Richard Linklater Latest Celebrity News & Gossip

Glen Powell (Top Gun: Maverick) and Adria Arjona (upcoming Father of the Bride) have signed on to star in the upcoming action-comedy Hitman, from Oscar-nominated director Richard Linklater (Boyhood). AGC International is launching international sales on the pic at Cannes and will co-rep domestic rights with CAA Media Finance and Cinetic.

Powell will play an undercover cop who disguises himself as a hitman to catch individuals attempting to order assassinations. When the cop discovers a woman (Adria Arjona) who is desperate to escape her abusive boyfriend, he breaks protocol and risks his cover to save her. Linklater and Powell previously worked together on the 2016 college comedy “Everybody Wants Some!!’ and this year’s animated SXSW film “Apollo 10 1/2,” which is now streaming on Netflix.

Manori Ravindran International EditorRichard Linklater is set to tell the true story of an undercover hitman, played by “Top Gun: Maverick” star Glen Powell.The Oscar-nominated “Boyhood” helmer will direct and co-write action comedy “Hitman,” which is based on a Texas Monthly magazine article by journalist Skip Hollandsworth. AGC International, the distribution arm for Stuart Ford’s AGC Studios, will launch international sales for the pic at the Cannes market.

EXCLUSIVE: Oscar nominee Jessie Buckley (The Lost Daughter) and Oscar winner Riz Ahmed (The Long Goodbye) have joined Christos Nikou’s (Apples) anticipated English-language feature film debut Fingernails, we can reveal.

Here’s a collection curated by The Associated Press’ entertainment journalists of what’s arriving on TV, streaming services and music platforms this week.MOVIES— The suppressed emotions and anxieties of a seemingly flawless 12-year-old girl gather monstrous proportions in Hanna Bergholm’s “Hatching,” a Finnish body horror fairy tale that begins streaming Friday on Hulu. In the film, young Tinja (Siiri Solalinna), whose mother runs the artificially upbeat video blog “Lovely Everyday Life,” hides a dead bird’s egg in her bedroom that grows unusually large and hatches a very metaphorical beaked beast.

EXCLUSIVE: Alejandro Loayza Grisi and Santiago Loayza Grisi, the brother filmmakers behind Sundance prize winner Utama, have signed with Cinetic Media for management.

Nearly 30 years after his nostalgic high school throwback flick, “Dazed And Confused”, writer and director Richard Linklater says he still hasn’t earned any money from the movie.

Dazed And Confused.The award-winning director, who went on to helm films including the Before trilogy (1995-2013) and Boyhood (2014), said while promoting his new Netflix movie ‘Apollo 10 ½’ that it ended up being a passion project despite being adored by generations of fans.The Daily Beast remarked to him that next year will be the 30th anniversary of Dazed And Confused, to which Linklater responded: “Yeah, and it’s like… where’s my money? How come a movie that cost less than $7million has $12million in interest against it?”“Wait – you didn’t make any money off Dazed and Confused?” interviewer Marlow Stern asked. “Fuck no!” Linklater answered.“How does that happen? We’re talking about one of the biggest cult hits ever,” Stern continued.“I don’t know.

Zack Sharf “Dazed and Confused” is one of the defining American independent films of the 1990s and one of the most beloved cult classics of all time, but it turns out the film’s enduring legacy has never resulted in money for writer-director Richard Linklater. The filmmaker was recently asked by The Daily Beast if he made money off “Dazed and Confused,” to which he responded, “Fuck no!”“It’s like… where’s my money?” Linklater asked. “How come a movie that cost less than $7 million has $12 million in interest against it?”When asked how “Dazed and Confused” can be a cult hit for nearly three decades and counting and not make money for him, Linklater responded, “I don’t know.

Wilson Chapman editorThe Houston of “Apollo 10½: A Space Age Childhood,” premiering April 1 on Netflix, is both a loving depiction of the city as it once was and a vision of a place that never quite existed.  Translating live-action elements into its animated scenes, the film, written and directed by Richard Linklater, explores the 1969 moon landing from the perspective of an ordinary kid, Stanley, played by Milo Coy, racing through vignette after vignette of life in the city with painstaking specificity. But the overall look is one of palpable nostalgia — that the viewer is watching Linklater’s wistful recollections of his own childhood.“Memories can be deceiving,” says animation production designer Vincent Bisschop.

