Michel Hazanavicius Latest Celebrity News & Gossip

Manori Ravindran International EditorBérénice Bejo was thrilled to be asked how she came to be involved in Michel Hazanavicius’ “Final Cut.”The French-Argentine actor — who plays a mad make-up artist in the zombie romp that opened Cannes on Tuesday — revealed that it wasn’t easy convincing director Hazanavicius, who is also her husband, to let her have a role.“He said, ‘I’m really sorry but this time I don’t think we’ll be working together.’ He said I was ‘too pretty’ and I said, ‘What is that?’ I got a bit upset,” said Bejo.“Final Cut,” Hazanavicius’ eighth feature, is a remake of Japanese zombie comedy “One Cut of the Dead” (2017), which became a cult sensation. The film begins as a French zombie comedy, but soon lifts the lid on how the film was made and becomes more a commentary on — in Variety critic Owen Gleiberman’s words — the “creative innocence of terrible filmmaking.” Bejo seemingly took great pleasure in explaining how it was only when Hazanavicius caught COVID-19 at the start of the pandemic in 2020 and she took care of him morning, noon and night that he finally relented.“After a week of agony, he said, ‘Can you please read my screenplay?’ and I said, ‘Well, I’m too busy and I’m not even going to be in the film,'” said Bejo.

EXCLUSIVE: Berenice Bejo (The Artist) agreed that making Cannes opening-night film  Final Cut (Coupez!) with filmmaker husband Michel Hazanavicius (The Players) had been a family affair.

Ramin Setoodeh Executive EditorA visit from the dead? How chic.The Cannes Film Festival sprung back into action on Tuesday night, as this year’s opening night movie, “Final Cut (Coupez!)” received a 5-minute standing ovation. The gory zombie line, which straddled a tone somewhere between “The Blair Witch Project” and “Call My Agent,” kicked off a festival where few patrons were wearing masks in these COVID times.To commemorate the 75th edition of Cannes, festival director Thierry Fremaux selected a French movie — not to mention a French jury president, “Titane” actor Vincent Lindon — to keep things local at the start of the celebration of movies in the French Riviera.

Originally planned to open the Sundance Film Festival earlier this year before the worsening Covid situation forced the festival to again go virtual, Oscar-winning writer-director Michel Hazanavicius made the right decision in insisting his comedy Final Cut (Coupez!), about the making of a low-budget bad zombie movie, should be presented with a full house in a theatre, thankfully not to be watched on your computer at a prestigious film festival. In holding out for the real thing he scored big as it was chosen as the opening-night out-of-competition film of the 75th Cannes Film Festival.

Owen Gleiberman Chief Film CriticThe last time the Cannes Film Festival dropped a zombie comedy into its coveted opening-night slot, it was 2019, and the movie ­— Jim Jarmusch’s “The Dead Don’t Die” ­— was no big whoop, but it served its purpose. It got this most highfalutin’ of festivals rolling on an agreeable note of macabre cheekiness. Since that was only three years ago, you may wonder why the Cannes programmers decided to open this year’s festival — the hallowed 75th edition — with another rib-nudging absurdist zombie comedy.

After a canceled 2020 edition and a scaled back gathering last year, the Cannes Film Festival kicked off Tuesday with an eye turned to Russia’s war in Ukraine and a video message from Ukrainian President Volodymyr Zelenskyy.

Final Cut,” directed by Michel Hazanavicius on opening night. This year’s Cannes is also the biggest film event to be hosted since the start of the pandemic, bringing together the festival and market crowds.

