John Hopewell Latest Celebrity News & Gossip

John Hopewell Chief International Correspondent Alvaro Longoria, partner-producer at Morena Films, one of Spain’s top production shingles, is teaming with the Government of Cantabria to create El Bosque del Cine, a pioneering reforestation scheme offering producers a simple but inspiring way of cancelling productions’ carbon footprints.  The program is set to be unveiled on Sept. 13 at a round table at this week’s Santander Film Festival. El Bosque del Cine aims to plant 34,000 trees over 40 hectares, lent to the program by the Government of Cantabria. Creation will be divided into two phases of 20 hectares each, the first beginning this year. The forest will absorb 19,000 tons of carbon dioxide (CO 2) emissions, equivalent to the footprint of 320 movies. 

John Hopewell Chief International Correspondent One of the film industry’s biggest growth sectors, the international location shoot scene, looks set to impact Toronto on Saturday at a Spain Film Commission breakfast. Among attractions tabled at the meet with Canadian producers will be Spain’s extraordinary landscapes and heritage sites and a new shoot incentive which ranks among the highest in the world.  From Jan. 1, 2023 Spain’s Bizkaia looks set to offer an up-to-70% tax credit for foreign and national shoots lensing in the Basque province. Notably, the incentive has no cap at all.  The tax break forms part of a ramp up of Spain’s big international shoot scene. “House of the Dragon” has returned to islet San Juan de Gaztelugatxe, “Game of Thrones’” Dragonstone. In general, foreign shoots are flocking to Spain, spending €263 million ($263 million) there in 2021, double the 2016-19 average, according to a study by the country’s ProFilm line producers assn. 

John Hopewell Chief International Correspondent Munich-based Beta Film, one of Europe’s biggest truly independent TV-film groups, has licensed to PPCW Media for Hong Kong and Macau International Emmy winner “Atlantic Crossing,” starring Kyle MacLachan and Sofia Helin. PPC Media has also acquired Alejandro Amenábar’s Movistar Plus+ original “La Fortuna,” with Stanley Tucci and Clarke Peters, a tale of piracy, court room battles and historical justice set between the U.S. and Spain. Reaching more remote places, Beta has also closed Mongolia with Hulegu Media, on “Sisi” a mix of sex, politics and period glam from RTL, Beta and Story House, a modern mindset take on a film icon.  

John Hopewell Chief International Correspondent Germany’s KiKA, France’s TF1 and Denmark’s DR Sales figure among the best-known of contenders for the 2022 Cartoon Tributes, awarded for outstanding achievement in Europe’s TV animation industry. France, followed by Spain, dominates Cartoon’s three categories of broadcaster, investor/distributor and producer of the year, which will be voted on by the about 1,000 delegates at this year’s Cartoon Forum, which takes place in Toulouse, Southern France, over Sept. 19-22. Award winners will be announced on Sept. 22.  Backed by German public broadcast giants ARD and ZDF, KiKa figures as Germany’s biggest kids connect provider. But it will face tough competition from TF1 Unité Jeunesse, the children’s  arm of giant French broadcast network TF1 whose kids slot TFOU broadcasts 70 hours of programming a year. 

John Hopewell Chief International Correspondent Heitor Dhalia, one of Brazil’s foremost and most ambitious movie auteurs, director of  “Drained,” “Adrift” and “Bald Mountain,” is teaming with Netflix to make “DNA do Crime,” a banner title for the U.S. streaming giant in Brazil, one of its largest international markets. Described by Dhalia as “one of the biggest series ever produced in Brazil,” the eight-part scripted skein, which goes into production on Oct. 31, turns on a heist of epic proportions, which takes place on the Brazil-Paraguay border.  When federal police officers are called in to investigate, they discover “the beginning of a thread that unravels, like no other, the construction of crime in the country,” the synopsis runs.

John Hopewell Chief International Correspondent “Walls Can Talk,” the latest film by Spain Carlos Saura, director of “Raise Ravens,” “Deprisa, Deprisa” and “Carmen,” has been acquired for intentional sales by Madrid-based Latido.   Produced by María del Puy Alvarado at Malvalanda (“Madre,” “The Mole Agent”) and distributed in Spain by José Maria nd Miguel Morales’ Wanda Vision, “Walls Can Talk” will world premiere at the San Sebastian Film Festival as an RTVE Gala.  The doc feature sees Saura conduct his own inquest into the origins of art, directing and for once starring in a film. In it, he visits masterpieces of paleolithic art– in Spain’s Altamira and El Castillo caves, for instance – and asks modern (Miquel Barceló) and graffiti artists and urban creators (Suso 33, Zeta, Musa71) about what drives them to paint. 

