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HBO executive has seemingly dashed hopes for future The Sopranos spin-offs.Last year, series creator David Chase was reported to have been in conversations about a new Sopranos-related series for HBO Max. Those reports emerged after Chase signed a five-year, first-look deal with the streaming platform in October.Speaking to The Hollywood Reporter, HBO and HBO Max’s chief content officer, Casey Bloys, has now said that Chase isn’t interested in returning to the franchise – explaining that a recent Super Bowl commercial which recreated the opening credits wasn’t a tease.Asked if he’d been shown anything about a Sopranos prequel series, Bloys said: “You’re asking the question as if there is one in existence.

gotten whacked by show creator David Chase, one HBO executive said.HBO and HBO Max Chief Content Officer Casey Bloys spoke to Deadline about the future of the “Sopranos” universe, which is sure to bum out fans from the Garden State all the way down to Boca Raton.“I don’t think David has any interest in doing anything more with ‘The Sopranos.’ ‘The Sopranos’ is a terrific and classic show. I don’t think there’s any reason to open that back up,” Bloys said.“I really don’t know what he’s thinking but one thing I can say is I just don’t think anything with ‘The Sopranos’ family is on the cards.”For months fans hoped that Chase — who inked a five-year production deal with HBO’s parent company WarnerMedia in October — was signing on to expand on the show as a follow-up to the luke-warm received “Many Saints of Newark.” The prequel film starred Alessandro Nivola as “Dickie” Moltisanti, Jon Bernthal as “Johnny Boy” Soprano and James Gandolfini’s son Michael as a high school-aged Tony Soprano.

Last year, we saw the premiere of “The Many Saints of Newark,” the first spinoff project based in the world of “The Sopranos.” While the idea of the film was met with excitement from fans when it was announced, the film wasn’t very well received by critics and it seemed like fans were mixed with their feelings. All that to say, ‘Many Saints’ seems like a classic case of “be careful what you wish for.” Now, according to the head of HBO, it doesn’t seem like there’s any interest in bringing back “The Sopranos” in any sort of sequel/prequel.

After The Many Saints of Newark, the feature film set in The Sopranos world from David Chase, there was much talk of revisiting Tony’s mob ties.

Super Bowl broadcast wasn’t just about football — with many viewers tuning in to simply see the TV commercials that aired in between the on-field action. NBC expected 100 million Americans to watch the event, meaning they were able to charge close to $7 million for a 30-second ad slot.

in the 60-second commercial, which aired during the second quarter of Sunday evening’s game. “The Sopranos” showrunner David Chase directed the ambitious ad, which recreates the iconic opening of the original show and rewrites its famously ambiguous final episode. In the original series, the opening credit sequence sees protagonist Tony Soprano driving his Chevy Suburban from Manhattan to New Jersey as the song “Woke Up This Morning” by Alabama 3 plays in the background.

Reunited and it feels so good! The Super Bowl is known for its buzzy commercials that star an array of celebrities, and this year, Chevrolet brought the OG Sopranos siblings back together.

Brian Steinberg Senior TV EditorJamie-Lynn Sigler has been keeping a secret for weeks. On Sunday, it finally came out.Sigler, who played Meadow Soprano for more than eight years on the iconic HBO series “The Sopranos,” stepped into the role again Sunday for a Chevrolet commercial that aired during NBC’s telecast of Super Bowl LVI. The ad updated, shot for shot, the show’s opening montage, which used to feature James Gandolfini’s  Tony Soprano driving a Chevy truck.

Angelique Jackson Clifton Collins Jr., Michael Gandolfini, Josh Hamilton & Brooklynn MacKinzie have joined the cast of Cory Finley’s “Landscape With Invisible Hand.”The quartet join previously announced stars Asante Blackk, Tiffany Haddish and Kylie Rogers in the film adaptation from MGM, Plan B Entertainment & Annapurna Pictures.Based on National Book Award winner M.T. Anderson’s novel of the same name, “Landscape With Invisible Hand” is described as a “heightened comedy set in a deeply stratified, alien future.”Production on the film begins the week, marking writer-director Finley’s third movie, following the critically-acclaimed “Thoroughbreds” and “Bad Education.” Plan B’s Dede Gardner and Jeremy Kleiner are producing the project with Annapurna’s Megan Ellison and Sue Naegle.

Kathryn Kates, a veteran character actress who appeared in such TV series as Orange Is the New Black, Seinfeld and Law & Order: SVU and The Sopranos prequel movie The Many Saints of Newark, has died. She was 73.

EXCLUSIVE: Lorraine Bracco (The Sopranos), Nora Zehetner (Grey’s Anatomy), Julian Lerner (The Wonder Years) Abby James Witherspoon (Secret Headquarters) and Noah Cottrell (Punky Brewster) have joined the cast of Boys of Summer, the family adventure film from actor-director David Henrie (This Is the Year, Wizards of Waverly Place) that is now in production in North Carolina.

