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Elsa Keslassy International CorrespondentParis-based sales company Charades has closed a raft of deals on “Forever Young,” Valeria Bruni Tedeschi’s film which competed at Cannes and earned a warm critical welcome. “Forever Young” opens at the end of the 1980s in Paris and follows a young troupe of comedians who have just have been admitted to Les Amandiers, the prestigious theater school headed by Patrice Chéreau. Bruni Tedeschi wrote the script alongside Agnès De Sacy and regular collaborator Noémie Lvovsky.

Actor/director Louis Garrel’s heist film The Innocent (L’ Innocent), is flat out entertaining. It hits all of the familiar beats of a romantic dark comedy, but its the witty, sarcastic dialogue that carries the entire establishing arc all the way to the end.

Elsa Keslassy International Correspondent“The Three Musketeers,” Pathé Films’s $75-million two-part adventure epic saga based on Alexandre Dumas’s masterpiece, has been bought in major international territories rolling off a busy Cannes market. Pathé unveiled a sprawling 15-minute promoreel for both “The Three Musketeers” – D’Artagnan” and “The Three Musketeers – Milady” at Cannes Marché du Film. Both movies are directed by Martin Bourboulon and boast a star-studded cast, including Vincent Cassel, Eva Green, Vicky Krieps, Romain Duris, Pio Marmaï, François Civil, Lyna Khoudri and Louis Garrel.

Jessica Kiang There are no more potential-killing words of creative advice than “write what you know.” Certainly it’s a shame that when donning her screenwriter chapeau, Valeria Bruni Tedeschi — a fine actress and a director with a deft, light touch, especially with breezy character comedy — seems to have taken them so to heart. Once again she goes back to the autobiographical well for her latest directorial trifle, “Forever Young,” which she co-writes alongside Agnès De Sacy and regular collaborator Noémie Lvovsky.Once again the result is set in a rarefied world of which Bruni Tedeschi has intimate knowledge: this time the 1980s acting school run by the late French theater, opera and film director Patrice Chéreau.

To celebrate its 75th anniversary, the Cannes Film Festival gathered dozens upon dozens of previous laureates and special guests at the Palais des Festival this evening. Inside the Lumière Theatre, the fest’s artistic chief and general delegate, Thierry Frémaux, and outgoing Cannes President, Pierre Lescure, did a roll call of star actors and directors who left their seats and made their way to the stage .

Nick Vivarelli International CorrespondentNeapolitan director Pietro Marcello, who made the transition from high-profile docs to fiction with his Naples-set 2019 adaptation of Jack London’s Martin Eden – that made a splash on the international art-house scene – has now tackled a France-set tale inspired by a Russian novel in his new film “Scarlet” (see review) that mixes fable, musical, historical and magical realism elements.The pic’s central character is Juliette, played by promising newcomer Juliette Jouan, an orphan girl raised by a community of women and by her father Raphaël, a burly soldier who returned from the First World War to find that his adored wife after giving birth had passed away. Marcello spoke to Variety about what he calls his first ‘feminine’ film. Excerpts.I’ve always made films that are quite masculine.

Elsa Keslassy International CorrespondentPathé and Dimitri Rassam’s Chapter 2, a Mediawan Company, have unveiled the first stills of their sprawling $75 million two-part European film based on Alexandre Dumas’s masterpiece “The Three Musketeers” – D’Artagnan” and “The Three Musketeers – Milady.”The companies will present a 15-minute promo reel at Cannes. Directed by Martin Bourboulon (“Eiffel”), the two ‘Musketeers’ films are currently completing principal photography after more than 140 days of shooting at prestigious French landmarks, including the Louvre Palace, the Hôtel des Invalides, the Castles of Fontainebleau and Saint-Germain-en-Laye, Fort la Latte and Chantilly, as well as the citadel of Saint-Malo and the historic city center of Troyes.

Johnny Depp’s new movie Jeanne Du Barry will be launched for pre-sales at this month’s Cannes market, marking a first narrative feature for the actor in more than three years.

Elsa Keslassy International CorrespondentThe Cannes Film Festival has added a string of new titles to its Official Selection, including three movies in competition: Léonor Serraille’s “Un Petit Frere,” Albert Serra’s “Tourment sur les iles” and “The Eight Mountains” by Charlotte Vandermeersch and Felix Van Groeningen (“The Broken Circle Breakdown”).“The Eight Mountains” is an Italian film based on Paolo Cognetti’s 2016 novel. It revolves around a young man who returns to a young man who finds refuge in the Italian village where he spent a summer as a child with his parents.

Pietro Marcello’s Scarlet will be the opening film at the 54th Directors’ Fortnight at this year’s Cannes Film Festival.

Elsa Keslassy International CorrespondentPietro Marcello’s French-language period drama “Scarlet” is set to open the 54th edition of Cannes’ Directors Fortnight on May 18. Weaving musical and fantasy elements, the film is set in Northern Normandy, between the two world wars, a time of great inventions, and follows the journey of a young woman who was raised by her father, a widowed war veteran, and strives to find her own path in life.

Ben Croll Thrown into uncertainty by the tragic death of star Gaspard Ulliel, production on Betrand Bonello’s “The Beast” will still go forward, the director confirmed to Variety. Bonello and Ulliel recently collaborated on the hybrid, essay film “Coma,” which premiered in Berlin’s Encounters sidebar.A sci-fi melodrama set in 1910, 2014 and 2044 and dealing with questions of reincarnation and technology, “The Beast” was set to reunite Léa Seydoux and Gaspar Ulliel, who both starred in Bonello’s 2014 biopic “Saint Laurent.” Bonello wrote the sweeping project with both actors in mind and planned to start shooting in April.While Ulliel’s sudden passing has upended that specific timeline, the filmmaker still intends to begin production later this year, telling Variety that he will likely recast the role with a non-French star.

