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There’s a lot happening at the 2022 Cannes Film Festival right now and so many big stars stepped out for photo calls during day five.

Peter Debruge Chief Film CriticIf Larry Clark had ever found his way onto the Pine Ridge Reservation, he probably would have come away with a film like “War Pony,” which observes its young Native American characters hustling, skating and stealing drugs from otherwise distracted adults. Presenting such behavior without judgment, first-time directors Gina Gammell and Riley Keough developed this unvarnished portrait in collaboration with their actors, capturing something at once tragic and true about these kids, who are torn between Oglala Lakota traditions and the consumer culture around them.A few years older than the hero of Chloé Zhao’s recent “The Rider” — a movie this one can’t help but resemble, at least superficially — Bill (Jojo Bapteise Whiting) is like the slacker version of that American dreamer.

It is more than a bit ironic in a Cannes Film Festival where Baz Luhrman’s biopic Elvis is one of the most anticipated entries, that the subject of it, Elvis Presley turns out to have another direct connection this year’s fest. His granddaughter Riley Keough is making her directorial debut with the Un Certain Regard selection, War Pony having its World Premiere today. The film focuses on two young Native Americans coming of age and trying to get by in a story set on the Pine Ridge Reservation in South Dakota. It is a location that has intrigued other filmmakers like Chloe Zhao (The Rider) in recent years, and now has caught the attention of Keough and her co-director Gina Gammell in order to tell an authentic and unique contemporary tale of Native American youth brought to life by an impressive group of first-time actors, mostly locals the directors cast in order to give this as fresh and real a feel as possible. They have succeeded.

Zack Sharf It’s quite the Cannes Film Festival for first-time director Riley Keough.Not only is she debuting her first movie as a filmmaker (“War Pony,” which she co-directed with her producing partner Gina Gammell), but her family history is the subject of Baz Luhrmann’s starry film, “Elvis,” which will make its world premiere next week at the festival. Keough is the granddaughter of Elvis Presley, played in the film by Austin Butler.Keough joined Variety and Kering at Cannes for a Women In Motion conversation, where she said Luhrmann spoke to her family when working on his film, but she was never approached for a role, despite the strong resemblance she has to her grandmother, Priscilla Presley, and mother, Lisa Marie Presley. Keough also revealed that the trio of women watched the movie together.

Elizabeth Wagmeister Senior CorrespondentRiley Keough has been in the business for more than a decade. At just 32 years old, the granddaughter of Elvis Presley has made a name for herself as a performer with great range, known for “Mad Max: Fury Road,” “Magic Mike,” “Zola” and Steven Soderbergh’s “The Girlfriend Experience,” which earned her a Golden Globe nomination.

K.J. Yossman When “War Pony” debuts in Cannes on May 21, it will represent the culmination of a project almost a decade in the making.

K.J. Yossman Protagonist Pictures have boarded Riley Keough’s directorial debut “War Pony” (previously known as “Beast.”) Keough (“Mad Max: Fury Road”) co-directed the feature with Gina Gammell (“Manodrome”).

a competition lineup with only three films directed by women. While additional films could still be added to the slate for next month’s festival, the Cannes lineup falls short of the already dismal record of the last two editions of the festival.

Main Competition“Holy Spider,” Ali Abbasi“The Almond Tree,” Valeria Bruni Tedeschi“Crimes of the Future,” David Cronenberg“Tori and Lokita,” Jean-Pierre Dardenne and Luc Dardenne“Stars at Noon,” Claire Denis“Brother and Sister,” Arnaud Desplechin“Close,” Lukas Dhont“Armageddon Time,” James Gray“Broker,” Hirokazu Kore-eda“Nostalgia,” Mario Martone“RMN,” Cristian Mungiu“Triangle of Sadness,” Ruben Ostlund“Decision to Leave,” Park Chan-wook“Showing Up,” Kelly Reichardt“Leila’s Brothers,” Saeed Roustaee“Boy From Heaven,” Tarik Saleh“Tchaikovsky’s Wife,” Kirill Serebrennikov“Hi-Han,” Jerzy SkolimowskiUn Certain Regard“Les Pires,” Lise Akoka and Romane Gueret“Burning Days,” Emin Alper“Metronom,” Alexandru Belc“All the People I’ll Never Be,” Davy Chou“Sick of Myself,” Kristoffer Borgli“Domingo and the Midst,” Ariel Escalante Meza“Plan 75,” Hayakawa Chie“Beast,” Riley Keough and Gina Gammell“Corsage,” Marie Kreutzer“Butterfly Vision,” Maksim Nakonechnyi“Godland,” Hlynur Palmason“Rodeo,” Lola Quivoron“Joyland,” Saim Sadiq“The Stranger,” Thomas M. Wright“The Silent Twins,” Agnieszka SmocynskaOut of Competition “Elvis,” Baz Luhrmann“Top Gun: Maverick,” Joseph Kosinski“Three Thousand Years of Longing,” George Miller“Masquerade,” Nicholas Bedos“November,” Cedric Jiminez“Z,” Michel Hazanavicius (opening film) Special Screenings“All That Breathes,” Shaunak Sen“The Natural History of Destruction,” Sergei Loznitsa“Jerry Lee Lewis: Trouble in Mind,” Ethan CoenMidnight Screenings“Hunt,” Lee Jung-jae“Moonage Daydream,” Brett Morgen“Fumer Fait Tousser,” Quentin DupieuxCannes Premiere“Non Frangins,” Rachid Bouchareb“Dodo,” Panos H.

EXCLUSIVE: Odessa Young has stepped in for Riley Keough in John Trengove’s thriller, Manodrome. She will join Jesse Eisenberg, Adrien Brody, Ethan Suplee, Phil Ettinger and Georghe Murressean. Keough remains in the project as a producer under her Felix Culpa banner.

Jesse Eisenberg, Adrien Brody, and Riley Keough will star in Manodrome, a film written and to be directed by South African director John Trengrove, marking his English-language debut. Pic package will be presented to buyers and financiers during the Cannes virtual market just getting underway.