Tony Gilroy Latest Celebrity News & Gossip

This story about Andy Serkis and “Andor” first ran in the drama issue of TheWrap’s awards magazine.A long time ago in a galaxy far, far away… Andy Serkis was already a part of “Star Wars.”Thanks to the magic of performance capture, the actor starred as Snoke, the gnarled heir apparent to the evil Galactic Emperor, in J.J. Abrams’ “Star Wars: The Force Awakens” and Rian Johnson’s “Star Wars: The Last Jedi.” So it was a surprise when Serkis, in human form, popped up in “Andor,” Tony Gilroy’s live-action prequel series to 2016’s “Rogue One: A Star Wars Story.”Serkis plays Kino Loy, an inmate in an Imperial prison that is also holding Diego Luna’s Cassian Andor. Loy is a gruff enforcer who is slowly radicalized by Andor and his escape plan.

When Andy Serkis tells you that a Science Fiction or Fantasy story is special, believe him. An integral part of the most recent “The Lord of the Rings” and “Planet of the Apes” cinematic franchises, the celebrated British actor and filmmaker knows how hard it is to balance real-world themes in fantastical worlds.

Star Wars series Andor was supposed to feature the franchise’s first ever F-bomb, but it ended up being refused by Disney.Created by Tony Gilroy, the series takes place five years before events in 2016’s Rogue One: A Star Wars Story, as Cassian Andor (Diego Luna) becomes involved in the mounting resistance against the Galactic Empire.It is the fourth live-action series set in the Star Wars universe, following The Mandalorian, The Book Of Boba Fett and Obi-Wan Kenobi.In a new interview with Variety, director Benjamin Caron revealed that the show was set to feature an F-bomb in a crucial scene, but the request ended up being turned down by Disney.In the scene, Cassian’s late adoptive mother Maarva Andor delivers a speech via hologram, which ends: “Fight the Empire!”As Caron revealed, the initial script instead had her saying: “Fuck the empire!”“Disney wouldn’t let us use it,” he revealed. “So we changed it to ‘Fight the empire.’ I remember having a call with Tony Gilroy saying, ‘Are we gonna get away with this?’”The director added how he “wrote a legal brief” to Disney encouraging them to let them use the word.

Star Wars‘ Andor series on Disney+ was meant to include the franchise’s first ever F-bomb.

Sometimes there is no greater thrill than taking a gigantic risk and being rewarded for it. In many ways, that’s what Tony Gilroy, Diego Luna and the cast and crew of “Andor” have experienced over the past year.

While “Star Wars” fans await the premieres of “Ahsoka,” “Star Wars: Skeleton Crew,” and “The Acolyate,” another anticipated series looms on the release horizon: “Andor” Season 2. And excitement for Tony Gilroy‘s show is well deserved.

Hayden Christensen and Diego Luna have never met, but as Christensen puts it, they’ve occupied the “same galaxy” for years. Christensen rocketed from teenage obscurity in Canada when George Lucas cast him as Anakin Skywalker for 2002’s “Star Wars: Episode II — Attack of the Clones” and 2005’s “Revenge of the Sith,” which chronicled the young Jedi’s transformation into the iconic villain Darth Vader. The Mexican-born Luna — who rose to prominence in Alfonso Cuarón’s 2001 coming-of-age masterpiece “Y tu mamá también” — joined “Star Wars” for 2016’s “Rogue One,” a prequel about the band of rebel spies, led by Luna’s Cassian Andor, that steal the plans for the Death Star.

EXCLUSIVE: Scott Alexander and Larry Karaszewski, the famed writers, directors and producers who have thus far shard two Emmys, two PGA Awards, two WGA Awards, a USC Scripter Award and a Golden Globe, will add another prize to their mantels, having been tapped to receive the Bill Wittliff Award for Screenwriting at the 30th annual Austin Film Festival.

Alison Herman TV Critic All awards shows are arbitrary, and none more so than the Emmys, for which voters must select a handful of nominees and winners from an ocean of worthwhile television. The shows on this list, arranged alphabetically, represent just a small sampling of the series that deserve recognition from the TV Academy, and while some are more likely to receive an official nod than others, all are worth viewers’ precious time. In its first season, “Abbott” became the increasingly rare broadcast sitcom to resonate with both audiences and critics.

