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‘Spencer’ Director Pablo Larrain Sets Up Vampire Political Satire ‘El Conde’ at Netflix (EXCLUSIVE) - variety.com - USA - Chile - Berlin
variety.com
24.06.2022

‘Spencer’ Director Pablo Larrain Sets Up Vampire Political Satire ‘El Conde’ at Netflix (EXCLUSIVE)

John Hopewell Chief International CorrespondentNetflix and ‘Spencer’ director Pablo Larraín have gone into production on “El Conde,” a black comedy picturing bloody Chilean dictator Augusto Pinochet as a 250-year-old vampire.Larraín will share screenwriting credits with Guillermo Calderón, Chile’s foremost playwright and Larraín’s writing partner on “Neruda” and Berlin Grand Jury Prize winner “The Club,” the movie which persuaded Natalie Portman to play the lead in the Larraín-directed “Jackie.”“El Conde” is produced by Juan de Dios Larraín at Fabula, the Larraín brothers’ Chile-based film-TV production house whose credits include “Spencer” and “Jackie,” all Larrain’s Chilean movies, and Sebastian Lelio’s 2018 Academy Award winning “A Fantastic Woman.” Moving from fest-winning straight-arrow arthouse fare such as “Tony Manero” to movies with a wider audience appeal from 2012 Cannes Directors Fortnight winner “No,” starring Gael García Bernal and then into English-language titles from “Jackie,” Pablo Larrain has established himself in the vanguard of Latin American cinema.Whatever the setting, his movies combine an acute sense of character and big ideas, on power dyanamics, the fate of women in traditional worlds, the lure and hell of fame and also the multiple hostages left to fortune by Augusto Pinochet’s far right and bloody dictatorship.In a review of “Jackie” Variety’s Guy Lodge hailed Larraín as “the most daring and prodigious political filmmaker of his generation,”“El Conde” looks to drive deeper into some of the themes, mixing character analysis, drama and comedy and a trenchant analysis of the makings of the modern world – not only in Chile but in global terms.The historical black comedy revolves around Augusto

Cannes Directors’ Fortnight Title ‘1976’ Rolls Out Sales for Luxbox (EXCLUSIVE) - variety.com - Spain - France - Italy - Chile - Portugal - Argentina - Greece - Rome - city Santiago - Turkey
variety.com
22.05.2022

Cannes Directors’ Fortnight Title ‘1976’ Rolls Out Sales for Luxbox (EXCLUSIVE)

John Hopewell Chief International Correspondent“1976,” the awaited first feature of Chile’s Manuela Martelli, has closed first new major territories for sales company Luxbox before its world premiere in Directors’ Fortnight later this upcoming week.The film is produced out of Chile by writer-directors Omar Zúñiga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) at auteur-focused Chile-based Cinestación (“Too Late to Die Young”) as well as Alejandra Garcia and Andrés Wood, another celebrated Chilean director (“Violeta Went to Heaven”) at Wood Productions. Nathalia Videla Peña and Juan Pablo Gugliotta at Argentina’s Magma Cine co-produce.“1976” is set, as its title implies, in 1976, one of the bloodiest years of Augusto Pinochet’s hugely bloody dictatorship.

Manuela Martelli’s Directors’ Fortnight Title ‘1976’ Gets Resonant Trailer (EXCLUSIVE) - variety.com - Chile - city Santiago
variety.com
16.05.2022

Manuela Martelli’s Directors’ Fortnight Title ‘1976’ Gets Resonant Trailer (EXCLUSIVE)

John Hopewell Chief International CorrespondentParis-based Luxbox has shared in exclusivity with Variety a first trailer for Manuela Martelli’s “1976,” one of Chile –and indeed Latin America’s – most anticipated feature debuts of the year which world premieres at Cannes’ Directors’ Fortnight.“1976” is produced by two of Chile’s most go-ahead outfits – Cinestación headed by director-producer Domingo Sotomayor (“Too Late to Die Young”) and Wood Productions, founded by Andrés Wood whose “Machuca” starred both Martelli and Aline Kuppenheim, the absolute protagonist of “1976.”The film is set, as its title implies, in 1976, one of the bloodiest years of Augusto Pinochet’s hugely bloody dictatorship. It tells, as can be seen in the trailer.

Chile’s Cannes Docs in Progress Use the Prism of Politics, Family, and Indigenous Identity to Explore Reality - variety.com - Chile
variety.com
02.07.2021

Chile’s Cannes Docs in Progress Use the Prism of Politics, Family, and Indigenous Identity to Explore Reality

Anna Marie de la Fuente Chile presents four powerful documentaries at Cannes Docs’ Docs in Progress: Showcase Chile this year, which will screen online on Wednesday July 7 and on-site on July 10 at the hybrid Cannes Marché du Film.Most of them reflect the deep trauma the country suffered under the brutal military dictatorship of Augusto Pinochet (1970-1990).“Indeed, the Pinochet dictatorship has left a very deep mark on Chilean society and today it is the daughters and sons, even the

Pedro Pascal on Fame and ‘The Mandalorian’: ‘Can We Cut the S— and Talk About the Child?’ - variety.com - Chile - city San Antonio
variety.com
14.10.2020

Pedro Pascal on Fame and ‘The Mandalorian’: ‘Can We Cut the S— and Talk About the Child?’

Pedro Pascal was roughly 4 years old, he and his family went to see the 1978 hit movie “Superman,” starring Christopher Reeve. Pascal’s young parents had come to live in San Antonio after fleeing their native Chile during the rise of dictator Augusto Pinochet in the mid-1970s.

Movistar Drops Teaser for ‘Los Prisioneros,’ a Portrait of the Legendary Punk Band (EXCLUSIVE) - variety.com - Chile - Madrid
variety.com
09.10.2020

Movistar Drops Teaser for ‘Los Prisioneros,’ a Portrait of the Legendary Punk Band (EXCLUSIVE)

Latin America’s Movistar, the brand of giant Madrid-based telecom Telefonica, has dropped a first teaser for “Los Prisioneros,” a portrait of the legendary Chilean punk band as it creates its greatest hits under Augusto Pinochet’s oppressive military dictatorship.Set to go into production in January, and showrun by Joanna Lombardi, Movistar Latin America’s head of fiction, “Los Prisioneros” marks the first Movistar Original in Chile.

Alfredo Castro on ‘My Tender Matador,’ Pedro Lemebel - variety.com - Chile - city Santiago
variety.com
24.06.2020

Alfredo Castro on ‘My Tender Matador,’ Pedro Lemebel

Alfredo Castro as an off-the-rails, impoverished, over-the-hill imitator of John Travolta’s character in “Saturday Night Fever.”A symbol of cultural alienation, Castro’s character practices his disco moves as Augusto Pinochet’s tanks rumble through the streets of Santiago de Chile, clamping down on any opposition.For the next near decade from that breakthrough through to 2015’s “The Club,” Larraín’s passport to English-language filmmaking – Natalie Portman watched it, accepted “Jackie” – the

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