Joyce Carol Oates Latest Celebrity News & Gossip

“Partner Track,” “Lost Ollie” and seven other book-based projects found their way onto streamers last month, including HBO’s “Game of Thrones” prequel series “House of the Dragon.” September has more theatrical releases, but fewer book adaptations to look forward to. Those that are coming out this month have rich history though, especially “The Rings of Power” series that Amazon has based on J.R.R. Tolkien’s books and appendices.There’s also “The Silent Twins” starring Letitia Wright and Jodhi May as well as Andrew Dominik’s feature film “Blonde” adapted from Joyce Carol Oates’ book about the career of Marilyn Monroe.Here are six book to screen adaptations coming out in September:J.R.R.

Ana de Armas is gracing the red carpet at the premiere of her new Netflix movie!

Ana de Armas is sharing all the details behind her extensive transformation into Marilyn Monroe for her new film, . ET's Matt Cohen spoke to de Armas at the film's Hollywood premiere, where she said she spent three hours in the hair and makeup chair to portray the blonde bombshell.«That was quite a journey every day,» the 34-year-old actress said about the physical transformation she underwent for the film.

Ana de Armas received a special honor during the latest screening of her upcoming Netflix movie Blonde!

And you thought Don’t Worry Darling was the only film at Venice where the making-of would be more exciting than the actual movie!

Marilyn Monroe biopic “Blonde” starring Ana de Armas premiered at the Venice Film Festival Thursday, earning praise from several critics for its portrayal of the 1950s blonde bombshell. Adapted from the Joyce Carol Oates novel of the same name, the film runs nearly three hours and received a 14-minute standing ovation from the crowd, which caused de Armas to break down into tears, according to Variety.“Andrew Dominik’s Venice Film Festival competition entry ‘Blonde’ takes a blowtorch to the entire concept of the Hollywood biopic and arrives at something almost without precedent,” Deadline’s critic said.“[‘Blonde’] is simply inventing fresh indignities for the most positively, permanently persecuted heroine outside of a John Waters movie ever to have to suffer.” As Netflix’s first film with an NC-17 rating, “Blonde” sparked backlash almost instantly when it debuted its first trailer in July over the casting of de Armas due to the fact that she is Cuban and her accent was not “authentic.”Variety’s critic Owen Gleiberman disagreed in his review, saying the film is “built around a performance, by Ana de Armas, of breathtaking shimmer and imagination and candor and heartbreak.

movie about Marilyn Monroe for over a decade.The film wouldn’t be a biopic, but an experiential portrait delving into the psyche of Marilyn Monroe and Norma Jeane. It kept falling apart, but the New Zealand native couldn’t let it go. Then he found Ana de Armas, and, he said, the movie came alive.“It was like love at first sight,” Dominik said Thursday, before the world premiere of the film at the Venice International Film Festival.

Blonde has divided critics in early reviews, who have described it as both “miserabilist” and “fascinating”.Directed by Andrew Dominik and based on the novel by Joyce Carol Oates, Blonde stars Ana de Armas as Marilyn Monroe and “blurs the lines of fact and fiction” in a reimagining of her life. The film also stars Adrien Brody, Bobby Cannavale and Julianne Nicholson.Blonde has attracted controversy after it received a restrictive NC-17 rating in the US, which recommends that no-one under the age of 18 should see the biopic.Following its premiere at the Venice Film Festival on Thursday (September 8), where the film was met with a reported 14-minute standing ovation, reviews have now been released online – which paint a more controversial reception.In a positive review on Deadline, de Armas’ performance is described as “extraordinary”, “ferociously emotional” and the reason “the film works at all”.

Marilyn Monroe Biopic “Blonde” is already raking in the praise.

Blonde” debuted to a massive 14-minute long standing ovation during its world premiere at the 2022 Venice Film Festival. Ana de Armas, who plays Marilyn Monroe, was in tears at the screening, her face glowing as tears streamed down. Before the film’s world premiere Brad Pitt, who is among the film’s producers, de Armas, director Andrew Dominik, Adrien Brody and Julianne Nicholson created commotion on the red carpet, largely for Pitt who worked the crowds wearing a black Covid mask when he came into close contact with fans to sign autographs and do selfies. Pitt made a surprise appearance in Venice since he was not present at the film’s press conference earlier in the day. Dede Gardner, who is also among “Blonde” producers, was also on hand.