Seth MacFarlane is standing with striking writers.

Sophia Scorziello editor The ATX TV Festival has made changes to their program amid the ongoing writers strike, including the addition of the WGA on Strike! panel of leading television writers. The conversation will address the key issues that writers are fighting for as they share why the strike matters to Hollywood and entertainment unions at large. The panel will host Zoanne Clack (WGA West), Greg Iwinski (WGA East, negotiating committee), Damon Lindelof (WGA West) and Julie Plec (WGA West) and will be moderated by Beau Willimon (WGA East). The festival has cancelled select programs, including “Late Night with Seth Meyers,” the “Andor” conversation with Tony Gilroy, “Tiny Beautiful Things” conversation with Liz Tigelaar and Cheryl Strayed and the “Dawson’s Creek” 25th Anniversary Screening & Conversation.

Tony Gilroy is standing with the writers amid their strike.

Andor creator/showrunner Tony Gilroy says he has ceased all non-writing producing duties on the Disney+ series amid the WGA strike.

Adam B. Vary Senior Entertainment Writer When A.C. Bradley was hired to write on the 2022 Disney+ series “Ms. Marvel,” part of her job entailed going to set every day to help with re-writing scenes on the fly while the show was being filmed. “It was a mixture of everything from wanting to add new characters into the show to needing to change things because of location,” Bradley tells Variety. Just one example: The day the production was set to shoot a chase sequence at Marriott hotel, she helped to add a beat where the chase entered the kitchen because it was nearby. “Why not use what you have?” This kind of scenario is, of course, no longer possible during the ongoing writers strike. “Pens down” means no WGA member can write or change scripts whatsoever, before, during or after production. In many cases, that has meant that showrunners have left their shows entirely, like “The Lord of the Rings: The Rings of Power” executive producers J.D. Payne and Patrick McKay or “Cobra Kai” executive producer Jon Hurwitz. Other writers rooms have shut down in advance of production on their next seasons, like “Abbott Elementary” and “Yellowjackets.”

Diego Luna hangs out with a pair of Stormtroppers at an Emmy FYC screening for Andor in Los Angeles on Sunday afternoon (April 30).

ScreenCraft, a writers’ community, is preparing for its annual Writers Summit and has set an A-list guest list.

is slated to return to Disney+ with the second and final season as it finishes out the prequel story involving rebel spy Cassian Andor (Diego Luna) and the events leading up to the film, . Although the gripping series doesn't have an official release date, creator Tony Gilroy as well as members of the ensemble cast, including Luna, Adria Arjona, Andy Serkis and Genevieve O’Reilly reflected on the success of season 1 while also teasing what's in store for the upcoming episodes. Taking place five years before the events of 2016's, which connects directly to the Battle of Yavin and sets up 1977's, follows Cassian as audiences learn how «the character goes from A to B,» Luna previously told ET, explaining that the series is ultimately about “the layers that normally you don’t think about; it’s about what’s in between the lines.”During season 1, fans watched as Cassian escaped Ferrix, the rebels trained for and executed a series of heists on Aldhani before Cassian was eventually sent to prison. There, he teamed up with Kino Loy (Serkis) to lead a rebellion from behind bars before eventually escaping with Ruescott Melshi (Duncan Pow).

Malina Saval Associate Editor, Features Entertainment attorney Craig Emanuel, Variety’s 2023 Power of Law honoree, remembers the day he got a phone call asking if he would be interested in meeting with Tom Hanks and Rita Wilson.  “I knew that they were meeting with a lot of lawyers around town, and I really didn’t think we were going to get selected,” says Emanuel. “A lot of the other law firms were boutique entertainment firms that had huge client lists.” “Months went by, and I thought, you know, nothing’s happening,” Emanuel continues. “And then Richard Lovett, president of CAA, who reps Tom and Rita, called me one evening on the phone. I was at dinner with my partners, and Richard said, ‘I’ve got some good news, you have a new client.’”