John Hopewell Chief International Correspondent Adding to its slate of auteurs from all over the world, Raphael Berdugo’s Cité Films has boarded “The Fire Doll,” from Chilean director-to-track Niles Atallah (“Rey”) and “Left Over,” from San Sebastian Gold Shell winning Turkish director Yesim Ustaoglu (“Pandora’s Box”). Produced by Catalina Vergara at Chile’s Globo Rojo Films, “The Fire Doll” (“La muñeca de fuego”) is one of the 14 projects to be pitched at this month’s San Sebastian Europe-Latin America Co-Production Forum, one of the Spanish festival’s centerpiece industry events. Atallah, whose second film, “Rey,” won a Rotterdam Special Jury Prize in 2017, turns in “The Fire Doll” to the transformation process experienced by a 9-year-old girl, Aurora, who loses part of her memory and goes to her the countryside to spend Easter wither father, an alcoholic in remission.

John Hopewell Chief International Correspondent Sandro Fiorin’s Figa Films has snapped up international sales rights to Pavel Giroud’s “El Caso Padilla,” which, selected for the San Sebastian highly competitive Horizontes Latinos, bids fair to become one of the most notable Latin American doc features of 2022. Variety has also shared in exclusivity a first trailer to the film. The follow-up to Giroud admired 2015 fiction film “El Acompañante,” which won San Sebastian’s Co-Production Forum, “El Caso Padilla” turns on the so-called Padilla Affair. That climaxed with arrest on March 30, 1971 of Heberto Padilla, one of the most exquisite and trenchant of modern Cuban poets whose 1968 poetry collection “Fuera de Juego” constituted a scathing attack on the lack of liberties in Fidel Castro’s Cuba. 

John Hopewell Chief International Correspondent Italy’s I Wonder Pictures has boarded Finnish comedy “The Player” as a co-producer ahead of its bow at Haugesund’s industry sidebar New Nordic Films.  The company will also handle local distribution. The project is directed by Teemu Nikki and produced by It’s Alive Films’ Jani Pösö.  “I consider Teemu Nikki as one of the best European directors. He is brilliant, prolific and always surprising,” Andrea Romeo, I Wonder Pictures’ general manager and head of acquisitions, told Variety.  “I think that his cinema will be increasingly appreciated in the world, as well as in Italy. His movies always talk about important issues, keeping a perfect balance between black comedy and auteur cinema. It’s also a great pleasure for us to work with a producer like Jani and a company as prestigious as It’s Alive Films.”

John Hopewell Chief International Correspondent Faroese-born emerging director Andrias Høgenni, winner of a Canal+ award at Cannes Critics’ Week in 2021 with his short film “Illi illa meint,” just got married this summer. His project “Anything for Her,” introduced at this year’s Nordic Co-Production Market in Haugesund, is precisely about a wedding, and much more. Family conflicts, especially with step-parents involved, and the uniquely chaotic nature of a Faroese wedding set in a tightly-knit community of 52,000 souls. Spearheaded by Danish production partners Johannes Rothaus Nørregaard of Studiocanal-backed SAM Productions (“Borgen”) and Rikke Tambo Andersen of Tambo Film (“The Penultimate”), the project has secured co-production partners from France and the Faroe Islands, Variety has learned.

John Hopewell Chief International Correspondent Danish international sales and aggregation outfit LevelK has boarded the thought-provoking drama “Great Yarmouth: Provisional Figures” by award-winning Portuguese director Marco Martins, which world premieres in main competition at next month’s San Sebastian Film Festival.  Hailed by Variety as “a powerful study of intense grief,” Martin’s debut feature, “Alice,” won the Prix Regards Jeune at Cannes in 2005. The story unravels three months before Brexit, as hundreds of migrants descend on the UK village of Great Yarmouth seeking work in the region’s turkey processing plants. Once there, Tânia greets them with matronly authority, taking charge as innkeeper, accountant, and fixer. As she’s forced to deceive them, her conscience grows heavy and she dreams of a brighter, seemingly unattainable, future transforming derelict hotels into modern retreats for elderly tourists.