CANNES, France -- After a canceled 2020 edition and a scaled back gathering last year, the Cannes Film Festival on Tuesday rolled out the red carpet for what organizers hope will be a f ully resuscitated French Riviera spectacular.The 75th Cannes Film Festival is set to open Tuesday night with the premiere of Michel Hazanavicius' zombie comedy “Final Cut.” Over the next 12 days, 21 films will vie for the festival's prestigious top award, the Palme d'Or, while a handful of high-profile Hollywood titles — including “Top Gun: Maverick,” “Elvis” and “Three Thousand Years of Longing” — will also launch in Cannes.“This year, everyone wanted to come to Cannes,” said Thierry Frémaux, artistic director of the festival, ahead of the opening. “Everyone wanted to meet again.”This year's Cannes will officially begin Tuesday evening with an opening ceremony preceding the premier of “Final Cut," which was renamed from its original title, “Z,” after Ukrainian protesters noted that the letter Z to some symbolizes support for Russia’s war in Ukraine.The war in Ukraine is expected to be a regular presence in Cannes.

Brent Lang Executive Editor of Film and MediaWith “Final Cut,” Oscar-winning filmmaker Michel Hazanavicius has to convince audiences that he’s a very bad director. At least for the first 20 minutes or so of the movie within a movie. You see, “Final Cut,” a remake of the 2017 Japanese cult favorite, “One Cut of the Dead,” initially unspools as a low-budget zombie film, one produced with few frills and even less talent.

CANNES, France -- After two years of pandemic, the 75th Cannes Film Festival is getting going with a familiar dose of controversy and some new snafus as it readies for its largest gathering on the French Riviera since the 2019 edition.Preparations were in full swing up and down the Croisette on Monday ahead of the festival's opening. The festival is set to open Tuesday with “The Artist” director Michel Hazanavicius' zombie film “Z."But before things even kicked off, the festival had already found plenty of commotion.

Elsa Keslassy International CorrespondentGerman actor Oliver Masucci and French star Fanny Ardant have joined the cast of Roman Polanski’s new movie “The Palace,” which will surely be a subject of controversy at the Cannes Film Festival where distribution rights are being sold.The ensemble drama, which had already cast Mickey Rourke, will be headlined by Masucci, the German actor who appeared in “Fantastic Beasts: The Secrets of Dumbledore” and the Netflix series “Dark,” and Ardant, the esteemed French star of “La Belle Epoque” and “8 Women.” Budgeted at €13 million ($13.9 million), the movie is currently shooting on location in Gstaad, Switzerland, and is being sold by Wild Bunch International, the powerhouse behind several movies competing at Cannes, notably Arnaud Desplechin’s “Brother and Sister,” Claire Denis’s “Stars at Noon” and the opening night film “Final Cut” from Michel Hazanavicius. The key crew includes Oscar-winning music composer Alexandre Desplat, along with Polanski’s regular cinematographer Pawel Edelman, who previously worked with Polanski on “An Officer and a Spy,” “The Pianist,” “Oliver Twist” and “The Ghost Writer,” as well as set designer Monica Sironi (“Volare”).“The Palace” is produced by Luca Barbareschi at Eliseo Entertainment company, and co-produced by CAB Productions in Switzerland and Lucky Bob in Poland.Penned by Polanski and Jerzy Skolimowski, the movie takes place at a palace in Gstaad on New Year’s Eve in 1999.

The Cannes Film Festival said Monday that it backs the decision by French filmmaker Michel Hazanavicius to change the name of his film, which originally carried the title Z (Comme Z) and will open the 75th edition of the festival next month.

Elsa Keslassy International CorrespondentMichel Hazanavicius’s zombie comedy “Z (Comme Z),” which is set to open the Cannes Film Festival next month, has been renamed “Coupé” in France.The decision to change the movie’s French title follows a letter from the Ukrainian Institute to the director and the Cannes Film Festival, as revealed by Variety, pointing out that “Z” is a pro-war symbol of Russia’s invasion of Ukraine and had been used in pro-Russian demonstrations across Europe.The letter from the Ukrainian org, which was signed by its managing director Volodymyr Sheiko, said that changing the film’s title would be a “gesture against the barbarity, violence and terror of the Russian army.”In a statement on Monday, Hazanavicius said he will rename the movie “due to the symbolic charge that the letter Z has gained … and following the plea by Ukrainian filmmakers. “The title was perhaps funny when [I] completed the film several months ago but it isn’t at all today and I can’t bear it,” he added.“My film is meant to bring joy and I wouldn’t want it to be associated in any shape or form to this war.

