Lou Reed Latest Celebrity News & Gossip

Reverend Al Green has made his return by sharing a cover of Lou Reed’s ‘Perfect Day’. Check it out below.The track is the first new music that the American singer, songwriter, pastor and record producer has recorded in five years.

Paul Auster, the celebrated author of nearly three-dozen books — including Winter Journal, Sunset Park, Invisible, The Book of Illusions and The New York Trilogy — screenwriter on Wayne Wang’s Smoke and director of Lulu on the Bridge, has died. His friend, Jacki Lyden, confirmed the news to the New York Times. Auster was 77.

Owen Gleiberman Chief Film Critic In “Boy Kills World,” Bill Skarsgård has burning eyes and model cheekbones, sinewy arms popping out of a dirty red athletic vest, and a feral pout that make him look like Jean-Claude van Damme crossed with Lou Reed. He plays a deaf-mute avenger, known only as Boy, who kills people in insanely violent ways. Yet through it all, the character retains his innocence.

Jem Aswad Executive Editor, Music Considering the vast number of books published every year about David Bowie — or, for that matter, the Beatles, Bob Dylan and Prince — a new one had better have either fresh info or fresh insights. Thankfully, Suzi Ronson’s “Me and Mr.

Jem Aswad Executive Editor, Music Lou Reed was indisputably one of the most provocative musicians the rock world has known, releasing songs about heroin abuse and sadomasochism on his very first album (“The Velvet Underground and Nico”), utilizing piercing guitar feedback on many of his songs, and scoring a global hit single in 1973 that referenced oral sex (“Walk on the Wild Side”). But arguably his single most provocative musical move was “Metal Machine Music,” a double-LP filled with nothing but deafening guitar feedback and effects that was released in 1975, at the peak of his commercial success.

John Cameron Mitchell has signed on to produce the upcoming biopic about trans legend Candy Darling!

Chaka Khan’s Meltdown Festival, which is taking place in June this year. The annual contemporary music festival is set to take place between June 14 and June 23 and the Southbank Centre confirmed in January that Khan would be curating this year’s edition. Khan herself will be playing two shows at the festival, including a greatest hits set on the opening night at the Royal Festival Hall, and a performance of her 2004 album ‘ClassiKhan’ on the closing night, where she will be joined by the Black-led Nu Civilisation Orchestra.

EXCLUSIVE: A young LL Cool J, a not so young Alfred Hitchcock. Photographer James Hamilton shot them all – Muhammad Ali, Jack Nicholson, Federico Fellini, Meryl Streep and more — capturing not only the famous but ordinary people in striking, candid moments.

Keith Richards has covered Lou Reed‘s ‘I’m Waiting For The Man’ ahead of the release of a new tribute album in honour of the NYC icon.Richards’ cover of ‘I’m Waiting For The Man’ comes a day before Reed’s birthday on March 2. The track is one of Reed’s earliest works which appeared on The Velvet Underground’s 1967 debut, ‘The Velvet Underground & Nico’.Speaking about the former Velvet Underground frontman in a statement (per Consequence of Sound), Richards said: “To me, Lou stood out.

Jem Aswad Executive Editor, Music Even amid the literally thousands of Lou Reed cover versions that have emerged over the past half century — by everyone from David Bowie to Patti Smith to R.E.M. to Beck , it’s hard to imagine a more fitting musical tribute than Keith Richards covering “Waiting for the Man,” the 1967 song that heralded not just the Velvet Underground’s arrival, but a whole new realm of ultra-real, novelistic songwriting in rock music.

Perfect Days is released in UK cinemas today (February 23), with a glittering rock’n’roll soundtrack. Read on to find out which songs are included in the film. Wenders co-wrote the film alongside Takuma Takasaki, and it stars Koji Yakusho (Babel, 13 Assassins) in the lead role as a public toilet cleaner in Tokyo.