John Hopewell Chief International Correspondent Seasoned Finnish producer Ilkka Matila (“The Eternal Road”, “All the Sins”) of MRP Matila Röhr has signed with Estonia’s Taska Film and locked early support from the Finnish Film Institute and local commercial channel MTV3 for the $2.7m film “Between the Hammer and the Sickle.” Nordisk Film holds Scandinavian rights. To be pitched on Aug. 24 at the Nordic Co-Production Market in Haugesund, Norway, the title will be one of Matila’s most defining projects, a feature which he believes will stay, along the lines of the multi-awarded “Mother of Mine” or “The Eternal Road.” “Between the Hammer and the Sickle” will be one of the first features ever to portray Finland’s illustrious former president Urho Kekkonen. Head of state for nearly 26 years, Kekkonen served as the longest-serving Finnish president from 1956 until 1981 and masterminded his country’s policy of neutrality, keeping at bay the threatening Soviet Union with which Finland shares 800 miles of border.

John Hopewell Chief International Correspondent Co-organized with CAA Media Finance, a new San Sebastian Festival Creative Investors’ Conference will see many of the good and great of the international film business descend on September’s fest edition to be pitched 10 higher-budget Spanish movies by their producers.  The Conference will run Sept.19-20. In a cosmopolitan lineup, titles pitched include international co-productions such as “Whalemen (At the Ends of the Earth)” from “Everest” director Baltasar Kormákur as well as the latest from “Amama” helmer Asier Altuna and “Raqa,” from Gerardo Herrero, an Academy Award wining producer for “The Secret in Their Eyes.”  

John Hopewell Chief International Correspondent“Senna,” Netflix’s biggest and most ambitious series ever in Latin America, now has a director, seasoned Brazilian film-TV action thriller director Vicente Amorim, whose credits include “Good” with Viggo Mortensen and “Yakuza Princess,” with Japanese American singer Masumi and Jonathan Rhys Meyers.Portraying the life of Formula One racing genius Ayrton Senna,“Senna,” produced for Netflix Brazil by Sao Paulo-based Gullane in partnership with the Senna family, is now in prep.The eight-episode fiction miniseries will plumb “the intimacy of the man who became a national hero and conquered the world,” Netflix Brazil announced on Monday.It looks set to be the biggest play ever by Netflix for one of its biggest markets anywhere in international. In January 2021, Netflix was reported to have already run up 19 million household accounts in Brazil, nearly as many as the streamer’s then 25.49 million for the whole of Asia.

John Hopewell Chief International Correspondent“History of the Occult” director Cristian Ponce, “The Trace We Leave Behind” producer André Pereira and “Huesera” producer Edher Campos all have projects at the 3rd Sanfic Morbido Lab, Sanfic’s genre/fantastic film showcase which looks packed with riches.Also noticeable, three of the six projects are set to be directed by female genre auteurs –  Argentina’s Laura Sánchez Acosta, Spain’s Marta Medina del Valle and French-Spanish screenwriter Elisa Puerto Aubel – as women create an ever larger number of the most exciting elevated genre movies coming out of Spain and Latin America.Appropriately enough, given Sanfic takes place in Santiago de Chile, Chile accounts for two projects at the Lab, Daniel Aspillaga’s “Plasma,” a part body horror mockumentary, and Cristián Grez Donoso’s “Magic Word,” turning on an aged and crazed former amusement park actor. The potential impact of projects is underscored by recent events.

John Hopewell Chief International Correspondent“Stranger Things’” Francesca Reale and “Succession’s” Dagmara Domińczyk are attached to star in horror drama “Surgat,” from Michael Borowiec and Sam Marine Borowiec, the New York-based writing-directing team behind “Man Underground,” which won best first feature at the 2016 Fantasia Film Festival.Sean Lyness (“Abacus,” “Life, Animated”) is joining Josh Ruben (“Scare Me,” “Werewolves Within”) as a producer on the project.The cast and producer additions add extra weight to a title which is shaping up as one of the highest-profile titles at this year’s Frontières Market, which takes place over July 21-24, running parallel to Montreal’s Fantasia Film Festival. “Surgat” will be presented to potential co-production partners, financiers and sales agents at the Frontières Official Selection Pitch Session held this Thursday, July 21.Currently at the financing stage, “Surgat” turns on a young pregnant woman, Heather, whose life is thrown into chaos when a demonic spirit is released upon her home, possessing her family members one by one and turning them against her.