Marta Balaga The Ukrainian Institute has issued an official letter to the Cannes Film Festival and French director Michel Hazanavicius asking them to rename his opening night movie “Z,” which the org claims is a pro-war symbol of Russia’s invasion of Ukraine.In Russia, “Z” is considered a pro-war symbol that has also been used in pro-Russian demonstrations across Europe. The symbol has recently been adopted by some Russian figures taking part in world events, such as gymnast Ivan Kuliak who, while in Qatar for a World Cup event, sported a “Z” on his chest while standing on a podium next to Ukrainian athlete Illia Kovtun.

Main Competition“Holy Spider,” Ali Abbasi“The Almond Tree,” Valeria Bruni Tedeschi“Crimes of the Future,” David Cronenberg“Tori and Lokita,” Jean-Pierre Dardenne and Luc Dardenne“Stars at Noon,” Claire Denis“Brother and Sister,” Arnaud Desplechin“Close,” Lukas Dhont“Armageddon Time,” James Gray“Broker,” Hirokazu Kore-eda“Nostalgia,” Mario Martone“RMN,” Cristian Mungiu“Triangle of Sadness,” Ruben Ostlund“Decision to Leave,” Park Chan-wook“Showing Up,” Kelly Reichardt“Leila’s Brothers,” Saeed Roustaee“Boy From Heaven,” Tarik Saleh“Tchaikovsky’s Wife,” Kirill Serebrennikov“Hi-Han,” Jerzy SkolimowskiUn Certain Regard“Les Pires,” Lise Akoka and Romane Gueret“Burning Days,” Emin Alper“Metronom,” Alexandru Belc“All the People I’ll Never Be,” Davy Chou“Sick of Myself,” Kristoffer Borgli“Domingo and the Midst,” Ariel Escalante Meza“Plan 75,” Hayakawa Chie“Beast,” Riley Keough and Gina Gammell“Corsage,” Marie Kreutzer“Butterfly Vision,” Maksim Nakonechnyi“Godland,” Hlynur Palmason“Rodeo,” Lola Quivoron“Joyland,” Saim Sadiq“The Stranger,” Thomas M. Wright“The Silent Twins,” Agnieszka SmocynskaOut of Competition “Elvis,” Baz Luhrmann“Top Gun: Maverick,” Joseph Kosinski“Three Thousand Years of Longing,” George Miller“Masquerade,” Nicholas Bedos“November,” Cedric Jiminez“Z,” Michel Hazanavicius (opening film) Special Screenings“All That Breathes,” Shaunak Sen“The Natural History of Destruction,” Sergei Loznitsa“Jerry Lee Lewis: Trouble in Mind,” Ethan CoenMidnight Screenings“Hunt,” Lee Jung-jae“Moonage Daydream,” Brett Morgen“Fumer Fait Tousser,” Quentin DupieuxCannes Premiere“Non Frangins,” Rachid Bouchareb“Dodo,” Panos H.

Elsa Keslassy International CorrespondentAfter several hours of heated debates, Iris Knobloch, the former boss of WarnerMedia France and Germany, has been chosen by the board of the Cannes Film Festival to become its first female president, as Variety has learned . She will succeed Pierre Lescure who was re-elected for a third term in June 2020 and is planning to step down after the upcoming edition.The German-born, Paris-based executive was elected by the board of directors of the Association Française du Festival International du Film, which brings together public authorities and film industry professionals, amid much controversy in France.

