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according to Variety and other outlets. They called the new contract “exceptional” and said it would have “meaningful gains and protections for writers in every sector of the membership.”“What we have won in this contract – most particularly, everything we have gained since May 2nd – is due to the willingness of this membership to exercise its power, to demonstrate its solidarity, to walk side-by-side, to endure the pain and uncertainty of the past 146 days,” part of the email from the WGA Negotiating Committee states, Variety reported.“It is the leverage generated by your strike, in concert with the extraordinary support of our union siblings, that finally brought the companies back to the table to make a deal.”The likely deal comes as both sides took part in intensive bargaining over the weekend.There were signs last week that the strike, which brought Hollywood to a halt for 146 days, appeared to be nearing the end when the Writers Guild of America and the Alliance of Motion Picture and Television Producers issued a joint statement that they were back in talks.The Alliance represents studios, streaming services and producers in the negotiations.Union leaders met Wednesday with top studio bosses including Disney CEO Robert Iger, Warner Bros.

Negotiations between the WGA and studios CEOs on a deal to end the nearly five-month long writers’ strike look within sight.

WGA and Hollywood’s major studios are in the final phase of hammering out a three-year contract that will bring an end to one of the longest strikes in Hollywood history. Legal representatives for labor and management were said to be huddling on the fine print of language in complicated contract issues such as the use of generative artificial intelligence and groundbreaking elements for the WGA’s minimum basic agreement, such as a formula for a minimum staff guarantee for episodic TV and a “success-based” residual from subscription platforms that is designed to funnel more money into the WGA’s pension and health funds. The nitty gritty details of the terms around the AI proposal has been one of the final hurdles to overcome, multiple sources said.

The Writers Guild brass and studios CEOs were working tonight to close a deal to end the scribes’ strike , but it seems they aren’t quite there yet.

Jennifer Maas TV Business Writer Negotiations between the Writers Guild of America (WGA) and the Hollywood studios continued into Friday night as questions swirled around town regarding whether a deal had been reached or if talks had once again broken down. There is no word yet on a potential deal, but insiders with knowledge of ongoings in the room say there is momentum on both sides to find a resolution that will end the 144-day writers strike. Friday’s talks are said to have begun at approximately 11 a.m.

This is Day 144 of the WGA strike and Day 71 of the SAG-AFTRA strike.

The WGA is heading back to the bargaining table with the CEOs of Netflix, Disney, Universal, and Warner Bros Discovery on Friday.

EXCLUSIVE: A second day of direct negotiations between the Writers Guild and studio CEOs has concluded this evening.

Gene Maddaus Senior Media Writer Four Hollywood CEOs returned to the bargaining table Thursday for a second day of talks with the Writers Guild of America, as the industry looked for signs of progress toward a deal that would end the 143-day strike. Sources said the studios made moves in multiple areas that they hoped would be enough to break the logjam. But it remained unclear if WGA leaders would see the AMPTP’s latest proposals and modifications as sufficient to meet writers’ demands.

EXCLUSIVE: The Writers Guild and studios and streamers are set to meet again tomorrow for further talks on a new contract for scribes.

Gene Maddaus Senior Media Writer The Writers Guild of America resumed bargaining with the major studios on Wednesday, as the 142-day writers strike closed in on a record duration. In a break from previous sessions, several top CEOs joined in the talks on Wednesday in Sherman Oaks. They were Bob Iger of Disney, Ted Sarandos of Netflix, Donna Langley of NBCUniversal and David Zaslav of Warner Bros.

Over 140 days into the WGA’s strike, the latest resumption of talks today between the scribes and studios and steamers are leaving nothing to chance.

Given Hollywood’s love of sequels, and that fact that “Mamma Mia!” and its followup, “Mamma Mia! Here We Go Again”, raked in a combined $1 billion at the box office, why hasn’t Universal greenlit a third film?

Meryl Streep and Amanda Seyfried are open to starring in Mamma Mia 3 and they recently opened up about what it would take for the film to become a reality.

EXCLUSIVE: Fran Drescher is less concerned with meeting of several showrunners with WGA leadership this week and more concerned with studios and streamers getting back to the bargaining table to make a fair deal.