John Hopewell Chief International Correspondent“Little Nicholas – Happy As Can Be” scooped this year’s Annecy Animation Festival’s top Cristal Award for best feature in a 20 plaudit award adjudication which also saw Wes Anderson win a Jury Award for best commissioned film.The biggest winners at Annecy this year, however, was the Festival itself, animation at large and, when it came to movie prizes, France in particular.Directed by Benjamin Massoubre and Amandine Fredon, Annecy’s top feature winner is classic French animated feature fare in artistic and industrial terms: 2D, based on a literal source – writer René Goscinny and illustrator Jean-Jacques Sempé’s comic-strip, and featuring large Gallic IP: Little Nicholas, France’s quintessential schoolboy, who here meets his makers, Goscinny and Sempé. Produced by Aton Soumache, one of the dominant figures on France’s animation scene and producer of “The Little Prince,” France’s biggest movie export in 2015, “Little Nicholas” may look exquisite at times, but, family fare, packs a more modern pace and focus on entertaining than much arthouse 2D cinema.The top Cristal for “Little Nicholas” surprised some.

John Hopewell Chief International Correspondent“Perlimps,” Brazilian Alê Abreu’s follow-up to the Oscar-nominated “The Boy and the World,” has a trailer, released in the run up to the animated feature’s world premiere on June 16 at the Annecy Festival.Shared in exclusivity with Variety by the film’s sales agent Best Friend Forever, the full trailer reveals for the first time the real significance of the titular Perlimps, while showcasing its dazzling visuals.The film will screen at Annecy in official selection as a special event. If it were in competition, it would be a contender to deliver Brazil its third Annecy Cristal best feature award in decade after Abreu won in 2014 with “The Boy and the World” and “Perlimps” producer Luiz Bolgnesi also won he same award a year earlier for “Rio 2096: A Story and Love and Fury.” The trailer to the animated family tale begins with Claé bounding through an Enchanted Forest announcing excitedly that the Giants have surrounded it and there’s no time to lose.

John Hopewell Chief International Correspondent“Black Sands” producer Glassriver, one of Scandinavia’s fastest-growing production powerhouses, is teaming with a powerful writing duo, Ragnar Bragason and Snjolaug Ludviksdottir, to create “Magaluf.”Currently in development, “Magaluf” marks a high-profile projects at late June’s Conecta Fiction in Spain, where it  competes in the forum’s CoPro Series section.One of Iceland’s most consistently prized top writers and directors and creator and head writer on “Magaluf,” Bragason’s credits include movie 2013’s “Metalhead,” which wonbest Nordic film at Göteborg, and in series, “The Night Shift,” part of a larger hit dramedy franchise, and the admired international sales hit “Prisoners.” A stand-up comedian, Ludviksdottir co-writes. “She is a wonderful writer and writes three of the six episodes and on top of that ensuring that the female characters really come to life in a meaningful way,” said Glassriver co-owner Hörður Rúnarsson, a producer on the show with Arnbjorg Haflidadottir (“Black Sands”).Ludviksdottir’s credits include penning Season 2 of international hit crime series “Stella Blomqvist,” Viaplay’s first Icelandic original.Commercials and music video director Magnus Leifsson, whose debut short film “Dovetail” won Short Film of the Year at the 2019 Icelandic Film and TV awards, is attached to direct.

John Hopewell Chief International Correspondent“1976,” the awaited first feature of Chile’s Manuela Martelli, has closed first new major territories for sales company Luxbox before its world premiere in Directors’ Fortnight later this upcoming week.The film is produced out of Chile by writer-directors Omar Zúñiga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) at auteur-focused Chile-based Cinestación (“Too Late to Die Young”) as well as Alejandra Garcia and Andrés Wood, another celebrated Chilean director (“Violeta Went to Heaven”) at Wood Productions. Nathalia Videla Peña and Juan Pablo Gugliotta at Argentina’s Magma Cine co-produce.“1976” is set, as its title implies, in 1976, one of the bloodiest years of Augusto Pinochet’s hugely bloody dictatorship.

