Alonso Ruizpalacios Latest Celebrity News & Gossip

Ellise Shafer After some “bad experiences,” Rooney Mara chooses her projects based on the director, she said at the Berlin Film Festival press conference for her new film “La Cocina.” “I really go by the director. I learned that pretty early,” Mara said when asked her process for selecting films.

Alex Ritman “La Cocina,” the Rooney Mara-starring drama that recently bowed in competition at the Berlinale, has been acquired for most international territories. HanWay Films has closed sales for France (Originals Factory), Australia and New Zealand (Vendetta), Spain (Avalon), Italy (Teodora Film), Benelux (Cherry Pickers), Switzerland (Filmcoopi), Scandinavia (Mis.

Peter Debruge Chief Film Critic Before demonstrating himself to be one of Mexico’s most original and exciting new filmmaking talents, Alonso Ruizpalacios washed dishes in a bustling big-city kitchen. That experience informs every second of the “Museo” director’s fourth feature, “La Cocina,” a thrilling in-spirit adaptation of Arnold Wesker’s 1957 play “The Kitchen,” transposed from midcentury London to modern-day New York.

Mexican director Alonso Ruizpalacios has had a winning record coming to the Berlin Film Festival since 2013, when his film Gueros took the Best First Feature prize. Five years later he was back with his second, the sensational museum-heist film Museo, and deservedly won the Silver Bear for Best Screenplay. His third, A Cop Movie, which plays with the traditional docu form by using actors, won Best Documentary at Mexico’s Golden Ariel Awards.

Labyrinthine corridors connect the sprawling worlds within The Grill, a traditional eatery by the hustle and bustle of Times Square in “La Cocina.” Open one door, and you are in the kitchen, a boiler room of rage and frustration tamed only by the often frail bonds of camaraderie; turn a corner, and you’re spat straight onto the busy restaurant floor, where waitresses in matching outfits move like a ballet between tables occupied with birthday boys and men as foreign to politeness as hawks are to the sea.

Rooney Mara is in London this weekend to promote her new film “La Cocina,” Alonso Ruizpalacios‘ restaurant drama that has its world premiere at the Berlinale today. And during an audience Q&A, the actress had updates on a couple of other upcoming projects she’s involved in.

“It’s about a whole bunch of things,” Mexican filmmaker Alonso Ruizpalacios says when quizzed on the subject of his latest feature, La Cocina, debuting this evening at the Berlin Film Festival. “In equal parts, it explores the topic of work, the American dream, the failure of the American dream, and abortion rights. That’s a really tough question as a director.” 

Anna Marie de la Fuente Inspired by Arnold Wesker’s 1959 stage play, “The Kitchen,” Alonso Ruizpalacios’ “La Cocina” dives deep into the bowels of the industrial-size kitchen of a restaurant in New York City’s Times Square where food is churned out to serve throngs of diners, mostly tourists. For Ruizpalacios, whose feature debut, “Güeros,” won the best first feature award at the Berlinale nearly 10 years ago, “La Cocina” (“The Kitchen”) is basically an anti-food-porn movie. “I wanted to show the other side of the food industry where expediency is more important than the quality of the food.

EXCLUSIVE: HanWay Films has closed a Germany & Austria pre-sale on Berlinale competition title La Cocina with SquareOne Entertainment.

The upcoming 74th Berlin Film Festival looks set to be its starriest edition in years with Kristen Stewart, Adam Sandler, Cillian Murphy, Lena Dunham, Sebastian Stan, Amanda Seyfried and Rooney Mara among the talent due to attend this year.

EXCLUSIVE: HanWay Films will represent international sales at next month’s EFM on Berlinale Competition title La Cocina. Fifth Season co-financed the film and is co-representing North America with WME.

Selome Hailu Amazon Prime Video has renewed “Outer Range” for a second season. Charles Murray, who is under an overall deal at Amazon Studios, is joining the series as showrunner after Season 1 was showrun by creator Brian Watkins. Watkins will continue executive producing. The Western sci-fi drama stars Josh Brolin as Royal Abbott, a rancher who is fighting to protect his family and discovers a mystery at the edge of Wyoming’s wilderness. The Abbotts are coping with the disappearance of daughter-in-law Rebecca (Kristen Connolly) and are pushed further to the brink when the Tillersons, the gaudy owners of the neighboring profit-driven ranch, make a play for their land. An untimely death in the community sets off a chain of events that come to a head with the arrival of a mysterious black void in the Abbotts’ west pasture. Imogen Poots, Lili Taylor, Tamara Podemski, Lewis Pullman, Tom Pelphrey, Noah Reid, Shaun Sipos, Isabel Arraiza, Olive Abercrombie and Will Patton also star.

Will Tizard ContributorAudiences taking in cinematographer Emiliano Villanueva’s images in Mexican documentary hybrid “A Cop Movie” are not likely to appreciate that he and the director, Alonso Ruizpalacios, risked life and limb, shooting on some of the toughest street locations they could find to create the Berlin film fest sensation focused on the emotional lives of two police patrol grunts.“These were really dangerous areas,” says the DP, whose work with Ruizpalacios is screening in the

In the pre-pandemic world, the leading lights of American nonfiction cinema would gather in Columbia, Missouri on the first weekend of March for the annual celebration of their craft known as True/False Film Fest. Across four glorious days, the programming would explore the innumerable definitions of this hazily defined discipline, but this year, the ongoing COVID-19 crisis forced the festival into outdoor venues elsewhere in the city for a somewhat truncated version.

Addie Morfoot ContributorNetflix’s awards hopefuls Robert Greene’s “Procession” and Alonso Ruizpalacios’ “A Cop Movie” are heading to Manhattan’s Paris Theater as part of its “New Directions in Documentary” series.Both hybrid features, which are vying for a spot on this year’s Academy Award doc shortlist, will screen alongside previously celebrated form-bending Netflix docus in the upcoming series beginning Oct.

Through the decades, we’ve seen filmmakers play with the documentary genre.

Netflix film A Cop Movie, from Mexican director Alonso Ruizpalacios, which premiered in competition at the Berlin Film Festival last week, starts off like any fly-on-the-wall documentary. We meet Teresa, a cop in Mexico City, and follow her through her daily routine as she narrates her life via voice-over.

Peter Debruge Chief Film CriticThe siren heard over the opening seconds of “A Cop Movie” doesn’t emanate from a car at all, but from an actor, imitating the piercing sound of approaching police with her voice. That’s a fitting fake-out with which to begin Alonso Ruizpalacios’ astoundingly original look at what makes an effective Mexico City cop.

The first thing to understand about the social dynamics in Mexico around police is that they differ greatly from how the public in the United States relates to law enforcement officers. Stateside, both the uncritical reverence some feel toward them—namely the Blue Lives Matter crowd—and the terror they incite among BIPOC communities emanate from their violent efficaciousness and status as inflexible figures reveling in a lack of accountability.

Despite its simple title, Mexican filmmaker Alonso Ruizpalacios’ latest feature is far from a simple shoot-'em-up cop movie. It’s more like a cop movie written by Jacques Derrida, directed with nods to Wes Anderson and Jean-Luc Godard and then remixed by Abbas Kiarostami in its efforts to tear down the fourth wall.

Jamie Lang For the third year in a row, Netflix has a film in the main competition at the Berlin Film Festival. This year, Alonso Ruizpalacios’ “A Cop Movie” follows the path first blazed by Isabel Coixet’s “Elisa Y Marcela,” which at the time was met with a letter from 160 German independent exhibitors demanding the film be removed from competition.