Deadline on Thursday launched its streaming site for Contenders Film LA3C: Conversations With Contenders, the awards-season event that took place Saturday as part of the lineup of the LA3C culture and music festival in downtown Los Angeles.
Deadline on Thursday launched its streaming site for Contenders Film LA3C: Conversations With Contenders, the awards-season event that took place Saturday as part of the lineup of the LA3C culture and music festival in downtown Los Angeles.
The Sundance Institute is bestowing its International Icon Award to Oscar nominated filmmaker Luca Guadagnino at their Opening Night: A Taste of Sundance presented by IMDbPro on Jan. 19 in Park City.
Sundance has crowned “Bones and All” director Luca Guadagnino winner of the International Icon Award.The filmmaker will be honored along with previously announced honorees Ryan Coogler, W. Kamau Bell, and Nikyatu Jusu at Opening Night: A Taste of Sundance event, presented by IMDbPro. The ceremony is set to take place on Jan.
The DGA today announced the winners of its 28th annual DGA Student Film Awards for African American, Asian American, Latino & Women directors. The awards were created in 1995 “to address the severe underrepresentation of directors of color and women in feature filmmaking by honoring, encouraging and bringing attention to exceptional diverse directors in film schools and universities across the country.”
Black Panther filmmaker Ryan Coogler received a standing ovation as he wrapped an emotional edition of BAFTA’s David Lean lecture series in London Monday.
In the wake of the Hollywood Foreign Press Association’s diversity controversy, and their pursuit to increase representation, this year’s selection of diverse TV and film nominees in acting, songwriting, film score, directing and writing is actually up over last year’s: 30 to 26.
Black Panther: Wakanda Forever co-writer/director Ryan Coogler joined Deadline’s Contenders LA3C panel to reflect on the impact of the untimely passing of Chadwick Boseman and the sensitive display of Black motherhood.
Deadline’s signature Contenders event hits downtown Los Angeles on Saturday for a hybrid in-person/virtual edition, partnering with the inaugural LA3C, the cultural festival developed by Deadline parent company PMC.
What happens when there’s no wide theatrical releases and it’s the holiday season as we emerge from the pandemic? Why, you get the second-lowest box office weekend of the year at an estimated $37.2M. We’ll see if Saturday night business is so bad that that this weekend becomes the lowest of 2022, unseating that of Jan. 28-30, when all movies grossed $34.87M, per Comscore.
Partnering with this weekend’s inaugural LA3C developed by Deadline parent company, PMC, Deadline’s signature Contenders event hits Downtown Los Angeles on Saturday December 10 for a live in person/virtual edition and final Contenders -film opportunity before Oscar nomination voting begins. With films not previously highlighted at our previous LA and NY outings this Fall, A Man Called Otto, The Woman King, The Banshees Of Inisherin, Emancipation, and The Pale Blue Eye will be front and center for voters and public along with newly produced visits with Black Panther: Wakanda Forever, Elvis, and Top Gun: Maverick all with talent appearing live at our venue, the J. W. Marriott at LA Live. Also returning to Deadline Contenders will be filmmakers from Till, Thirteen Lives, and Guillermo del Toro’s Pinocchio.
Generation,” “Radical,” “Shayda,” and “Run Rabbit Run,” as well as a Shorts program, to be announced at a later date. “Blueback,” an Australian film featured in the Kids program, is set to screen at the Opening Night Gala, where Sundance alum Ryan Coogler, Nikyatu Jusu, W. Kamau Bell and others will be honored.
Cinematographer Autumn Durald Arkapaw was one of the most sought-after names at the recent Camerimage film festival, with both fans and industry colleagues flocking to hear her speak at a post-screening Q&A.
There’s a special place at cowriter/director Ryan Coogler’s table and in his heart for those who supported Black Panther: Wakanda Forever.
It’s not like people weren’t going to the cinema yesterday as we head toward Thanksgiving: Disney/Marvel Studios’ Black Panther: Wakanda Forever made $9.5M on Tuesday propelling the Ryan Coogler-directed sequel past the the three century mark with $303.7M, making it the 7th film to pass that threshold this year after Top Gun: Maverick, Doctor Strange in the Multiverse of Madness, Jurassic World: Dominion, Minions: The Rise of Gru, The Batman and Thor: Love and Thunder.
After Chadwick Boseman‘s tragic death in 2020, MCU fans wondered who would take over the Black Panther mantle for the actor in “Black Panther: Wakanda Forever.” Marvel Studios did a good job keeping it secret, but now that the film’s in theaters, the secret’s out. Letitia Wright‘s Shuri became the new Black Panther in Wakanda’s battle against Namor the Sub-Mariner in the sequel to Ryan Coogler‘s 2018 film.
Filmmakers Ryan Coogler (Black Panther: Wakanda Forever), W. Kamau Bell (We Need to Talk About Cosby) and Nikyatu Jusu (Nanny) have been named as the inaugural trio of honorees for Opening Night: A Taste of Sundance — a new annual event for the festival which will kick off in Park City, Utah on January 19.
Deadline’s Contenders Film: Los Angeles welcomed a record 29 of the year’s buzziest movies from 14 studios and streamers live on stage Saturday at the DGA Theater. A crowd of key Academy and key guild voters took in the all-day affair, hearing from the stars and creatives behind the movies that are making noise this awards season. Now you can hear from them too.
Following up the enormous success of a box office-shattering, Academy Award-winning film with a sequel carries its own pressures and challenges, but for the team behind Black Panther: Wakanda Forever, they also had to navigate production and life after the loss of their beloved lead, their king, T’Challa, the Black Panther himself Chadwick Boseman. Director Ryan Coogler discussed moving forward in the wake of Boseman’s tragic passing in 2020.
Finding inspiration. In Black Panther: Wakanda Forever, Lupita Nyong’o plays the grieving lover of T’Challa, the character played by the late Chadwick Boseman, but in reality, the actress turned to Boseman’s widow, Simone Ledward Boseman, for inspiration.
Strengthened by the worldwide release this past weekend of Disney/Marvel’s Black Panther: Wakanda Forever, the Walt Disney Studios has crossed the $3B box office mark globally for the year so far.
A very vibrant runway leading into Thanksgiving for sure for movie theaters as Black Panther: Wakanda Forever is headed for a second weekend down around -60% for $70M-$72M. Through five days, the Ryan Coogler-directed Disney and Marvel Studios sequel has amassed $204.8M with Tuesday earning $12.4M, the third best Tuesday of November after Frozen 2 ($20.8M, Nov. 26, 2019) and Lionsgate’s The Hunger Games: Catching Fire ($15.96M, Nov. 26, 2013).
The participants for Disney General Entertainment Content (DGE) have been selected for the 2022-2023 DGE Directing Program.
The fruits of Disney’s industry-reported $100M+ promotional partner campaign on Black Panther: Wakanda Forever have been yielded, not just in a November U.S./Canada box office opening record of $181.3M and 12.7M admissions but in stoking a diverse range of demographics including Black, Latino/Hispanic and older women to cinemas in droves this past weekend.
There’s power in hair. Black Panther‘s lead beautician Camille Friend made it her mission to create an authentic and captivating depiction of African and Black American beauty.
“Black Panther: Wakanda Forever” opens in theaters today in the US to close out Phase 4 for the MCU. But don’t expect the film’s worldwide box office numbers to reach those of Ryan Coogler‘s 2018 film.
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