John Hopewell Chief International Correspondent“Bonnie is legendary for her boundless energy on the Crosiette,” AGC Studios head Stuart Ford said of his marketing head Bonnie Voland, whose 40th Cannes Festival was celebrated by Ford and friends at an elegant beachside cocktail on Friday evening.“This is my 15th Cannes with Bonnie Voland and I’m not sure I still have the energy to keep up with her,” he confessed in a speech in her honor at the cocktail.Voland has had a rich career to date, – she insists she’s certainly not done yet –  graduating as a French major at Hunter College, and working as an actress in Paris before first attending Cannes in 1982 for Passion – The Magazine of Paris. She ran the Toronto Festival press office in the mid-eighties, then worked in Los Angeles for Samuel Goldwyn, Buena Vista International and Chris Blackwell’s Island Pictures, and created her own PR agency and consultancy B.

John Hopewell Chief International Correspondent“Goya, Carrière and the Ghost of Buñuel,” which plays Cannes Classics this Saturday, begins with French film great Jean-Claude Carrière in a train, singing an ancient song in Occitan, the language of Provence, where he came from.Visiting Goya’s birthplace, he’ spies a cauldron and comments that there was one like that in his own family home.Towards the end of the film, surveying “The Colossus,” Goya’s painting of a giant dominating tiny people in a valley below who flee in all directions, Carrière observes that the painting capture a sense of immigration. Unlike so many of his friends, and indeed his wife,  Nahal Tajadod, Carrière notes, he will have the privilege of being buried in the same place where he was born.

John Hopewell Chief International Correspondent“The Bourne Identity” helmer Doug Liman is attached to direct the adaptation of a chapter from acclaimed nonfiction book “Rise And Kill First.” It details how Israel’s Mossad reached out in desperation to former Nazi Waffen SS lieutenant colonel Otto Skorzeny, a favourite of Hitler’s -branded by British intelligence services as “the most dangerous man in Europe,” to thwart an existential threat to Israel’s existence.The stranger-than-fiction true story is set up at New York’s Story Syndicate (“I’ll Be Gone In the Dark,” “Britney vs Spears,” “Becoming Cousteau”), headed by Academy Award- and Emmy Award-winning Dan Cogan and Liz Garbus, and at Israel’s Abot Hameiri, producer of “Shtisel,” “The Attaché” and “Power Couple.” A Fremantle company, its co-founder, Guy Hameiri, assembled the world-class direction-production team. A Cannes Festival alum with 2010’s Palme d’Or contender “Fair Game,” Liman will also oversee development of the limited series.

John Hopewell Chief International Correspondent“The Pink Cloud,” a flagship feature from Brazil’s new generation of female filmmakers, has closed three more major territories for Paris-based MPM Premium, sealing France (Universciné), Japan (Senlis) and Germany (Lighthouse). With MPM Premium currently in discussions for the U.K., Australia and Latin America, the sales company is edging ever closer to selling out on all major territories around the world.Territories already secured include Brazil (O2), North America (Blue Fox), Taiwan (Digi Sky Entertainment), China (Beijing Hugoeast), Korea (K Entertainment) and Russia (World Vision).Senlis will stage a theatrical release in 2023 for “The Pink Cloud.” It has been dubbed and will be released in Germany and Austria on July 22. France’s Universciné (France) has launched the film as a premium VoD Release, with a specific promotion for what Universciné calls its “exclusive” titles.

John Hopewell Chief International Correspondent“Lost And Found” has closed first sales to Italy (Eagle Pictures), France (KMBO) and Taiwan (Creative Century Entertainment) on thriller “Lost and Found,” starring Álvaro Morte, “Money Heist’s” Professor, and directed by “The Head” helmer Jorge Dorado.The caliber of the distributors – Eagle Pictures is one of Italy’s most muscular mainstream buyers, for instance – and the movie’s high-profile talent package confirm “Lost and Found” as a preeminent title in Spain’s currently most exportable product line: Upscale ambitious thrillers with a social-issue underbelly.Filmax, “Lost and Found’s” sales company, screened a promo at Berlin’s European Film Market. The first sales news comes just before the film’s first market screening at a private event at Cannes.

