Bertrand Bonello Latest Celebrity News & Gossip

It’s been seven years since Michel Gondry‘s last feature, 2015’s “Microbe & Gasoline,” a tale of two tinkering teens who build a makeshift vehicle and hit the road for an adventure. Now, Gondry’s next directing adventure emerges on the stuffed film market of this year’s Cannes Film Festival.

EXCLUSIVE: Eternal Sunshine Of The Spotless Mind director Michel Gondry is readying his next project, which will be on sale in the Cannes market with French seller Kinology.

The Cannes Film Festival officially kicks off tomorrow. One of the big films to be screened there is David Cronenberg‘s body horror “Crimes of The Future,” which stars Lea Seydoux (“No Time To Die“) alongside the filmmaker’s longtime muse Viggo Mortensen.

Elsa Keslassy International CorrespondentGeorge MacKay (“1917”) is set to headline alongside Lea Seydoux (“Crimes of the Future”) in “The Beast,” a decade-spanning dystopian romance thriller directed by Bertrand Bonello (“Saint Laurent”).Kinology (“Annette”) is handling international sales on “The Beast,” which will shoot in French and English and will start filming in August.Taking place between Paris and California, “The Beast” is set in the near future where emotions have become a threat. Seydoux stars as Gabrielle, a woman who has finally decided to purify her DNA in a machine that will immerse her in her past lives and rid her of any strong feelings.

Michael Nordine authorFew things will have you longing for an end to the pandemic like “Coma,” an experimental lockdown project from French provocateur Bertrand Bonello. If you’re the type to dread being alone with your thoughts, try being locked in a room with Bonello’s: The “Nocturama” director’s ruminations on free will, dreams and the deeper meaning of Michael Jackson’s music will have you longing to fall into a deep sleep, just so you don’t have to listen to it anymore.

Jamie Lang After a banner 2021 for high-end genre films, industry vets are hopeful that the fantastic can resurrect the corpse of pre-COVID theatrical distribution.As bolts of lightning reanimated the body of Frankenstein’s monster, Julia Ducournau’s “Titane,” which turned heads when it took the Palme d’Or at Cannes, and Sundance Grand Jury prize-winner “Nanny,” a supernatural tale from director Nikyatu Jusu, have revitalized the festival scene.While “Nanny” may have been the jewel in the genre crown at Sundance, the influence that genre cinema held over 2022’s first major festival was wide-ranging and undeniable. Chloe Okuno’s psychological thriller “Watcher” impressed — segueing into several sales deals — as did Hanna Bergholm’s psycho-horror feature “Hatching,” sold by Wild Bunch and Charades-sold Spanish standout “Piggy,” the follow-up to Carlota Pereda’s 2019 Spanish Academy Award-winner “Cerdita.” Among genre titles at Berlin this year are Dario Argento’s serial killer thriller “Dark Glasses” in the Berlinale Special section, while Bertrand Bonello’s subconscious voyage “Coma” and Peter Strickland’s gory “Flux Gourmet” (pictured above) feature in Encounters.

An imaginative insight into an 18-year-old’s mind, Bertrand Bonello’s Berlin Film Festival Encounters strand entry Coma comes with a preface: it’s dedicated to his teenage daughter. It aims to both reflect the concerns of her generation and to reassure her that some kind of rebirth will come after the pressures of lockdown during the Covid pandemic. Coma stars just two actors in-camera, with voice work from Gaspard Ulliel, who died tragically earlier this year. Bonello’s introductory comments about loss feel particularly poignant after the death of his Saint Laurent star. 

Elsa Keslassy International CorrespondentBrussels-based company Best Friend Forever has acquired “Coma,” the latest film by celebrated French director Bertrand Bonello (“Saint Laurent”). “Coma” will have its world premiere premiere at the Berlin Film Festival in the Encounters section. Weaving genre, animation and live action, the stylish movie boasts an exciting cast including Louise Labeque (“Zombi Child”) and Julia Faure (“Camille Rewinds”), with voices by beloved late actor Gaspard Ulliel, as well as Louis Garrel, Laetitia Casta, Anaïs Demoustier and Vincent Lacoste.

Elsa Keslassy International CorrespondentBrussels-based company Best Friend Forever has acquired “Coma,” the latest film by celebrated French director Bertrand Bonello (“Saint Laurent”). “Coma” will have its world premiere premiere at the Berlin Film Festival in the Encounters section. Weaving genre, animation and live action, the stylish movie boasts an exciting cast including Louise Labeque (“Zombi Child”) and Julia Faure (“Camille Rewinds”), with voices by beloved late actor Gaspard Ulliel, as well as Louis Garrel, Laetitia Casta, Anaïs Demoustier and Vincent Lacoste.

Gaspard Ulliel, one of the most best-known stars of French cinema, died at 37, following a tragic ski accident in France.The actor’s family confirmed his death after being hospitalized for brain trauma, suffering a series of injuries when he collided with another skier on the slopes of the Savoie region in the Alps.Ulliel portrayed the young Hannibal Lecter in the 2007 film ‘Hannibal Rising’ and fashion designer Yves Saint Laurent in the 2015 biopic ‘Saint Laurent.’ He also plays Midnight Man in the upcoming superhero series ‘Moon Knight,’ as part of the Marvel Cinematic Universe. The highly anticipated series premieres March 30 on Disney+ and he can be seen acting alongside Oscar Isaac and Ethan Hawke.Born in Paris on November 25, 1984.

It feels like yesterday that I was on the phone to Berlinale directors Mariette Rissenbeek and Carlo Chatrian following their pre-recorded video announcement of the 2021 festival program, the three of us casting an eye forward to the following year with the hope that this pandemic would finally be behind us.

Elsa Keslassy International CorrespondentSean Baker’s “Red Rocket” won a pair of prizes at the 47th Deauville American Film Festival where “Blue Bayou,” “Down With the King,” “Pleasure” and “John and the Hole” also picked up awards during the closing ceremony.

We can all stop wishing it a long life: the new flesh is thriving, living rent-free in Julia Ducournau‘s fucked-up titanium brain, oozing from every frame of her bizarrely beautiful, emphatically queer sophomore film, and thence seeping in through your orifices, the better to colonize your most lurid, confusing nightmares, as well as that certain class of sex dream that you’d be best off never confessing to having.