One Day has just arrived on Netflix, but what songs are on the show’s soundtrack?All fourteen episodes of the show were released to the streaming platform on February 8, with the lead roles being taken by Leo Woodall and Ambika Mod. The supporting cast also includes Essie Davis, Tim McInnerny and Joely Richardson.Woodall is best known for playing Jack in the second season of HBO drama The White Lotus, while Mod came to greater attention by playing the character Shruti in This is Going to Hurt.Nicholls’ novel was published in 2009 and follows the lives of its two protagonists by documenting one day from each year of their lives over the course of two decades.

Owen Gleiberman Chief Film Critic Even next to David Bowie, with his alien regalia and mutating persona, it was Brian Eno who always seemed like the supreme spaceman of the pop-music universe. In 1972, when he first came onto the scene as the 24-year-old synthesizer wizard of Roxy Music, he sported a look that was pure glam, except that he somehow appeared even more baroque than the gender-bending rock stars of the time (the New York Dolls, Bowie, Lou Reed), because they were Dionysian pansexual strutters, whereas Eno was his own unique thing: a delicate sci-fi gamine, a geek in thrift-shop drag.

Lou Reed’s final solo album, ‘Hudson River Wind Meditations’, will be getting its first vinyl release in January. ‘Hudson River Wind Meditations’, originally released in 2007, is a collection of ambient and drone recordings from the late Velvet Underground frontman, and was his last solo studio album.Helmed by Seattle independent label Light In The Attic, in conjunction with the Lou Reed Archive and Reed’s wife, Laurie Anderson, the vinyl release marks the album’s first-ever, and is scheduled to drop on January 12.

Chris Willman Senior Music Writer and Chief Music Critic When a record comes with a warning label, believe it. That’s the case behind André 3000’s solo album debut, 17 years after the close of the recorded catalog of his Atlanta-based hip hop behemoth, Outkast.

Johnny Marr has opened up about working with Billie Eilish, calling her “a modern-day version” of The Cure.The singer, songwriter, guitarist, and former Smiths member took part in a new interview for NME‘s ‘In Conversation’ series, where he spoke about working on ‘No Time To Die’ with Eilish and her brother/collaborator Finneas.The discussion came as Marr released his first solo compilation album today (November 3), entitled ‘Spirit Power’. The song was written for the 2021 James Bond film of the same name.When asked by NME about his experiences of collaborating with Eilish, Marr said: “She and her family are just so musical. She can pick up a uke and just write a song like that.

Eurythmics’ Dave Stewart has revealed he and Lou Reed once had to convince Damien Hirst not to chop off his hands for an art project.Stewart told the story as part of an interview for NME’s Does Rock N’Roll Kill Braincells? series, shortly after he was asked which comedian had played him in a ’90s Rock Profile sketch.“He wanted to have his hands chopped off and then stitched back on by a surgeon in Mexico, while filming it as an art piece,” Stewart said. “He seemed dead-serious but myself and Lou Reed were trying to convince him: ‘No, this isn’t a good idea.

The Sopranos star Michael Imperioli has defended Morrissey, saying he still “gives him the benefit of the doubt”.The former frontman of The Smiths has come under scrutiny in recent years for making a number of comments that have deemed be racist. However, in a new interview with The Guardian, Imperioli explained how other members of the band had led him to believe that racism is not a part of who Morrissey is.“I’m not sure how racist the things he said were,” said the actor. “To me they weren’t flagrantly racist.

Pavement get an unexpected mention in the new Barbie movie.The joke is made during a montage where Kens start mansplaining to Barbies, with one referencing The Godfather and another talking about Stephen Malkmus‘ importance and how he relates to Lou Reed.The joke supposedly references director Greta Gerwig and co-writer Noah Baumbach’s own love of indie rock.When Pavement heard about it, they jokingly posted on their Instagram story: “We are aware of the Barbie Movie rumors and are awaiting guidance from legal but as a rule we are pro Greta.”The indie rockers then shared a photo of Stephen Malkmus in the Mattel Barbie logo, writing, “Not a sponsored post but CAN BE @barbiethemovie just DM us for venmo.”In other Barbie news, Greta Gerwig has revealed she fought to keep a scene where Barbie (Margot Robbie) tells an elderly woman on a bench that she is beautiful in the final cut.“I love that scene so much,” Gerwig told Rolling Stone. “And the older woman on the bench is the costume designer Ann Roth.