When most “Star Wars” fans think of Lucasfilm‘s slate of new Disney+ series, big names come to mind: “The Mandalorian,” Tony Gilroy‘s “Andor,” the upcoming “Ahsoka.” But critics love another series that’s more under the radar: “Star Wars: Visions.” The animated anthology series allows anime studios from around the world to reimagine “Star Wars” lore as they see fit in a variety of shorts.

return to play Rey in a new, untitled movie. Although the flick will be about Rey, the badass orphan heroine of Episodes VII through IX, it likely won’t be a continuation of the studio’s tentpole Luke Skywalker-Darth Vader series.Lucasfilm president Kathleen Kennedy told Vanity Fair in 2022, “We are moving on from the Skywalker saga. That’s what’s taking a lot of time, discussion, and thought right now.”Director Sharmeen Obaid-Chinoy says the movie, set 15 years after 2019’s “Star Wars Episode IX: The Rise of Skywalker,” will “tell the story of the rebuilding of a new Jedi order.”“My heart is pounding,” Ridley said on stage in London.

Lucasfilm still hasn’t released a “Star Wars” feature film since 2019’s “Star Wars: The Rise of Skywalker.” But that hasn’t slowed down the studio’s live-action division as they have been primarily focused on creating original TV content for Disney+. It’s hard to argue that one of their more prestige series is “Andor,” a prequel focusing on the origins of Rebellion spy Cassian Andor while also exploring other rebels running things secretly on Coruscant under the looming threat of being discovered by the Empire.

Disney and Lucasfilm’s Star Wars Celebration event has hit London, where Lucasfilm execs and creatives are currently revealing some of the projects the studio is set to blast into a galaxy far away.

Andor” on Friday as part of the Star Wars Celebration fan convention in London.  The 12-episode first season of “Andor,” created and executive produced by “Rogue One” co-writer Tony Gilroy, debuted in September to wide acclaim for its sprawling, ground-level depiction of the formation of the Rebel Alliance. Set five years before the events of “Rogue One,” the first season tracks a year in the life of Cassian Andor (Diego Luna) as he transforms from a cynical, small-time criminal into a man ready to join the fight against the Galactic Empire. Gilroy explained on Friday that the team is working as quickly as possible to get Season 2 done. Shooting began in November and is expected to wrap in August. The creator predicted the show will hit Disney+ in August 2024.

*WINNER.   ORIGINAL SCREENPLAY “Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert *WINNER“The Fabelmans,” Written by Steven Spielberg & Tony Kushner “The Menu,” Written by Seth Reiss & Will Tracy “Nope,” Written by Jordan Peele “Tár,” Written by Todd Field   ADAPTED SCREENPLAY “Black Panther: Wakanda Forever,” Screenplay by Ryan Coogler & Joe Robert Cole, Story by Ryan Coogler, Based on the Marvel Comics “Glass Onion: A Knives Out Mystery,” Written by Rian Johnson “She Said,” Screenplay by Rebecca Lenkiewicz, Based on the New York Times Investigation by Jodi Kantor, Megan Twohey and Rebecca Corbett and the Book She Said by Jodi Kantor and Megan Twohey “Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie, Story by Peter Craig and Justin Marks, Based on Characters Created by Jim Cash & Jack Epps, Jr.

*WINNER.   ORIGINAL SCREENPLAY “Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert “The Fabelmans,” Written by Steven Spielberg & Tony Kushner “The Menu,” Written by Seth Reiss & Will Tracy “Nope,” Written by Jordan Peele “Tár,” Written by Todd Field   ADAPTED SCREENPLAY “Black Panther: Wakanda Forever,” Screenplay by Ryan Coogler & Joe Robert Cole, Story by Ryan Coogler, Based on the Marvel Comics “Glass Onion: A Knives Out Mystery,” Written by Rian Johnson “She Said,” Screenplay by Rebecca Lenkiewicz, Based on the New York Times Investigation by Jodi Kantor, Megan Twohey and Rebecca Corbett and the Book She Said by Jodi Kantor and Megan Twohey “Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie, Story by Peter Craig and Justin Marks, Based on Characters Created by Jim Cash & Jack Epps, Jr.