show’s landing page, the last day to watch on the streamer will be on March 14. The Emmy-winning comedy series, which was initially canceled in 2006 after three seasons on Fox, was revived by the streamer in 2012.
show’s landing page, the last day to watch on the streamer will be on March 14. The Emmy-winning comedy series, which was initially canceled in 2006 after three seasons on Fox, was revived by the streamer in 2012.
EXCLUSIVE: We hear thatSarah Rothschild, the writer of the Netflix movie Sleepover, will be writing the latest draft of Disney/Imagine/Free Association’s Splash remake.
Cue the menacing tuba. And the Imperial March. And the rousing Indiana Jones theme. Five-time Oscar-winning composer John Williams is getting the feature documentary treatment, and his half-century collaborator is among those wielding the baton.
Disney is such an all-consuming, slickly mechanized corporate beast that it is easy to forget that, just a few decades ago, it was a family business that had fallen into disrepair and was painfully uncool to the rest of Hollywood. Thankfully, Tom Hanks is here to remind us.Hanks was a guest on Sirius XM’s “The Jess Cagle Show,” and when Cagle brought up the fact Hanks once appeared on “Happy Days,” it led to a fascinating story about how that brief appearance (where Hanks played a guy who kicks Fonzie through a plate-glass window) would lead to the biggest break of his nascent career – his role in “Splash.” Watch above.As it turns out, Lowell Ganz and Babaloo Mandel were the head writers on “Happy Days” when Hanks filmed his episode.
EXCLUSIVE: Justin Wilkes, Chief Strategy Officer of Imagine Entertainment and President of Imagine Documentaries and Brands, has been promoted to President of the company, headed by Executive Chairmen Brian Grazer and Ron Howard.
Justin Wilkes, chief strategy officer of Imagine Entertainment and president of Imagine Documentaries and Brands, has been promoted to president. The company is headed up by Executive Chairmen Brian Grazer and Ron Howard.With Wilkes’ promotion, co-president of documentaries Sara Bernstein has been named president of documentaries, leading the division.
EXCLUSIVE: Beth Bednarski has been promoted to Chief Financial Officer of Imagine Entertainment, the award-winning global entertainment company of Brian Grazer and Ron Howard. The news comes following the amicable departure of Imagine Entertainment’s Presidents Tony Hernandez and Lilly Burns (from Jax Media), which we were first to report on.
Mike Hill, the film editor who, along with editing partner Dan Hanley, cut 22 consecutive Ron Howard feature films beginning with Night Shift in 1982 through Heart of the Sea in 2015, died of Cryptogenic Organizing Pneumonia (COP) January 5 at his home in Omaha, Nebraska. He was 73.
EXCLUSIVE: Jax Media’s Tony Hernandez and Lilly Burns are leaving Imagine Entertainment where they have been Presidents for the past year.
The Banshees of Inisherin stars Colin Farrell and Brendan Gleeson have been tapped to receive the Cinema Vanguard Award at the 38th annual Santa Barbara Film Festival.
For Thirteen Lives, production designer Molly Hughes was tasked with building a set based on the Tham Luang cave system in Thailand. The challenge was creating a flooded cave system tight enough to be realistic, but large enough to fit the actors and cameras. Directed by Ron Howard, the film is based on the true story of the Thai soccer team trapped in a flooded cave, and the brave volunteer rescue divers who saved them. Although the event was highly documented, there was little documentation of the cave system, so Hughes instead focused on what would work best for the story. Early on in the production, the actors decided that they wanted to do the dives instead of stunt doubles.
It wasn’t very well reviewed and disappointed at the box office, but in the universe of Star Wars fanboys, even Solo: A Star Wars story has its adherents (disclosure: I am one of them). So when NME took a tour through Ron Howard’s oeuvre with the director, the mandatory question about a sequel had to be asked.