ANOHNI is this week’s guest on The FADER Interview. On the podcast, the British-American multimedia artist and activist discussed the vast tonal shift between her last album and her new one. Where 2016’s HOPELESSNESS was an eviscerating, explicitly topical endeavor, My Back Was A Bridge For You To Cross, due out this Friday (July 7) via Secretly Canadian, is less didactic and more soulful (a sound facilitated in part by producer Jimmy Hogarth and the return of ANOHNI’s band, The Johnsons), though just as intentional in its messaging.

Jem Aswad Executive Editor, Music Fifty years ago today, on the stage of London’s Hammersmith Odeon, David Bowie killed Ziggy Stardust. Of course, it was not a conventional murder: Ziggy was Bowie’s creation, a character he’d created, a vessel for his rise to fame behind his blockbuster 1972 album “The Rise and Fall of Ziggy Stardust and the Spiders From Mars,” which led to one of the fastest and most meteoric rises to superstardom in pop-culture history and created something of a self-fulfilling paradigm, involving the rise of the titular rock star whose fame went to his head and maybe died, maybe didn’t. After nearly a decade of trying and mostly failing to become famous as himself, Bowie apparently figured it might be easier to do it as someone else — as a “totally credible plastic rock star,” as he would later describe it.

Last month ANOHNI announced details of a new album titled My Back Was A Bridge For You To Cross. The album marks her return to working with The Johnsons and will be released on July 7.

Guy Lodge Film Critic Before you ask, yes, Lou Reed’s rock standard “Perfect Day” does indeed make an appearance in Wim Wenders’ “Perfect Days”: on the protagonist’s stereo as suitably ideal sunlight pours into his small, neat Tokyo apartment, before swarming the soundtrack as we head out into the city on a calm weekend afternoon. If that sounds a little obvious, basic even, said protagonist Hirayama — a mellow, soft-spoken toilet cleaner beautifully played by Kōji Yakusho — would probably agree with a shrug. He’s into simple pleasures, not deep cuts. His solitary life is built around the things that make him happy and the work that keeps him solvent. He’s not inclined to wonder what other people make of it. Wenders’ film, in turn, is sincere and unassuming, and owns its sentimentality with good humor.

Manori Ravindran Executive Editor of International Wim Wenders’ “Perfect Days” is a hot property in Cannes, and it’s yet to even premiere. Several buyers are currently circling the Japan-set, music-infused title from master filmmaker Wenders, which bows in competition on Thursday. Sources tell Variety that interested parties so far include Utopia, MUBI, Magnolia, Sideshow and Janus Films and Sony Pictures Classics. Wenders’ “Perfect Days” follows Tokyo toilet cleaner Hirayama, who seems content with his simple life. Outside of his everyday routine, he enjoys his passion for books and, in particular, for music. Over the course of the film, a series of unexpected encounters gradually reveal more of his past.