John Hopewell Chief International Correspondent“Island City,” the latest film from “Lower City” director Sérgio Machado, has been acquired for international sales by Edward Noeltner’s Beverly Hills-based Cinema Management Group. Given a current absence of Brazilian movies selected for the Cannes Festival, the acquisition gives CMG one of the most awaited of titles coming out of Brazil this year.It also marks latest title from Brazilian production powerhouse Gullane, whose credits include Cannes Competition players – Hector Babenco’s “Carandiru,” Marco Bellocchio’s “The Traitor”  – as well as Sundance winners, such as Anna Muylaert’s “The Second Mother,” and Berlin Panorama laureates, such as Luis Bolognesi’s “The Last Forest.” Exploring the foibles and failure of manhood, also the focus of “Lower City,” “Inner City” tells what CMG describes as the “captivating” tale of three brothers who end up living under the same roof as middle brother Dalberto’s sensual new wife, Anaira (Sophie Charlotte).When Dalberto (Daniel de Oliveira) has to leave, transporting a mysterious passenger up the Amazon to Peru, a despondent Anaira seeks comfort in the company of other brothers Armando (Gabriel Leone) and Dalmo (Romulo Braga).

John Hopewell Chief International Correspondent“There is a new studio Star System…but instead of focusing on acting talent (as it did in the 1930s), it prioritizes those with the skills to create new stories, produce new shows and manage the evolution of new character IP…in other words, to make content that will succeed by the measures important in the new world order,” Ampere Analysis’ Guy Bisson announced at MipTV in a presentation. By that measure, few figures were as important at this month’s buoyant French TV festival Canneseries than German author Ferdinand von Schirach and Constantin TV’s Oliver Berben. Broadcast on ZDF and produced by Berben, 2013’s ”Crime Stories” and 2015’s “Shades of Guilt,” both based on von Schirach best-selling short story anthologies, scored up to 5 million viewers per episode and exceptional market shares of 17%-18%. Inspired by a von Schirach stage play ”The Verdict” punched almost 7 million viewers and a market share of over 20% on a Monday evening.

John Hopewell Chief International Correspondent“Bosé,” the highly anticipated Paramount Plus Original, has wrapped production. The announcement comes as Paramount Plus has also confirmed the remainder of the internationally recognised cast of the six-part series, a biopic of Spanish singer-songwriter Miguel Bosé.Two behind-the-scenes images, shared in exclusivity with Variety, also hint at the production ambitions of the series, one of the biggest Spanish-language series to date at Paramount Plus, which turns on one of the most resonant figures in recent times in Spain.

John Hopewell Chief International CorrespondentA Canneseries main competition contender, “The Dreamer – Becoming Karen Blixen” begins with a voiceover from Connie Nielsen (“Gladiator,” “Wonder Woman”) reading, in beautifully cadenced Danish, a letter ‘Out of Africa’ author Karen Blixen writes to her mother in 1931.In it, she expresses the joy Africa has given her, that the family farm she ran has gone bankrupt, and she will soon take her life.Exquisite shots of Africa play out, meanwhile, on the screen.It this mix of lush period detail and big production value and a harder economic edge and sustained portrait of a woman’s sentiments and soul –  through read letters, dialog confession and Nielsen’s central commanding central performance – that sets “The Dreamer” apart. Developed from a concept by Nielsen, “The Dreamer” begins when Blixen near ends, economically and emotionally bankrupt after her farm fails and her soulmate, as she calls English aristocrat Denys Finch Hatton, dies in an air crash at Kenya’s Voi Airport.Her suicide fails.

John Hopewell Chief International Correspondent“You’re a horse person?” a Belgian stable owner asks Johanna, a young Finnish journalist delving into the discovery of a microchip in a baby’s meat patty at a Helsinki daycare center. Only creator-director Auli Mantila’s own horse affiliations as a qualified farrier may explain in part one of the most singular of entries at this year’s Nordisk Film & TV Fond Prize: “Transport.”This is Scandinavian crime drama, but “ordi-noir,” Mantila told the Nordisk Film & TV Fond newsletter, in that it “happens in broad daylight, involves people with no special talent or trauma, and takes place in locations anyone could just walk in.”It also addresses a massive but little explored subject, turning on pan-European food fraud which embroils three women: Marianne, a by-the-book bank loans exec forced to money launder earnings of a sinister food import company; an insurance investigator checking the disappearance of a border control veterinarian; and the indefatigable Johanna.