Aki Kaurismäki Latest Celebrity News & Gossip

Mubi has snapped up rights to the acclaimed feature Fallen Leaves, written and directed by Aki Kaurismäki, in a competitive situation, following its world premiere in Official Competition at the Cannes Film Festival.

Owen Gleiberman Chief Film Critic Aki Kaurismäki, the deadpan cockeyed minimalist of Finland, has become the ultimate illustration of the principle that if you make movies in the same mood and style, with the same monosyllabic bombed-out hipster vibe, for a period of 30 years, your movies may not have changed — but the world around them has, so the films will have a totally different effect. In “Fallen Leaves,” the Kaurismäki bauble that’s showing at Cannes this year, there’s actually a scene in which a character uses a computer. The film’s heroine, Ansa (Alma Pöysti), loses her job as a supermarket worker, and to find another gig she rents an HP laptop at a makeshift Internet café that charges 10 Euro for half an hour. Apart from that, the movie unfolds in that scruffy and sparsely decorated so-familiar-it’s-cozy pre-tech Kaurismäki zone, where people still use electric adding machines or listen to a bulky kitchen radio that looks like it’s from the early ’60s. “Fallen Leaves” is set in Helsinki, the capital of Finland, but to our eyes it’s a weirdly underpopulated place where shopping, as a pastime, doesn’t exist, and neither, in any meaningful way, does conversation.

“It felt like this bloody world needed some love stories now,” Fallen Leaves director Aki Kaurismäki said of his Palme d’Or contender this afternoon.

Marta Balaga Finnish actors Alma Pöysti and Jussi Vatanen have been making names for each other for a while now. But playing leads in Aki Kaurismäki’s latest film, “Fallen Leaves,” was a whole different story. “He has always been that household name, even when I was growing up on a farm in the 1980s, kicking a ball against our cowhouse. It’s crazy that now, we are here together. Also, he is really just a regular guy. Funny and he actually talks a lot,” Vatanen tells Variety in Cannes. A household name himself thanks to the “Lapland Odyssey” franchise, he has been exploring dramatic roles in “Forest Giant” or “The Man Who Died.”

The very first winner of the Palme d’Or in 1955 was future Best Picture Oscar winner Marty which starred Ernest Borgnine and Betsy Blair as two lonely middle aged adults beginning a tentative relationship in search of love. Before it was called the Palme d’Or, the top Cannes prize known then as the Grand Prix went in 1946 at the festival’s beginning to David Lean’s Brief Encounter, also the story of two adults who meet by chance and get together.

Ed Meza @edmezavar German cinema is in Cannes with new works by Wim Wenders and films that explore Nazi propaganda, gender identity, economic crisis, romance, betrayal and fast cars. In addition to domestic films, a dozen German co-productions are screening in this year’s Cannes Film Festival lineup, including major works from the likes of Wes Anderson, Aki Kaurismäki and Jessica Hausner. Wenders is in Cannes with “Perfect Days,” which is vying for the Palme d’Or, and the documentary “Anselm” in Special Screenings. “Perfect Days” tells the story of a Tokyo janitor (Kôji Yakusho) who seems very content with his simple life, structured routines and passion for music, books and photography. A series of unexpected encounters gradually reveal more of his past. The Japanese-German co-production is sold by the Match Factory.

“Elemental” and Martin Scorsese’s Apple-produced “Killers of the Flower Moon” an additional veneer of vindication. As to the box-office futures of the 20-odd films competing for this year’s Palme d’Or, certainly none will reach the international highs of James Mangold’s “Indiana Jones and the Dial of Destiny,” but then, none were ever expected to.Instead — and at its best — Cannes works as a sophisticated shell game, channeling the glamour of the red carpet and the frenzy of 40,000 accredited guests to make glitzy international events out of existential Turkish dramas like Nuri Bilge Ceylan’s “About Dry Grasses,” existential Finnish dramedies like Aki Kaurismäki’s “Fallen Leaves”or intimate two-headers about 19th-century French gastronomy like Tran Anh Hung’s “The Pot au Feu.”Other Palme d’Or contenders will come with built-in SEO, as Wes Anderson’s more-star-packed-than-usual “Asteroid City”threatens to saddle red-carpet rubberneckers with a permanent case of whiplash once the Texan auteur’s full repertory company mounts the Palais steps alongside new additions Tom Hanks and Scarlett Johansson.That all the aforementioned filmmakers could walk those Palais steps in blindfolds is another notable element of an official competition marked by staggering high fidelity.