Zack Sharf Digital News Director A new oral history on “Mamma Mia!” from Vogue magazine ends with the cast and crew all in support of making a third installment in the Universal Pictures franchise, which kicked off in 2008 with a film adaptation of the musical and continued in 2018 with “Mamma Mia! Here We Go Again.” Combined, the two musical films grossed over $1 billion at the worldwide box office. “Universal would love to make a third movie, and I’ll leave it at that,” Universal Pictures chairman Donna Langley said point blank when the discussion turned to a potential “Mamma Mia 3.” Amanda Seyfried, who leads the franchise as Sophie, added, “I dare you to show me one person who doesn’t want a third Mamma Mia!” But she also cast a bit of a doubt on a third movie since, according to her, its existence would most likely depend on Universal paying the cast what they are worth, which is far more now than when the franchise started.

Amanda Seyfried is opening up about the status of Mamma Mia 3.

In her first major hire since being named Chairman of NBCUniversal Studio Group and Chief Content Officer, Donna Langley has named Liz Jenkins as her Chief Business Officer. Langely has also formed a new studio leadership group and added Peter Levinsohn and Jimmy Horowitz to cabinet positions.

Matt Donnelly Senior Film Writer Entertainment executive Liz Jenkins has been named to the newly created role of chief business officer for the NBCUniversal Studio Group. The former COO of Reese Witherspoon’s Hello Sunshine joins the company with an expansive title to oversee strategy and business operations, reporting to studio chairman and NBCU Chief Content Officer Donna Langley. “Liz has established herself as an industry leader with a deep understanding of the complexities of our business, and her unique perspective and varied experience fuel her drive for innovation,” Langley said of the hire.

EXCLUSIVE: Amid growing speculation of internal divisions within the C-suites and a lack of any apparent path forward to end the writers and actors strikes, the chiefs of Hollywood’s biggest studios are set to gather today.

Just hours after the studios and streamers made public their latest “comprehensive package” towards a deal with the WGA, the guild has responded – and its seems the AMPTP and top CEOs may have strategically overplayed their hand.

writers strike. The CEOs of the major studios — including Ted Sarandos of Netflix and David Zaslav of Warner Bros. Discovery — are also expected to hold a joint call on Friday to discuss the next move in the talks.

Tom Cruise is ready to go where no actor has gone before. The 61-year-old star offered a recent update on an exciting project that is planned to be filmed in outerspace. In 2020, it was revealed that Cruise was working with NASA and Elon Musk's SpaceX on a movie that would be shot at the International Space Station.

Donna Langley elevated to NBCUniversal Studio Group chairman and chief content officer, overseeing the company’s film and television studios. “We’re excited to evolve our partnership with Steven and cement our creative legacy together that has resulted in so many iconic Universal films over the last half-century,” Langley said in a statement.

Amblin Partners and Universal Pictures have set a new film partnership that builds on the companies’ longstanding creative collaboration. The new multi-year deal revealed Tuesday will continue to deliver Universal with first-look status on all Amblin theatrical film projects, while evolving Amblin’s film production model to give the company more creative and financial flexibility.

The news Thursday about Universal Filmed Entertainment Group chairman Donna Langley’s ascent to bring TV content under her domain doesn’t just speak to the greater NBCUniversal plan to have a more unified strategy across theatrical, TV and streaming.

Donna Langley is a dame in waiting no more. The veteran movie executive, with deep ties to Hollywood filmmakers and a knack for shepherding blockbusters to the screen, ascended to NBCUniversal’s content throne on Thursday, one of the big winners in a sweeping reorganization made by company CEO Mike Cavanagh. In her new role as chief content officer, Langley won’t just be overseeing Universal’s slate of films. She will also take ownership of its TV and streaming creative strategy. It’s an elevation that many industry players saw as inevitable – after all, how much longer could the company keep the in-demand executive without expanding her portfolio?

David Zaslav should be sending a fruit basket right about now to Comcast President Mike Cavanagh.

Anyone looking for a sign of Comcast President Mike Cavanagh’s strategy as the recently installed overseer of NBCUniversal got a bright one Thursday.

NBCUniversal is going through another restructure.