Hollywood’s glory days were on full display Thursday as the cast of Blonde, with star Ana de Armas resplendent in a pink full-length gown, walked the red carpet before the film premiered in the Palazzo del Cinema at the 79th Venice Film Festival.

Blonde, Andrew Dominik’s long-awaited and anticipated Marilyn Monroe biopic starring Ana de Armas, just had its world premiere Thursday night at the Venice Film Festival, where the audience greeted it with an 11-minute standing ovation after the credits rolled.

Ana de Armas channeled Old Hollywood glamour at the Venice Film Festival premiere on Thursday, honoring her onscreen character, Marilyn Monroe, with an elegant pink gown and understated white jewelry. The film is a nearly three-hour adaptation of Joyce Carol Oates' 700-page novel of the same name. De Armas told this week that the film «changed my life,» adding that «I did this movie to push myself, because I thought it was a gift.» De Armas floated down the carpet in a flowing coral pink dress with a deep neckline and tie at the waist.

“Blonde.” Start with a base of biographical fiction, add three parts mid-century photography, a heavy dash of bitters, a wash of bad taste and top with a Lynchian float. You’ll have something that kicks hard, if leaving you somewhat worse for wear once the intoxicants run their course. And to push this analogy further than needed (hey, “Blonde” is a film of excess), director Andrew Dominik’s long-awaited Marilyn Monroe biopic is somehow less about the actress and more about his own showmanship.

Owen Gleiberman Chief Film Critic A good biopic invites the audience to experience, from the inside out, who the subject really was. That’s the level that “Blonde,” Andrew Dominik’s film about Marilyn Monroe, operates on for most of its 2 hours and 46 minutes. Based on Joyce Carol Oates’ 2000 novel, the movie is a hushed and floating psychodramatic Klieg-light fantasia, shot in color and black-and-white, that presents a fusion of reality and fiction. But most of it is torn from reality. In “Blonde,” we glimpse Monroe’s cataclysmic childhood, watch her shoot key scenes from her movies or stare up at them from the audience of a Hollywood premiere (where the red-carpet flashbulbs sound like guns), see her turn the incandescent Marilyn wiggle and pizzazz on and off, see her caught in a maelstrom of drugs, gossip, self-hate, and unfair studio contracts, and watch her melt into the glow of pregnancy only to lose one baby after the next. Mostly, we eavesdrop on her relationships with men (Joe DiMaggio, Arthur Miller, JFK) who become, for Marilyn, a dysfunctional daisy chain of honeymoon-turned-nightmares.

Naman Ramachandran The spirit of Marilyn Monroe was very much present during the making of Andrew Dominik’s “Blonde,” according to the film’s talent. Produced by Brad Pitt’s Plan B Entertainment, the film, which is in the main competition at the Venice Film Festival, is a fictionalized version of the life of the iconic actor and is based on the bestselling novel by Joyce Carol Oates. The film traces the volatile childhood of Norma Jeane Baker, through her rise to stardom as Marilyn Monroe and her romantic entanglements. It blurs the lines of fact and fiction to explore the widening split between her public and private selves. Ana de Armas (“No Time to Die”), who plays Norma Jeane/Marilyn, Adrien Brody (“The Pianist”), who plays her second husband, and Julianne Nicholson, who plays her mother, were present at a press conference for the film at Venice, alongside Dominik.

Blonde,” at the Venice Film Festival this week.While promoting the film by director Andrew Dominik, the 34-year-old actress arrived at the festival in black Gianvito Rossi heels and a royal blue Louis Vuitton number, her micro-shorts reminiscent of Monroe’s, Vogue reported.The blond icon, who became Hollywood’s epitome of sex in the 1950s, was known for often wearing the pinup-inspired Daisy Dukes. While de Armas’ shorts were a bit longer, she still brought Monroe’s classic style into the present day.De Armas, who was born in Cuba, gave another ode to Monroe while in Venice when she blew a kiss to the crowd — a gesture almost identical to Marilyn’s way of greeting fans.Despite the A-list backlash the “Knives Out” actress received over her casting — namely, critics spitting on her “bad” accent — the Monroe estate defended her being cast in the movie, based on Joyce Carol Oates’ 2000 novel.Marc Rosen, the president of entertainment at Authentic Brands Group which owns the Marilyn Monroe Estate, said de Armas has “big shoes to fill.”“Based on the trailer alone, it looks like Ana was a great casting choice as she captures Marilyn’s glamour, humanity, and vulnerability.