Leo Barraclough International Features Editor Sales agency The Match Factory is launching the trailer (below) of Finnish director Aki Kaurismäki’s “Fallen Leaves,” which will premiere at the Cannes Film Festival in Competition. This gentle tragicomedy is the fourth part of Kaurismäki’s working-class quartet, following “Shadows in Paradise,” “Ariel” and “The Match Factory Girl,” which The Match Factory, the company, is named after. The film tells the story of two lonely people (played by Alma Pöysti and Jussi Vatanen) who meet each other by chance in the Helsinki night. They then try to re-find each other: the first, only, and ultimate love of their lives. Their path toward this goal is clouded by the man’s alcoholism, lost phone numbers, not knowing each other’s names or addresses, and life’s tendency to place obstacles in the way of those seeking their happiness.

Patrick Frater Asia Bureau Chief Warwick Thornton’s “The New Boy” has been set as the opening title of next month’s Sydney Film Festival, which will celebrate its 70th edition, June 7-18. The film, a tale of sprituality and survival in 1940s Australia, starring Cate Blanchett, Deborah Mailman, Wayne Blair and Aswan Reid, will also play in the festival’s competition section.

Good afternoon Insiders, Max Goldbart here penning the weekly mailer a day after Cannes revealed its long-awaited lineup. Read on for all the details and plenty more, and sign up to the International Insider here.

EXCLUSIVE: The Match Factory will be handling world sales on Wim Wenders’ Japan-set Cannes Competition entry Perfect Days.

Stars are getting ready to walk the Croisette.

Marta Balaga Fifth Season has acquired international distribution rights to Elisa Viihde original series “The Man Who Died.” The company, formerly known as Endeavor Content, is behind “The Lost Daughter” or “Cha Cha Real Smooth.” It also handles global distribution for such hit shows as “Killing Eve,” “The Morning Show” or “Normal People.”  Based on the bestselling book by Antti Tuomainen, the six-episode series is led by Jussi Vatanen, who will next be seen in Aki Kaurismäki’s upcoming feature “Dead Leaves.” Saara Kotkaniemi and Sara Soulié, his co-star in Solar Films’ drama “Forest Giant,” also star.   

Marta Balaga Five Nordic features are nominated for the Nordic Council Film Prize. The prestigious recognition, celebrating its 20th anniversary this year, was first awarded to Aki Kaurismäki’s “The Man Without a Past.”Hlynur Pálmason’s “Godland,” Teemu Nikki’s “The Blind Man Who Did Not Want to See Titanic,” “Lamb” by Valdimar Jóhannson, Joachim Trier’s Oscar-nominated “The Worst Person in the World” and “Clara Sola,” directed by Nathalie Álvarez Mesén, will all vie for the award.It is billed as a prize that celebrates “a unique filmmaking vision, deeply rooted in Nordic culture” and comes with a sum of DKK 300,000 ($40,000), shared equally between the director, screenwriter and producer.

Marta Balaga Despite teasing his retirement in 2017, “Le Havre” director Aki Kaurismäki will follow his Berlin Silver Bear winner “The Other Side of Hope” with a new feature film under the working title of “Dead Leaves” (“Kuolleet lehdet” in Finnish).The new project was announced on Friday by Helsinki-based company B-Plan Distribution.The film will star Alma Pöysti, who recently starred in Zaida Bergroth biopic “Tove,” about Moomins creator Tove Jansson — a film that won her a Jussi award for best actress in 2021. Jussi Vatanen, known for the drama “Forest Giant” and smash hit trilogy “Lapland Odyssey” has also joined the cast.

In Ben Sharrock’s second feature “Limbo,” the compositions are frequently flat. Miraculously, though, the characters contained within them are anything but.