Iggy Pop put his own spin on Lou Reed‘s 1972 hit ‘Walk On The Wild Side’ at a show in Los Angeles – check it out below.The punk legend played the song as the opener of the encore and was accompanied by his all-star band the Losers, made up of Andrew Watt and Jamie Hince (the latter of The Kills fame), Guns N’ Roses bassist Duff McKagan and Red Hot Chili Peppers drummer Chad Smith. It marks the first occasion that Pop has ever cover that particular track.Check out the cover below:Watt produced Pop’s most recent album, ‘Every Loser’, which came out in January, while McKagan and Smith also played on it.Pop played five songs from that album including singles ‘Frenzy’ and ‘Strung Out Johnny’ during the show at The Regent Theater, while seven of the remaining songs were hits by The Stooges.Check out the full setlist for the Regent Theater show below (via Setlist.fm):1. ‘The News For Andy’2. ‘Neo Punk’3. ‘Frenzy’4. ‘Raw Power’5. ‘TV Eye’6. ‘Sixteen’7. ‘Strung Out Johnny’8. ‘The Passenger’ 9. ‘Lust For Life’10. ‘Gimme Danger’11. ‘Modern Day Rip-Off’12. ‘Loose’13. ‘Comments’14. ‘Nightclubbing’15. ‘Search And Destroy’16. ‘Walk On The Wild Side’17. ‘I Wanna Be Your Dog’ Iggy Pop will be bringing his live show to the UK for a special one-off performance dubbed ‘Dog Day Afternoon’ in Crystal Palace Park on July 1.

Chris Frantz Sire Records co-founder Seymour Stein was indisputably one of the greatest music executives of all time, with a career that spanned six decades and a rare ear for talent that led Madonna, Talking Heads, Lou Reed, Ice-T, Depeche Mode, the Pretenders, the Smiths, and many others to his label. Stein, who died on April 2 at the age of 80, is remembered here by Chris Frantz, drummer of Talking Heads and Tom Tom Club, who, with Tina Weymouth (now his wife), Jerry Harrison and of course David Byrne, signed with the label late in 1976.  Seymour told this story many times. His first visit to CBGB’s on the Bowery was to see the Ramones. His wife Linda insisted that he see them because they were something new and fabulous and she thought he should sign them, which he did. He was standing outside the club on the sidewalk speaking with [Patti Smith’s longtime guitarist] Lenny Kaye, waiting for Ramones to go on when he heard the support band begin to play. “When my love stands next to your love….”

Chris Morris Music ReporterSeymour Stein, whose Sire Records launched Madonna’s career and signed such early punk rock and new wave icons as the Ramones and Talking Heads, has died, a spokesperson for his family has confirmed to Variety. The cause of death was not immediately clear, although he had been in unsteady health for several years. He was 80. Though Stein’s imprint, which he co-founded in New York in 1966, enjoyed major-label distribution, he approached the record business with an independent’s zeal, and took a multitude of risks on unproven, often underground talent that paid off on the charts. Depeche Mode, Ice-T, Lou Reed, the Pretenders, the Smiths, the Cure, Seal, the Replacements, Aphex Twin and many more artists released some of their greatest music on Sire, whether via a direct signing or a licensing deal. A well-curated mixtape of Sire releases from the ‘80s and ‘90s is like the soundtrack to an era.

Here’s a story for you. A few months ago I was thinking about Metallica and Lou Reed’s collaborative album ‘Lulu’. More than ten years on from the shock we all experienced on first listen – you know, because of the strangeness of that project – not to mention the the backlash that followed, it occurred to me that it might be fun to give the record another play.Because maybe listening to that album again after all this time would reveal something quite interesting and worthwhile that we all missed first time round.

Metallica drummer Lars Ulrich has blamed “ignorance” for the reaction to ‘Lulu’, their 2011 collaborative album recorded with Lou Reed.The album earned mixed reviews upon its release and has continued to be one of the most divisive records of Metallica’s career, while Reed once claimed it was so unpopular that Metallica fans threatened to shoot him for making it.Ulrich previously reflected on the experience of working with the Velvet Underground legend as a positive one, maintaining that he “wouldn’t change a thing” about the record.Ulrich has now once again reflected on the response to the album, asking (via Loudwire) in Reed’s posthumously released new book, The Art Of The Straight Line: My Tai Chi: “What the fuck is it about ‘Lulu’ that it got that kind of reaction?”He continued: “I can’t quite figure it out, but years later, it’s aged extremely well. It sounds like a motherfucker still.

An impressive array of more than 50 Canadian recording artists have pooled their talents for a new single to promote an excellent cause.