Ana de Armas and Adrien Brody arrive at the Hotel Excelsior in Venice, Italy on Wednesday (September 7).

Blonde received in the US.Directed by Andrew Dominik and based on the novel by Joyce Carol Oates, Blonde is described as a story which reimagines the life of Marilyn Monroe and “blurs the lines of fact and fiction”.Earlier this year, the Motion Picture Association gave the film a restrictive NC-17 rating, which recommends that no one under the age of 18 should see the project.Speaking to L’officiel USA about the rating, de Armas, who plays Monroe, said: “I didn’t understand why that happened. I can tell you a number of shows or movies that are way more explicit with a lot more sexual content than Blonde.“But to tell this story it is important to show all these moments in Marilyn’s life that made her end up the way that she did.

Pat Saperstein Deputy EditorIt’s fall film festival season and there’s a whole new crop of literary-minded films coming to screens through the rest of the year. Since the films that premiere at festivals like Telluride, Venice, Toronto and New York are the ones that fill awards  nominations lists a few months later, the festivals provide an early peek at the movies that will be front and center at the Oscars, film critics awards and all the other end-of-year kudosfests.But there’s a way to get to know many of these works even before they premiere at festivals and come to streaming or movie screens: get familiar with the books they’re based on.

Ana de Armas doesn’t get the buzz surrounding the NC-17 rating that’s attached to Netflix's upcoming film, . The actress, who plays Marilyn Monroe in the movie, speaks about the decision in a recent interview with . “I didn’t understand why that happened,” she tells the publication. “I can tell you a number of shows or movies that are way more explicit with a lot more sexual content than.

The adult rating slapped on “Blonde” has even star Ana de Armas confused.

Ana de Armas wasn’t expecting Blonde‘s NC-17 rating.

Zack Sharf Andrew Dominik’s “Blonde” is about to make its world premiere at the Venice Film Festival, which means moviegoers will finally get to find out why the Marilyn Monroe drama is rated NC-17. The rating has generated significant buzz for the movie, which casts Ana de Armas as the Hollywood icon and is based on the Joyce Carol Oates novel of the same name. De Armas recently told L’Officiel (via Uproxx) that she is baffled by the film’s NC-17 rating . “I didn’t understand why that happened,” de Armas said of the movie being rated NC-17. “I can tell you a number of shows or movies that are way more explicit with a lot more sexual content than ‘Blonde.’ But to tell this story it is important to show all these moments in Marilyn’s life that made her end up the way that she did. It needed to be explained. Everyone [in the cast] knew we had to go to uncomfortable places. I wasn’t the only one.”

Marilyn Monroe’s death. Her glamour and style left such a big impression on the world of fashion that for the past 60 years brands and celebrities have tried to channel her signature iconic looks.

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Since Marilyn Monroe’s death, there has been no shortage of biographies, documentaries, docu-series, coffee table books, oral histories, podcasts and art created in her memory — all, in their different ways, serving as a way to better understand the inimitable icon whose life was famously shrouded in mystery.In September, Ana de Armas will take a stab at revealing more about Monroe’s life in “Blonde,” based off of Joyce Carol Oates’ best-selling novel.

performance as film icon Marilyn Monroe in the upcoming Netflix film “Blonde” Tuesday after the actress received negative comments for her portrayal of the blonde bombshell, reports Entertainment Weekly.“She is phenomenal in it,” said Pitt, who is producing the movie through his company Plan B.“That’s a tough dress to fill. It was 10 years in the making.

Ana de Armas has the support of the Marilyn Monroe estate ahead of the release of Netflix's, where she portrays the icon. Last week, a trailer was released for the movie, which sparked some criticism over de Armas' accent not necessarily matching up to Monroe's voice. While the film, based on Joyce Carol Oates' book of the same name, is not authorized by the late actress' estate, they support de Armas' portrayal of Monroe.«Marilyn Monroe is a singular Hollywood and pop culture icon that transcends generations and history,” Marc Rosen, president of entertainment at Authentic Brands Group (ABG), which owns the Marilyn Monroe Estate, said in a statement to.