Jack Black's new animated Netflix film, , is about the Apollo 11 moon landing, but hits surprisingly close to home for the actor and musician, who has a personal connection to the historical moment.Black's late mother, Judith Love Cohen, was an aerospace engineer who worked on the Apollo space program in the 1960s and is credited with helping to develop the Abort-Guidance System in the Apollo Lunar Module. «She worked on an Apollo mission at that time, but the stuff that she did wasn't used until Apollo 13, a few years later, when the astronauts were in an emergency situation and her Abort-Guidance System that she worked on as a programmer helped save some astronauts' lives,» Black explained when chatting about his upcoming film with ET's Matt Cohen.In fact, Cohen was such a devoted worker, that her son recounted, «There is the legend of how when she went to the hospital to give birth to me [on Aug. 28, 1969, just one month after the Apollo 11 moon landing], that she had some paperwork, she was still working on a problem. And after she delivered the baby, she called into work and they said, 'Hey, congratulations, you just had a baby! How are you?' And she goes, 'Fine, fine, I'm faxing you over the papers, the mathematical equations.'»Black and his mother at the 2013 Golden Globe Awards.«She was much smarter than me, I did not inherit those mathematic genes,» Black added with a laugh, «but there's a sense of pride and connection to telling this story, 'cause I know my mom was in there working on it too.»In which was shot in live action by writer and director Richard Linklater, and later animated in a process similar to his early 2000s films and, Black narrates the story of an elementary-aged boy growing up in Houston

NEW YORK -- Bike rides, kickball, Jiffy Pop, Jell-O and other well-remembered details crowd Richard Linklater’s “Apollo 10 1/2: A Space Age Childhood,” an affectionate ode to his own childhood growing up outside Houston in the late 1960s.NASA and the moon mission are just next door, as are other scientific marvels (Astroturf!). But the sense of wonder that permeates “Apollo 10 ½” is felt just as strongly in the neighborhood streets where kids roam with skinned knees.

Here’s a collection curated by The Associated Press’ entertainment journalists of what’s arriving on TV, streaming services and music platforms this week.MOVIES— Richard Linklater returns to animation with “Apollo 10½,” which comes to Netflix on Friday. But this is no “Waking Life” or “A Scanner Darkly,” though parts do use the rotoscoping technology he used in those films.

Director Richard Linklater (“Boyhood”) is known for his versatility; romantic and coming-of-age films, animation, studio films, personal projects, etc., but it looks like he’ll be getting into the business of social documentary filmmaking next. While he’s promoting his upcoming animated Netflix film, “Apollo 10 1/2: A Space Age Childhood” (read our review), which obviously further evinces his adaptability, Linklater revealed to The Hollywood Reporter podcast, Awards Chatter, a new project titled “Letter From Huntsville” for HBO.

Brent Lang Executive Editor of Film and MediaAmazon is making some changes atop its movies team.Julie Rapaport, who previously served as co-head of movies, will become the sole chief of the division. Matt Newman, Rapaport’s fellow co-head, will transition to a new role at Prime Video’s global sports group, where he is being tasked with developing original sports docuseries, films, and scripted projects.

Richard Linklater’s periodic forays into animation (Waking Life, A Scanner Darkly) have been distinctively imaginative, and that goes double for Apollo 10 ½: A Space Age Childhood. A nostalgic but not in the least sentimental look at Texas life when the American space program was at full thrust, this highly personal but entirely accessible account of growing up in a culture both historically momentous and banal has something to offer all audiences in terms of its vivid portrait of a very specific place and time. But most receptive of all will be viewers in their 60s and beyond who have personal memories of the July 20, 1969 moon landing and a of milieu both memorable and banal.

Presidential Fitness Challenge certificate) to go to the moon before Neil Armstrong to test out a capsule that has accidentally been made too small for adult astronauts. But no sooner does Stan upchuck during his first G-force simulation than adult Stan (Jack Black) hijacks the narration and takes a long detour into the sights and sounds and memories of growing up as a youngest child in late-’60s suburbia.This charming walk down memory lane — which includes everything from “Dark Shadows” to grandparents who remember the Depression to riding to the beach on the back of pick-up trucks and using gasoline-soaked rags to wipe the tar off your feet — is the heart of “Apollo 10 1/2,” and it’s an exhilarating, Proustian wave of reminiscences.

Peter Debruge Chief Film CriticEverybody knows the name of the first man to step foot on the moon, but how many have heard the story of the kid who walked there before him? Richard Linklater’s “Apollo 10 1/2: A Space Age Childhood” reflects one of the director’s childhood fantasies, informed by growing up in South Texas, a stone’s throw from Johnson Space Center, at the time NASA was trying to do the impossible. “Houston, we have a problem,” he playfully imagines the organization’s top scientists saying, “We accidentally built a lunar module a little too small.” Ergo, they need a 10 1/2-year-old to go up in Neil Armstrong’s place.As someone slightly younger than Linklater who also spent his formative years in Texas, it’s impossible to overstate how much I adore that premise and the collection of associations it brings up for the “Boyhood” director.

