krasinski’s IF last weekend, Paramount expanded the imaginary friends film to another 56 international box office markets this session. The overseas frame was worth $20M, bringing the international running cume to $24M. With domestic’s $35M debut, the worldwide total is now $59M.
according to The Numbers.The Post called the movie, which has Ryan Reynolds as its leading man, “a schmaltzy family flick that makes less sense the more you think about it.”It is slated to earn $31.5 million this weekend, which is a staggering $10 million less than was originally predicted, according to Screen Rant.Disney’s “Kingdom of the Planet of the Apes” came in second, with $6.8 million in sales. This is a 70% departure from its earnings on May 10, its opening day, Variety reported.The sci-fi flick, a sequel to 2017’s “War for the Planet of the Apes,” “continues this damn dirty science-fiction franchise’s reign as one of the best out there,” according to The Post.Landing in third was “The Strangers: Chapter 1” with a $5.1 million take.The horror film is centered around a young couple stranded in a remote town and forced to stay in an Airbnb where they are terrorized by three masked strangers.Its director, Renny Harlin, who was at the helm of “Die Hard 2,” “Deep Blue Sea” and “A Nightmare on Elm Street 4,” already completed parts two and three of the trilogy.
Jack Dunn Umbrelic Entertainment has unveiled the cast of its upcoming horror film, “The Possession at Gladstone Manor,” which includes Caylee Cowan (“Hypnotic”), Jesse Metcalfe (“John Tucker Must Die”), Charlotte Kirk (“The Reckoning”), Darren Weiss (“Inside Man”), Barbara Crampton (“You’re Next”), William Mapother (“Blackhat”) and Lin Shaye (“Insidious” franchise). Production is currently underway in Kansas City, and AMP’s Anthony Buckner is handling international sales at this year’s Cannes Film Festival. According to an official logline, “The Possession at Gladstone Manor” picks up “when Jamie Black discovers her mother has gone missing [and] resolves to investigate by applying for the same job her mother held at Gladstone Manor.
CANNES – George Miller’s “Furiosa” got a warm reception from global critics and the Cannes Film Festival faithful last night, and it already has many wondering if another “Mad Max” film is in the works. Miller has often told the story about how “Fury Road: A Mad Max Saga” was only made after scripts provided the back stories for Furiosa (originally played by Charlize Theron) and Max (Tom Hardy) were completed.
Only Murders In the Building‘s “starriest season yet” is coming to Hulu. The comedy mystery series’ leads Steve Martin, Martin Short and Selena Gomez took to the stage at the Disney upfront presentation for some hijinks and to introduce Season 4, which will premiere Aug. 27.
Searchlight Pictures has announced that its drama The Supremes at Earl’s All-You-Can-Eat, starring Uzo Aduba, Aunjanue Ellis and Sanaa Lathan, will be available to stream exclusively on Hulu on August 23.
Jane Schoenbrun’s I Saw Then TV Glow is looking at an estimated $195k+ on 21 screens, a great week-two expansion for the A24 film. The number is driven by a passionate fan base for the gender-bending supernatural thriller that’s been skewing very young, male and heavily LGBTQ+. Will continue a rollout in coming weeks. It’s not clear where the screen count will max out, but so far so good.
EXCLUSIVE: 20th Century Studios/Disney’s Kingdom of the Planet of the Apes is beating its chest towards a $125M global bow this weekend. At the international box office, we understand the Wes Ball-directed installment is at around $31M through Friday. As Anthony has reported, domestic is looking at a $52M-$55M start for the full frame.
The highly anticipated clash between Tyson Fury and Oleksandr Usyk is finally on the horizon.Originally scheduled for earlier this year, Saturday, May 18 is now the date the two giants of boxing will lock horns. It's been over two decades since the heavyweight division witnessed a unified world champion, with Lennox Lewis holding that distinction back in 1999 and boxing fans will now get to see another holder of all four belts.Now, with Fury and Usyk set to collide in a major undisputed fight, the excitement among boxing enthusiasts, both casual and die-hard, is palpable in the lead-up to the huge night which is taking place in Saudi Arabia. In an interesting turn of events, there's been an inclusion of a rematch clause which ensures that, regardless of the outcome, Fury and Usyk will cross paths once again, hinting at the potential for a compelling series between the two.
North West is headed to the stage!
The great Broadway Crunch of Spring 2024, when 18 new productions opened between mid-March and late April – 19 if you count the commercial transfer of Appropriate – seems to be showing early signs of the inevitable shake-out, with one show (Lempicka) closing soon and a few others already playing to houses with attendance at 80% of capacity or less.
Naman Ramachandran Universal’s “The Fall Guy” debuted atop the U.K. and Ireland box office with £3.5 million ($4.5 million), according to numbers from Comscore. But the force was strong with Disney’s 25th anniversary rerelease of “Star Wars: Episode I – The Phantom Menace,” as it debuted in second place with £1.1 million.
EXCLUSIVE: Shark in the water! The third installment in the hit shark thriller franchise 47 Meters Down is launching at the Cannes market.