An imaginative insight into an 18-year-old’s mind, Bertrand Bonello’s Berlin Film Festival Encounters strand entry Coma comes with a preface: it’s dedicated to his teenage daughter. It aims to both reflect the concerns of her generation and to reassure her that some kind of rebirth will come after the pressures of lockdown during the Covid pandemic. Coma stars just two actors in-camera, with voice work from Gaspard Ulliel, who died tragically earlier this year. Bonello’s introductory comments about loss feel particularly poignant after the death of his Saint Laurent star. 

Elsa Keslassy International CorrespondentBrussels-based company Best Friend Forever has acquired “Coma,” the latest film by celebrated French director Bertrand Bonello (“Saint Laurent”). “Coma” will have its world premiere premiere at the Berlin Film Festival in the Encounters section. Weaving genre, animation and live action, the stylish movie boasts an exciting cast including Louise Labeque (“Zombi Child”) and Julia Faure (“Camille Rewinds”), with voices by beloved late actor Gaspard Ulliel, as well as Louis Garrel, Laetitia Casta, Anaïs Demoustier and Vincent Lacoste.

Elsa Keslassy International CorrespondentBrussels-based company Best Friend Forever has acquired “Coma,” the latest film by celebrated French director Bertrand Bonello (“Saint Laurent”). “Coma” will have its world premiere premiere at the Berlin Film Festival in the Encounters section. Weaving genre, animation and live action, the stylish movie boasts an exciting cast including Louise Labeque (“Zombi Child”) and Julia Faure (“Camille Rewinds”), with voices by beloved late actor Gaspard Ulliel, as well as Louis Garrel, Laetitia Casta, Anaïs Demoustier and Vincent Lacoste.

Gina Gershon is opening up about working with Woody Allen.

th feature film, Allen returns to a well that is not so much dry as desiccated. The movie opens with Wallace Shawn as our Allen doppelgänger, Mort Rifkin. Mort, an anxious former professor, is also a dedicated cinephile and self-defined intellectual who spends the next hour and a half complaining vociferously to his analyst.He’s reminiscing about a troubled trip to Spain’s San Sebastián Film Festival, which he recently took with his publicist wife, Sue (Gina Gershon).

The question always comes up when a studio announces another adaptation of a classic story—how many versions are too many? Well, in the case of “The Three Musketeers,” the classic tale from author Alexandre Dumas, we have yet to reach that breaking point. In fact, there’s room for not one new film, but two.

Nick Vivarelli International CorrespondentItalian director Ferdinando Cito Filomarino first made a splash in Locarno in 2010 when his atmospheric short “Diarchia,” starring Louis Garrel, Riccardo Scamarcio and Alba Rohrwacher, scooped the Leopard of Tomorrow prize and went on to earn an honorable mention at Sundance. His feature debut, “Antonia,” was an intimate portrait of Italian poet Antonia Pozzi who, like the director, grew up in upper crust Milanese society.

A man asks the first woman who enters the room to marry him and then is surprised to find she does not respect him. This sums up “The Story of My Wife” from Hungarian director Ildikó Enyedi, playing in Competition at this year’s Festival de Cannes.

Cannes Film Festival rolled out the red carpet for its tenth day with the premiere of Bruno Dumont's 'On a Half Clear Morning', a drama about a celebrity TV journalist whose life is overturned by a freak car accident.

When teenaged environmental activist Greta Thunberg made her now-famous speech at the UN Headquarters in 2019, she was met with equal parts admiration and derision, likely an unfavorable imbalance toward the latter. For every A-list celebrity who reposted a clip on their Instagram story, adorned with enthusiastic heart emojis, surely another handful of Internet trolls lurked in the comments and left discouraging messages.

Hungarian director Ildikó Enyedi has already won at the Cannes Film Festival once already: the Golden Camera award for her 1989 feature film debut “My 20th Century.” Now, Enyedi vies for the Palme d’Or as her latest film, “The Story Of My Wife,” has its world premiere in competition at Cannes this week.

Even if you’re not well-versed in international cinema, there are names that stand out that surely will attract film fans. One of those names is Léa Seydoux, the acclaimed French actress that has been a dominant force in film over the past two decades.

Naman Ramachandran The Cannes Film Festival has added seven films addressing environmental concerns to its 2021 line-up.“La Croisade” (The Crusade, France) by actor-director Louis Garrel, stars himself, Laetitia Casta and Joseph Engel. It was co-written by legendary screenwriter Jean-Claude Carrière who died last year.

EXCLUSIVE: Principal photography has wrapped in Naples on writer-director Michele Placido’s fourteenth film as a director, Caravaggio’s Shadow (L’Ombra Di Caravaggio), about the enigmatic and genius Renaissance painter.

Also Read: 'Cuties' Director Blames Poster for Right-Wing Attacks: 'People Judged Without Understanding the Real Message'“DNA” stars Fanny Ardant, Louis Garrel, Dylan Robert, Marine Vacth, Caroline Chaniolleau, Alain Françon, Florent Lacger, Henri-Noël Tabary, Omar Marwan and Maïwenn.Maïwenn directed from a screenplay she wrote with Mathieu Demy. “DNA” is a production of Why Not Productions and Arte France Cinéma.