A long time ago, in a galaxy far, far away (or, in 2018, before the likes of “The Mandalorian” and “Andor“), Ron Howard‘s “Solo: A Star Wars Story” was a big deal to “Star Wars” fans. The film did alright commercially, taking in $393 million at the box office off a $300 million budget, but critics didn’t care for it.
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will be factors in this year’s movie awards race.
EXCLUSIVE: NBC has given a script commitment with penalty to an untitled sci-fi medical drama from Joshua Troke (Good Sam), Extant and Reverie creator Mickey Fisher, Justin Lin’s Perfect Storm Entertainment and Universal Television, where Lin is under a deal.
Deadline on Thursday launched its streaming site for Contenders Film LA3C: Conversations With Contenders, the awards-season event that took place Saturday as part of the lineup of the LA3C culture and music festival in downtown Los Angeles.
Film and documentary production company White Horse Pictures said Tuesday it is moving forward with a strategic reorganization to service growth at the company whose recent titles include Lucy and Desi and the Ron Howard pics The Beatles: Eight Days a Week and Pavarotti.
Thirteen Lives tells the true story of the attempt to rescue a group of young boys and their soccer coach who are trapped in a system of flooding underground caves in Thailand. This isn’t the first time that this story has been told, having been the subject of several documentaries previously, but director Ron Howard saw this film as an opportunity to paint a more intimate portrait of such a harrowing mission.
Deadline’s signature Contenders event hits downtown Los Angeles on Saturday for a hybrid in-person/virtual edition, partnering with the inaugural LA3C, the cultural festival developed by Deadline parent company PMC.
Partnering with this weekend’s inaugural LA3C developed by Deadline parent company, PMC, Deadline’s signature Contenders event hits Downtown Los Angeles on Saturday December 10 for a live in person/virtual edition and final Contenders -film opportunity before Oscar nomination voting begins. With films not previously highlighted at our previous LA and NY outings this Fall, A Man Called Otto, The Woman King, The Banshees Of Inisherin, Emancipation, and The Pale Blue Eye will be front and center for voters and public along with newly produced visits with Black Panther: Wakanda Forever, Elvis, and Top Gun: Maverick all with talent appearing live at our venue, the J. W. Marriott at LA Live. Also returning to Deadline Contenders will be filmmakers from Till, Thirteen Lives, and Guillermo del Toro’s Pinocchio.
Coca-Cola, Imagine Entertainment and Amazon have partnered in Christmas Always Finds Its Way, a trilogy of short films that will launch today on Amazon Prime and promoted heavily through the holiday season.
It’s no secret that George Lucas struggled to develop 1988’s “Willow.” Lucas hatched his idea for the film before “Star Wars,” but he couldn’t make it until he approached Ron Howard to direct in 1985. Shortly afterward, MGM entered the production process, Bob Dolman came on board to pen the script, and things moved forward.
There was a great rush by Hollywood for the rights to the young soccer players, their coach and the divers involved in the 2018 Tham Luang cave rescue in Thailand. Ron Howard’s feature take, Thirteen Lives, made it to the finish line first at MGM, and the 2x Oscar winning filmmaker tells us how that came to be on today’s Crew Call.
Deadline’s Contenders Film: Los Angeles welcomed a record 29 of the year’s buzziest movies from 14 studios and streamers live on stage Saturday at the DGA Theater. A crowd of key Academy and key guild voters took in the all-day affair, hearing from the stars and creatives behind the movies that are making noise this awards season. Now you can hear from them too.
Ron Howard was as transfixed as the rest of the world in 2018 when a massive international rescue effort came together to save 12 Thai youth soccer players and their coach who were trapped in a flooded underground cave.
EXCLUSIVE: Imagine Television is developing a thriller drama for Netflix based on The Washington Post story “A U.S. murder suspect fled to Mexico. The Gringo Hunters were waiting,” by Kevin Sieff.
Brian Grazer and Ron Howard’s Impact has closed $15 million in series B funding.The online professional network for film and TV crews targets challenges faced by industry productions.More to come …
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