They’re officially Oscar hopefuls. The 95th annual Academy Awards nominations are here, and these stars are feeling thankful for the recognition.
They’re officially Oscar hopefuls. The 95th annual Academy Awards nominations are here, and these stars are feeling thankful for the recognition.
EXCLUSIVE: We have one final addition to Ryan Coogler‘s supernatural thriller for Warner Bros, starring Michael B. Jordan: BMF‘s Christian Robinson.
EXCLUSIVE: Warner Bros has rounded out the cast of its untitled supernatural thriller from writer-director Ryan Coogler with the addition of three newcomers: yao, Miles Caton and Peter Dreimanis.
EXCLUSIVE: Li Jun Li (Babylon) is the newest addition to the cast of Ryan Coogler‘s untitled supernatural thriller, starring Michael B. Jordan, for Warner Bros.
Ryan Coogler is teaming up again with Michael B. Jordan for an untitled Warner Bros. supernatural thriller.
The Santa Barbara International Film Festival has announced that the 40th annual festival will take place in Santa Barbara, California, from February 4 through February 15.
EXCLUSIVE: Jayme Lawson (The Batman) is the newest addition to the cast of the untitled event film, starring Michael B. Jordan, that Ryan Coogler is directing for Warner Bros.
Director Ryan Coogler and actor Michael B. Jordan are continuing their collaborative streak with a new untitled period genre movie, which Warner Bros.
EXCLUSIVE: Jack O’Connell (Ferrari) is in talks to star opposite Michael B. Jordan in Ryan Coogler‘s untitled event film for Warner Bros, sources tell Deadline.
Ryan Coogler‘s Proximity Media has boarded an untitled Prince music inspired film at Universal Pictures, Deadline has confirmed.
The untitled reteam between filmmaker Ryan Coogler and actor Michael B. Jordan is hitting theaters on March 7, 2025.
the controversial moment that occurred while he was presenting the award for Best Picture at the Oscars.The Scarface star didn’t seem to follow the traditional process of reading out the full list of nominees before announcing that Christopher Nolan‘s Oppenheimer. Instead, he skipped straight to opening the envelope.Pacino, who is a nine-time Oscar nominee and a recipient himself, walked out onstage accompanied by the theme to The Godfather before saying: “10 wonderful films were nominated, but only one will take the award for Best Picture.
Oscars in total. It won the top prize for picture, as well as Christopher Nolan winning for director, Cillian Murphy for actor and Robert Downey Jr.
Tiana DeNicola editor Ludwig Göransson takes audiences on a captivating journey behind the creation of “Can You Hear the Music,” the theme from the award-winning film “Oppenheimer.” Göransson’s ability to weave together diverse musical elements while maintaining a cohesive narrative shines through in this timeless piece. By delving into “Can You Hear the Music,” Göransson reveals his meticulous approach to capturing the essence of the film’s themes and characters. Inspired by the profound complexity of J.
It’s amazing how a score can impact a Hollywood composer’s career, similar to how a breakout movie can turn an actor’s fate around.
Outstanding Original Score for a Studio Film Joe Hisaishi – “The Boy and the Heron”Ludwig Göransson – “Oppenheimer”Laura Karpman – “American Fiction”Robbie Robertson – “Killers of the Flower Moon”Anthony Willis – “Saltburn” Outstanding Original Score for an Independent Film Jon Batiste – “American Symphony”Mica Levi – “The Zone of Interest”Fabrizio Mancinelli, Richard M. Sherman – “Mushka”Daniel Pemberton – “Ferrari”John Powell – “Still: A Michael J. Fox Movie” Outstanding Original Score for a Television Production Nicholas Britell – “Succession”Natalie Holt – “Loki”Martin Phipps – “The Crown”Carlos Rafael Rivera – “Lessons in Chemistry”Gustavo Santaolalla – “The Last of Us” Outstanding Original Title Sequence for a Television Production Chanda Dancy – “Lawmen: Bass Reeves”Nainita Desai – “The Deepest Breath”Kevin Kiner – “Ahsoka”Atli Örvarsson – “Silo”Carlos Rafael Rivera – “Lessons in Chemistry” Outstanding Original Song for a Dramatic or Documentary Visual Media Production Jon Batiste, Dan Wilson- “It Never Went Away” – “American Symphony”Nicholas Britell, Taura Stinson – “Slip Away” – “Carmen”Sharon Farber, Noah Benshea – “Better Times” – “Jacob the Baker”Lenny Kravitz – “Road to Freedom” – “Rustin”Olivia Rodrigo, Dan Nigro – “Can’t Catch Me Now” – “The Hunger Games: The Ballad of Songbirds and Snakes” Outstanding Original Song for a Comedy or Musical Visual Media Production Jack Black, John Spiker, Eric Osmond, Michael Jelenic, Aaron Horvath – “Peaches” – “The Super Mario Bros Movie”Heather McIntosh, Allyson Newman, Taura Stinson – “All About Me” – “The L Word: Generation Q”Billie Eilish O’Connell, Finneas O’Connell – “What Was I Made For?” – “Barbie”Mark Ronson, Andrew Wyatt – “I’m Just Ken” – “Barbie”Diane Warren
Oppenheimer‘s Ludwig Göransson won the marquee film prize at the Society of Composers & Lyricists Awards, which were handed out Tuesday night in Los Angeles. The Black Panther Academy Award winner took Outstanding Original Score for a Studio Film and also is nominated for the Original Score Oscar next month.