Martin Dale ContributorOn average French films allocate under 3% of their total budget on VFX, according to a report on employment in the French VFX sector presented at PIDS Enghien in Paris by the French film and TV agency CNC.The report, produced with market research firm Audiens, found that for films budgeted at over €15 million ($17 million), the VFX spend rises to an average 11.8% of budget.The data suggests that the number of French films using VFX has increased over the past decade. In 2020, 108 of 131 French feature films had recourse to VFX expenses in their overall budget.

Michel Hazanavicius’ film “Final Cut” has dropped out of its planned premiere at the Sundance Film Festival after the festival chose to move to a fully virtual format amid the COVID-19 pandemic. Hazanivicius, an Oscar winner for Best Picture winner “The Artist,” said he and the filmmakers fully support the festival’s decision but prefers to premiere the film in a theater with a live audience.

The zombie comedy from the Oscar winning The Artist filmmaker will no longer play Sundance as the festival eliminates its live-edition and opts for virtual given the Omicron calamities of late.

Elsa Keslassy International CorrespondentPeter Kerekes’s “107 Mothers,” a Slovak drama about women living and working in a Ukrainian prison, won the Crystal Arrow Award at the 13th edition of Les Arcs European Film Festival.The festival, which wrapped on Dec. 18, took place as an in-person event with “The Artist” director Michel Hazanavicius presiding over the jury which also included actors Laetitia Dosch and Sidse Babett Knudsen, author Tania de Montaigne and actor-director Éric Judor.

Elsa Keslassy International CorrespondentPeter Kerekes’s “107 Mothers,” a Slovak drama about women living and working in a Ukrainian prison, won the Crystal Arrow Award at the 13th edition of Les Arcs European Film Festival. The festival, which wrapped on Dec.

Brent Lang Executive Editor of Film and MediaAgents, studio executives and movie lovers will resume their annual pilgrimage to Park City as the Sundance Film Festival, the preeminent showcase for indie film, returns to in-person premieres this January.

The cluelessly arrogant secret agent with a name as silly as his retrograde attitudes — Hubert Bonisseur de la Bath, aka agent OSS 117 — is back in OSS 117: From Africa With Love. Everybody loves a secret agent, even a demonstrably buffoonish one, and versatile Jean Dujardin is a deadpan delight as the staunchly patriotic Frenchman whose adventures were last on the big screen in 2009’s OSS 117: Lost In Rio and 2006’s OSS 117: Cairo, Nest Of Spies.

There always seems to be a general reaction of hesitation when impressive and successful international features get the “domestic reboot treatment.” (Recall the news of J.J.

Tom Grater International Film ReporterAfter being forced to pivot entirely online last-minute due to a COVID spike, Bosnia’s Sarajevo Film Festival is coming to a close and has unveiled its prize winners for this year’s edition.A jury chaired by Michel Hazanavicius and featuring Berlinale director Carlo Chatrian, actress Jadranka Đokić, director Srdan Golubović and the Morelia Film Festival’s Andrea Stavenhagen, awarded the festival’s top prize, the Heart of Sarajevo, to Visar Morina’s Exile.

Christopher Vourlias Visar Morina’s “Exile,” a tense psychodrama about a Kosovan pharmacologist in Germany who becomes increasingly paranoid over a series of menacing events, won the top prize at the Sarajevo Film Festival, earning the Kosovo-born German director the Heart of Sarajevo.The award ceremony took place online Thursday night, with Morina winning top honors from a jury led by Academy Award-winning director Michel Hazanavicius (“The Artist”) and comprised of Carlo Chatrian, artistic

Eli Countryman French writer, director and producer Michel Hazanavicius discussed his career path and the future of film as part of the 2020 Sarajevo Film Festival masterclass series, hosted in the Variety Streaming Room.Hazanavicius is this year’s jury president for the film festival.

Leo Barraclough Senior International CorrespondentDirector Michel Hazanavicius and actress Bérénice Bejo, Oscar winner and Oscar nominee respectively for “The Artist,” will present individual Masterclasses at the 26th Sarajevo Film Festival this year.