U.S.
By Nancy Tartaglione
The other day I spoke with my great old friend Norman Lloyd, and I do mean great and I do mean old. As an actor, Norman’s credentials stretch back to the Federal Theater days of the mid-1930s — he’s the last surviving member of Orson Welles’ legendary 1937 Mercury Theater production of Julius Caesar — and he made his Hollywood debut as the villain who falls to his death from the top of the Statue of Liberty in Alfred Hitchcock’s 1942 Saboteur.
Narcos: Mexico returns for its second season February 13 on a Roman emperor trip. Miguel Félix Gallardo (Diego Luna), the godfather of the Mexican drug trade, has conquered his rivals in Colombia and "united the barbarians" of small, local crews into the Guadalajara cartel, which makes him Julius Caesar. But we all remember what happened to Julius Caesar. This story has no happy ending. Probably not even for El Padrino's pet tiger. (Especially not even for El Padrino's pet tiger?)
Phyllida Lloyd, best known for her work in the London theater scene, and especially for directing jukebox musical Mamma Mia! and its subsequent film adaptation as well as the Meryl Streep-starring Margaret Thatcher biopic The Iron Lady, scales down her canvas with low-key, Dublin-set drama Herself.Her key collaborator here is Clare Dunne, an Irish actor who's had key roles in Lloyd's all-women productions of Julius Caesar and Henry IV, starring as a working-class Dublin mother made homeless
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