Jazz Tangcay Artisans Editor The 10th annual Variety Artisans Awards at the Santa Barbara International Film Festival hosted its biggest crowd to date at this year’s event, with 2,000 attendees packing the Arlington Theater to hear artisans behind Oscar-nominated films discuss their projects. After one-on-one conversations, honorees Stephane Ceretti, visual effects supervisor on “Guardians of the Galaxy Vol. 3,” Billie Eilish and Finneas, songwriters on “Barbie’s” “What Was I Made For,” Ludwig Göransson, composer on “Oppenheimer,” Sarah Greenwood and Katie Spencer, production designers on “Barbie,” Kazu Hiro, makeup artist on “Maestro,” Jennifer Lame, editor on “Oppenheimer,” Rodrigo Prieto, cinematographer on “Killers of the Flower Moon,” Michael Semanick, re-recording mixer on “Spider-Man: Across the Spider-Verse” and Holly Waddington, costume designer on “Poor Things,” gathered for a panel discussion.
In an under-the-radar move that will delight many in Hollywood, the Academy of Motion Pictures Arts and Sciences has added a new category to the Academy Awards. Beginning with the 98th Oscars in 2026, an achievement in Casting Oscar will be handed out for the first time.
The Television Academy handed out 94 Grammy Awards this year and a majority of those were announced during a 3-hour ceremony before the main CBS telecast. Despite many of the winners waiting to show up to Staples, er, Crypto.com Arena for the main ceremony, three Oscar nominees, Billie Eilish, Finneas and Ludwig Göransson took home big Grammy wins in the pre-ceremony across the street at the Peacock Theater.
Jazz Tangcay Artisans Editor “Oppenheimer” composer Ludwig Göransson and editor Jennifer Lame, “Killers of the Flower Moon” cinematographer Rodrigo Prieto, and Billie Eilish and Finneas are among the recipients of Variety’s Artisans Awards. The honorees will be feted at the Santa Barbara Film Festival on Feb.
Oppenheimer will finally arrive on Peacock on Feb. 16., right smack dab in the middle of Oscar season. Oscar nominations come out Jan. 23.
CBS can breathe a sigh of relief.
Christopher Nolan‘s Oppenheimer capped a big night at the Golden Globes on Sunday by taking the Best Motion Picture – Drama award, giving it five trophies on the night and solidifying it as a frontrunner for the Oscars.
Clayton Davis Senior Awards Editor The Academy of Motion Picture Arts and Sciences has announced the shortlists in 10 categories for the upcoming 96th Oscars ceremony. Overall, Greta Gerwig’s meta-comedy “Barbie” had the most mentions with five including sound, original song for its three submissions from Billie Eilish (“What I Was Made For?”), Dua Lipa (“Dance the Night”) and Mark Ronson and Andrew Wyatt (“I’m Just Ken”), and original score, from the latter duo. The big miss for “Barbie” was in makeup and hairstyling, which was the category that yielded the most surprises.
Give him another few decades and Ludwig Göransson may surpass the legendary John Williams in overall Grammy nominations. The Swedish-born composer, songwriter, and music producer has not even turned 40 and already has 14 Grammy nominations in just six years.
What does it take to create the sounds of a boxing champ? Turns out it requires a mighty force of trumpets, heavy percussion, and the fear of trying not to disappoint legendary music producer Dr. Dre, said Creed III composer Joseph Shirley, who joined Deadline’s Sound & Screen live music event to discuss the film.
Clayton Davis Senior Awards Editor Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender.
Caroline Brew editor Billie Eilish and Finneas along with Lenny Kravitz and Diane Warren are among the nominees at the Hollywood Music in Media Awards. Eilish and Finneas landed a nomination for “What Was I Made For?” from “Barbie.
Oppenheimer composer Ludwig Göransson has explained how Cillian Murphy’s performance shaped the film’s score.Murphy plays the lead role of physicist J. Robert Oppenheimer in Christopher Nolan’s historical drama, which follows the creation of the first nuclear weapons under the Manhattan Project.Speaking to NME, Göransson, who previously collaborated with Nolan on films Dunkirk and Tenet, said the score for Oppenheimer would have “absolutely” been different if another actor had portrayed the titular scientist.“With [Murphy’s] performance, you’re just living it, you’re breathing it, you’re taking it home,” he said.
Zack Sharf Digital News Director Are Christopher Nolan movies too loud? It’s a question that’s asked every time the director releases a movie, and “Oppenheimer” is no exception. Nolan’s sound mix is once again a point of contention among viewers, with some complaining that it’s hard to understand the dialogue against Ludwig Göransson’s booming score and other sound design choices. In a recent interview with Insider, Nolan explained that one reason it may be hard to hear the dialogue in “Oppenheimer” is because he refuses to re-record his actors in post-production.
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