Reneé Rapp is seemingly confirming a new romance!
Reneé Rapp is seemingly confirming a new romance!
Chinese tech and media giant Alibaba is investing $640M (HK$5BN) into Hong Kong’s creative industries over the next five years.
Faye Bradley Investments in artificial intelligence generative content (AIGC) remain a top priority for some companies in China, despite ongoing concerns regarding copyright and intellectual property rights. During a seminar discussing the potential of generative AI in the entertainment industry at Hong Kong’s FilMart, Chen Jihong, an equity partner at Zhong Lun law firm, highlighted the legal challenges that have arisen since the introduction of ChatGPT in 2022. One notable case involved a recent ruling in China that recognized an AI-generated image as a copyrightable work.
The move was announced on the first day of FilMart, the annual rights market for the Asian industries, at an event attended by Fan Luyuan, chairman and CEO of Alibaba’s digital media and entertainment unit, and Kevin Yeung, the Hong Kong government’s secretary for culture, sports and tourism. Alibaba’s Hong Kong Cultural and Art Industry Revitalization Program “will focus on film production and distribution, rights acquisitions, TV series production, investments in concerts, collaboration with performance venues and talent development, etc.
“We don’t need a lot of content, we just need lots of really good content,” Kelvin Yau, President of Asia Pacific and Marketing iQIYI, concluded when quizzed on his company’s editorial strategy during a keynote session on streaming this morning at Filmart in Hong Kong.
NCT member Lucas Wong has announced his debut solo single, titled ‘Renegade’.Lucas’ new single was announced today (March 11) through the singer’s official social media accounts. According to a teaser image for the release, ‘Renegade’ will drop on April 1 at 6pm KST.‘Renegade’ will feature three English tracks, with label SM Entertainment describing the title track as a “rock-based hip-hop song that embodies the ambition to pursue one’s own path without hesitation, embracing change for a better direction and a stronger inner self”.LUCAS 루카스 The 1st Single 〖Renegade〗 ➫ 2024.4.1 6PM KST#LUCAS #루카스 #Renegade #LUCAS_Renegade pic.twitter.com/kzkTWFPeoK— LUCAS (@lucas_official) March 10, 2024루카스 첫 싱글 ‘Renegade’ 4월 1일 오후 6시 발매! 오늘부터 예판 시작동명의 타이틀 곡 ‘Renegade’ 포함 영어곡 총 3곡으로 구성‘Renegade’는 록 기반의 힙합 곡으로 더 나은 방향을 위한 변화와 더욱 강해진 내면을 통해 망설임 없이 자신의 길을 걸어가겠다는 포부 담겨Lucas is making his… pic.twitter.com/1obOW9Lxrs— LUCAS (@lucas_official) March 11, 2024The official announcement of Lucas’ debut solo single comes just days after SM Entertainment confirmed that the ex-NCT member would make his return this year. It marks his first project since he went on hiatus in August 2021 after a South Korean netizen claiming to be his ex-girlfriend accused him of gaslighting her.Lucas would later leave both NCT and its sub-group WayV in May 2023, but would remain signed under SM Entertainment, with the label saying that the singer was “planning on showing his performance though a wide variety of individual works from now on”.Last month, the Hong Kong-born K-pop idol addressed is past controversies in a two-part documentary titled Freeze and Unfreeze.
Patrick Frater Asia Bureau Chief “Dune 2” launched in mainland China cinemas this weekend with a solid $19.9 million three-day haul. That put it in second place, narrowly behind holdover crime-drama “The Pig, the Snake and the Pigeon.” Data from consultancy firm Artisan Gateway, showed that “The Pig, the Snake and the Pigeon” earned $21.3 million (RMB151 million) between Friday and Sunday, for a 10-day cumulative of $54.1 million (RMB384 million).