Brent Lang Executive Editor of Film and MediaLizzo slammed new Texas laws and policies that restrict access to abortion and target trans children and their families during a keynote conversation at SXSW on Sunday. The pop star, who grew up in Houston, said the controversial moves unfairly target women and the LGBTQ community. “I’m proud to rep Houston, but I’m not proud to rep Texas politics right now,” Lizzo said to loud applause.

Tim Gray Senior Vice PresidentEverybody has to start somewhere. Cate Blanchett — long before her two Oscars and starring roles in film, TV and on stage — had an oddball beginning in showbiz.On March 28, 1994, Variety mentioned “Police Rescue,” a big-screen version of the hit Aussie TV series, in which she appeared.

Richard Linklater’s latest film “Apollo 10 1/2: A Space Age Childhood” poses the question: what if the first person to walk on the moon wasn’t Neil Armstrong but was actually a kid from Houston leading a mission called Apollo 10 1/2 in secret because NASA accidentally built the space shuttle too small? That amusing fantasy and twist on American history though is just the set up for Linklater’s latest and arguably most personal film, which just released its first trailer Monday. It’s one in which he explores the reality of what life was like in Houston, Texas in 1969 just before the moon landing, all seen through the eyes of a kid who lived right next door to all of it.

South by Southwest Conference and Festivals today announced a final round of Keynotes and Featured Speakers for the 36th annual Conference taking place in Austin, TX from March 11-20, with Ron Howard, Ted Lasso stars Brett Goldstein and Brendan Hunt, actor-filmmaker Gillian Jacobs, U.S. Secretary of Transportation Pete Buttigieg, former U.S. representative Beto O’Rourke, and musicians Brian Eno and Nathaniel Rateliff among the notable additions.

Matt Donnelly Senior Film WriterKaren Toliver has joined Netflix as vice president of animated film, Variety has learned exclusively.The former Sony Pictures Animation senior vice president will join the streamer in March reporting to Melissa Cobb, VP of the kids and family division. She’ll be responsible for two to three animated features annually and will work alongside fellow animation VP Gregg Taylor.“It has been an absolute dream working with Kristine Belson and her game-changing team at Sony Pictures Animation.

Matt Donnelly Senior Film WriterTwice thwarted by the COVID-19 pandemic, the SXSW Film Festival is making a major return to form this year — featuring premium studio projects from Sandra Bullock and Pete Davidson, notable indies and docs, and a closing night premiere from the new season of Donald Glover’s “Atlanta.”In 2020, the Austin-based conference was the first major event to fall to the rapidly-escalating first wave of coronavirus, and was similarly forced to go virtual in 2021 thanks to the Delta variant. Now preparing for an in-person program beginning on March 11, Hiollywood and indie hopefuls are coming out in force.Sandra Bullock and Channing Tatum’s “The Lost City,” Pete Davidson and Amandla Stenberg’s secret A24 slasher film “Bodies, Bodies, Bodies,” Richard Linklater and Jack Black’s coming-of-age story “Apollo 10 1/2: A Space Age Childhood,” and Nicolas Cage’s “The Unbearable Weight of Massive Talent” will all populate the headliners section.

HEADLINERSBig names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film events with major and rising names in cinema.Apollo 10 1/2: A Space Age ChildhoodDirector/Screenwriter: Richard Linklater, Producers: Tommy Pallotta, Mike Blizzard, Femke Wolting, Bruno FelixA coming-of-age story set in the suburbs of Houston, Texas in the summer of 1969, centered around the historic Apollo 11 moon landing. Cast List: Jack Black, Zachary Levi, Glen Powell, Josh Wiggins, Milo Coy, Lee Eddy, Bill Wise, Natalie L’Amoreaux, Jessica Brynn Cohen, Sam Chipman, Danielle Guilbot (World Premiere)AtlantaDirector: Hiro Murai, Producers: Donald Glover, Stephen Glover, Hiro Murai, Stefani Robinson, Paul Simms and Dianne McGunigleTaking place almost entirely in Europe, Season 3 of FX’s Atlanta finds Earn, Alfred ‘Paper Boi,’ Darius and Van in the midst of a successful European tour, as the group navigates their new surroundings as outsiders, and struggle to adjust to the newfound success they had aspired to.