EXCLUSIVE: Michael Imperioli has been tapped as a lead in the second installment of HBO’s dark comedy series The White Lotus. The Sopranos alum, who will be a series regular, is the first confirmed cast member for the upcoming followup to Mike White’s breakout social satire limited series.

After playing Aaron Burr in the Tony-winning musical Hamilton and garnering a Best Supporting Actor Oscar nomination last year playing singer Sam Cooke in One Night in Miami, Leslie Odom Jr. this year turned his sights toward David Chase’s world of Jersey mobsters in The Many Saints of Newark.

The Many Saints of Newark writer David Chase and stars Ray Liotta and Alessandro Nivola discussed the Sopranos prequel Saturday at Contenders Film: New York. Speaking with Deadline’s Mike Fleming, Chase and Nivola zeroed in on the explosive rage of Nivola’s character, Dickie Moltisanti, while Liotta had a different perspective on his role.

The Sopranos‘ penultimate episode.The actress was discussing the conclusion in a recent episode of the Talking Sopranos podcast with co-stars Michael Imperioli (Christopher Moltisanti) and Steve Schirripa (Bobby Baccalieri) when she admitted that she didn’t agree with creator David Chase’s decision.The 2007 episode in question, The Blue Comet, sees her therapist character Melfi put an end her sessions with Tony Soprano (James Gandolfini) after years of counselling.

On a November 21 episode of the podcast Talking Sopranos, longtime Sopranos cast member Lorraine Bracco addressed her discontent with how her character, Dr. Jennifer Melfi, exited the iconic HBO series.

The Sopranos writer Todd Kessler has revealed that James Gandolfini took him out for dinner after he was fired from the HBO series.Speaking to Michael Imperioli and Steve Schirripa for their new oral history on the drama, titled Woke Up This Morning (via Insider), Kessler recalled how Gandolfini contacted him when he was dropped from the show by creator David Chase after season three.“Jim called me up after he finished work that day,” Kessler said of the day he was fired.

The Sopranos who was uncomfortable about filming a nude scene, according to a new oral history of the show.Actor Peter Riegert had a guest appearance as character Ronald Zellman in seasons three and four of the HBO series.

Still can’t fuggedabout the controversial Sopranos ending?

has given his audience everything and nothing at the same time.“The Sopranos” and “Many Saints of Newark” creator revealed a cryptic tidbit that gives the show’s blackout ending and fate of James Gandolfini’s Tony Soprano in 2007 a bit more context — but you’ll still have to draw your own conclusions.Speaking with the Hollywood Reporter, Chase confirmed that the show’s iconic Holsten’s last supper was separate from a plan he originally envisioned for the boss’ demise.“Because the [death] scene I

The ending of “The Sopranos” might have been a lot clearer had David Chase stuck to his original idea.

It was just over a week ago when it was being reported that HBO was developing a new prequel series for “The Sopranos” created by David Chase. This comes after the (apparently) successful launch of “The Many Saints of Newark” on HBO Max.

In the long history of TV series finales, there are just a few that continue to be debated to this day. And in modern memory, you basically have the finale of “Lost” and the finale of “The Sopranos.” As for the latter, the debate seems to rage about what actually happened, as the show cuts to black without showing anything definitive.

have delivered “the definitive oral history” of “The Sopranos” in their new book, “Woke Up This Morning.” The tome weaves interviews with dozens of cast and crew members (and series creator David Chase) for an unprecedented, dishy, behind-the-scenes look at the iconic mob drama, which aired on HBO from 1999-2007 with star James Gandolfini as troubled North Jersey mobster Tony Soprano.The nearly 500-page book, which borrows its title from the show’s theme song by Alabama 3, is comprised of

The Sopranos‘ creator David Chase has had early conversations about a prequel series that could land on HBO Max.Following the launch of the show’s spin-off film The Many Saints Of Newark, Chase mentioned in an interview with Deadline that he may return to the Sopranos universe with another feature.“There’s only one way that I would do it, and that was if Terry [Winter] and I could write the script together.

While “The Many Saints of Newark” hasn’t been a box office behemoth that Warner Bros. was probably hoping it would be, it would appear the folks at the studio are super happy with how the film is performing on HBO Max.

David Chase has talked up the possibility of returning to The Sopranos universe with a sequel to The Many Saints of Newark.

Matt Donnelly Senior Film WriterStreaming viewership for David Chase’s “The Many Saints of Newark” is coming into focus, as is the massive bump it gave the series that inspired it, “The Sopranos,” according to WarnerMedia’s metrics.While the film’s theatrical rollout last weekend earned $4.6 million at the domestic box office, its performance on HBO Max underscores an important advantage the WarnerMedia platform has against its competitors — the ability to resuscitate its deep bench of

The Sopranos‘ James Gandolfini, which resulted in the pair “barely talking.”The showrunner, who co-wrote the show’s recent spin-off The Many Saints Of Newark, reflected on his tumultuous time with the star in the Happy Sad Podcast.