Naman Ramachandran Upamanyu Bhattacharya‘s animated feature “Heirloom” has the emerged from the crucible of Annecy, one of the world’s top animation festivals. The Indian work-in progress film has been selected for the 22nd Hong Kong — Asia Film Financing Forum (HAF), the project market that operates concurrently with FilMart. In the film, Sonal, a teacher, grapples with a hereditary disease, mirroring her mother’s untimely demise.
Screenworks Asia, the production subsidiary of Taiwan’s Catchplay, has acquired international sales rights to the horror anthology series Urban Horror and will present the show at this week’s Filmart in Hong Kong.
After stints heading local-language production at Disney APAC and HBO Asia, Hong Kong-based Jessica Kam-Engle is now heading CreAsia Studio, a new Banijay Asia venture in Southeast Asia, in the role of EVP & Business Head.
Patrick Frater Asia Bureau Chief Chan Tai-lee, the screenwriter of many of the Ip Man martial arts action films, has written and directed upcoming action film “Fight for Tomorrow.” Mandarin Motion Pictures, which backed the film and is handling international rights sales, is using this week’s FilMart to launch the picture to international buyers. The production was assisted with finance from the Hong Kong Film Development Fund.
Patrick Frater Asia Bureau Chief Leading South Korean sales company Finecut has picked up international sales rights to action comedy film “Boss.” It will launch the title at next week’s FilMart in Hong Kong. Directed by Ra Hee-chan (“Going by the Book,” “Mr. Idol”), the film follows gang members embroiled in fierce competition.
Patrick Frater Asia Bureau Chief Cora Yim and Benjamin Lin, both established indie producers of Chinese-language content, have joined forces to launch S11 Partners. It is partially backed by Medialink Group, an IP, distribution and brand licensing mini-conglomerate that is listed on the Hong Kong Stock Exchange. The pair, who previously worked on TV series “Taiwan Crime Stories,” are launching their venture at FilMart in Hong Kong with a slate of three feature films in development.
Seoul-based sales company Finecut has boarded international sales on the action-comedy Boss and will launch sales at this week’s Filmart in Hong Kong.
Veteran producers Cora Yim and Benjamin Lin are launching a production company, S11 Partners, with an equity investment from Hong Kong-listed Medialink Group.
As Filmart gets underway, Hong Kong’s major production companies, including Edko Films, Emperor Motion Pictures (EMP), Media Asia, One Cool Group and Universe Entertainment, will be unveiling their new titles in enormous booths at the front of the trade show floor, some of which will be as elaborate as film sets.
Patrick Frater Asia Bureau Chief Lily Franky, the Japanese acting sensation who starred in “Shoplifters” and “Like Father Like Son,” heads the cast of “Diamonds in the Sand,” a multinational co-production that appears at the Hong Kong — Asia Film Financing Forum (HAF) as a work in progress. Developed and directed by Janus Victoria, the film started as an exploration of the Japanese phenomenon of kodokushi, or lonely death, where elderly people who live alone are discovered dead only months after their passing due to the isolated lives that they lead.
Patrick Frater Asia Bureau Chief COVID, changing money flows and a new superpower Cold War of sorts may have, over the past few years, helped to reduce the connections between the film and TV industries of China and the rest of the world — so, will the 2024 edition of FilMart, whose organizers continue to claim bridgehead status, be the market to increase those connections? Candas Yeung, the Trade Development Council associate director who takes over as head of FilMart this year, says that visitor and exhibitor numbers have crept up again this year — to an anticipated 7,500 and 715, respectively — and that fully 40% of market participants hail from mainland China. “That’s a pretty significant proportion and they are very active in the market, both buying and selling, and making some announcements,” Yeung says.
Patrick Frater Asia Bureau Chief Film projects to be produced by Andrew Lau (“Infernal Affairs,” “Initial D”) and Han Sanping, the former head of China Film Corp., are among the new in-development titles that grace the FilMart slate of Hong Kong studio Media Asia. The Peter Lam-controlled studio is also poised, at an event within FilMart on Monday, to detail its new alliance with China’s Alibaba Pictures Group. Lau is producing “Behind the Scene,” a book-to-film adaptation to be directed by Lee Kwong-yiu (“Insanity”) in which four friends uncover a meticulously planned murder that is carefully disguised as a kidnapping. Suspicions fall on a bank president who is involved in counterfeiting. Han is aiming to produce “Fading Tracks,” another crime title that is also adapted from a novel.
Patrick Frater Asia Bureau Chief Taipei-based Screenworks Asia has picked up innovative anthology series “Urban Horror” for international sales ahead of this week’s FilMart in Hong Kong. Directed by Lee Chun-Hong (“Mom, Don’t Do That!”), Chen Bao-Zhong and Huang Dan-Chi, a group of young and upcoming filmmakers, “Urban Horror” comprises 34 short episodes revolving around the mysterious, the unexplained and the disturbed. They make use of six modern city settings, such as night clubs, office buildings, youth hostels and other places where ghosts and monsters are not normally found. The deliberately limited number of locations also enables the 34 short films to be re-packaged as six longer episodes. In each episode, the audience will see a familiar face that could be an award-winning actor, a pop star, or an internet celebrity.
Asian Film Awards. The 17th edition of the prizes was held at the Xiqu Centre, part of the West Kowloon Cultural District in Hong Kong. While “Evil Does Not Exist” and Korean blockbuster “12.12: The Day” had dominated the nominations with six each, including those in the best film category, the prizes on Sunday were much more evenly distributed.
Naman Ramachandran Indian sales outfit Indywood Distribution Network has sold Rupesh Paul’s “Kamasutra – The Revenge” wide ahead of Hong Kong’s film rights market FilMart. Starring Sherlyn Chopra, Milind Gunaji and Gajendra Chauhan, and produced by San2Creations, the film follows two princesses – one who is robbed of her dreams when forced to accept a middle-aged king as her husband, and another thirsty for revenge. Indywood has sold the film to Twin (Japan, all rights); A2 Filmes (Latin America TV/VOD); Filmbridge (Mongolia, all rights); Pioneer Film (Philippines, all rights) and RFT Films (U.K./Ireland, theatrical).
Patrick Frater Asia Bureau Chief Oscar contenders and Berlin prize-winners will be among the European films being represented by visiting companies to FilMart that are making use of the European Film Promotion umbrella stand within the annual Hong Kong market. In total 29 European film sales companies are making the trip, including more than a dozen from France under the Unifrance banner. Prominent rights brokers include Charades, Goodfellas, Fandango and Filmax.
Patrick Frater Asia Bureau Chief This month’s Hong Kong International Film Festival will showcase over 190 films from 62 countries and regions, including five world premieres, and 64 Asian premieres. Running 12 days (March 28 – April 8), the festival will open with the Asian premiere of local director Ray Yeung’s “All Shall Be Well,” which won the Teddy Award at the recent Berlin festival.
This year’s Hong Kong International Film Festival (HKIFF, March 28-April 8) will open with the Asian premiere of All Shall Be Well, directed by Hong Kong filmmaker Ray Yeung, which recently won the Teddy Award at Berlin film festival.
NCT member Lucas Wong will make his solo debut this year, his label SM Entertainment has confirmed.Earlier today (March 8), South Korean news outlet JTBC reported that ex-NCT singer Lucas Wong would be making his solo debut this April, with the publication citing several “music industry officials”.The news was later confirmed by SM Entertainment, which represents Lucas, in a statement to Dispatch. “Lucas is preparing for solo activities next month,” the K-pop agency said, adding that a “detailed schedules will be revealed at a later date”.The former NCT member went on hiatus in August 2021 after a South Korean netizen claiming to be his ex-girlfriend accused him of gaslighting her.
Patrick Frater Asia Bureau Chief A year after announcing the ambitious project, The Philippines ABS-CBN is now in production on new series “The Bagman.” Filming began in Manila on Feb. 25. “The Bagman” is a spin-off from the original, locally-produced digital series “Bagman” that was aimed at the Filipino audience.
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