City Busan Showbiz Latest News and Updates

Naman Ramachandran Iran’s Arsalan Amiri, who won two awards at Venice for his debut feature “Zalava,” is at the Busan International Film Festival‘s Asian Project Market with “For the Girls of the Tribe.” Inspired by a real historical event that took place in 1905 in Iran, the film will tell the story of a group of peasants who rescue two girls among dozens who were kidnapped by rebels. The girls have information about a betrayal and are taken before the ruler to provide their testimony but he refuses to accept it, as, according to tradition, a woman’s testimony is only half as valuable as a man’s. “For hundreds of years before this event and even decades after, this situation has recurred in different parts of the world: a group of women is oppressed and most of society, the government and even some other women are silent or passive about it due to fear, benefit or convenience,” Amiri told Variety.

Actors and filmmakers Steven Yeun, John Cho, Justin Chon and Lee Isaac Chung shared their thoughts on the appeal of Korean Diaspora cinema – as well as how they see the current wave of content coming out of Korea – in a philosophical but relaxed press conference at Busan International Film Festival. 

Jessica Kiang Rather than horns, they look like tiny black catkins clinging to the grains on swaying stalks of rye. These little clusters — actually a fungus known as ergot — are a disease that affects the ovaries of their host plants, but can be made into an infusion that induces abortion in women.

Patrick Frater Asia Bureau Chief The growing media and entertainment connections between Korean Americans and those Koreans living in Korea may be changing both communities, a public discussion at the Busan International Film Festival on Friday heard. “Being in a room full of fans, feels like they accepted me as a member of the family. It feels like, culturally, Korea [may be in] a moment of transition,” said John Cho. He was joined in the debate by actor-director Justin Chon (“Gook”), director Lee Isaac Chung (“Minari”) and actor Steven Yeun, who are all either first or second generation immigrants to the U.S. They were careful not to speak about their current movies or projects out of respect for SAG strike protocols, but the avoidance of promotional niceties permitted a wider-ranging and more philosophical discussion. It touched on issues of identity, generational change and the development of the post-pandemic, streaming-era global village. “The reception I’ve had [in Busan] feels connective, not foreign, like living in a global reality,” said Yeun.

Naman Ramachandran Nabin Subba‘s “A Road to a Village” is a stark look at the damaging effects of galloping modernization in rural Nepal. The film had its world premiere at Toronto and is playing at the Busan International Film Festival in the ‘A Window on Asian Cinema’ strand. Subba is a renowned chronicler of societal change in Nepal and his previous work includes “Numafung” (2001), which won an award at the Vesoul International Film Festival of Asian Cinema, “Goodbye Kathmandu” (2017) and documentary series “Dalan” (2008).

Patrick Frater Asia Bureau Chief Leading Korean content firm Showbox Corp. has added “The Killers,” an unusual anthology film, to its Busan rights sales line up. The film takes its title and themes from Ernest Hemingway’s 1927 short story of the same name.

Patrick Frater Asia Bureau Chief Korean sales agency, Finecut has picked up international sales rights to dance drama film “Victory,” which it will launch during the Asian Contents & Film Market that sits alongside the Busan Film Festival. The film, currently in post-production, is an upcoming title by Park Beom-su, a director known for a promising debut film “Red Carpet” in 2014. The story of “Victory” is centered around a high-school dance duo and an underdog school soccer team on a remote island. Two girls initially create a cheerleading club to pursue their love for dance, but they soon find themselves passionately cheering for the soccer team, eventually becoming a source of support for the entire island. The film stars Lee Hye-ri, a member of K-pop girl group Girl’s Day, who has become a popular actor with roles in “Monstrum” and TV’s “Reply 1998,” and Park Se-wan (“Life Is Beautiful,” “6/45,” “Collectors”) as the two protagonists.

Patrick Frater Asia Bureau Chief Issues of cultural diversity, different Asian diaspora populations and the quest for the Asian cinematic identity came up for discussion on Thursday as the New Currents competition jury at the Busan International Film Festival prepared to get down to work. Filmmaker and academic Jung Sung-il, who is set as the jury president, appeared to invite a degree of dispute that might get the blood racing. “I have high hopes, hope for controversies and good conversations among the jurors,” he said in opening remarks.

In addition to her duties serving on the jury of Busan’s New Currents competition, U.S.-based producer Christina Oh will be meeting a group of Korean filmmakers at the festival to talk about upcoming film projects and attempt to build more bridges between the film industries of Korea and the U.S.

Naman Ramachandran A first trailer has been unveiled for Bangladeshi filmmakers Mostofa Sarwar Farooki and Nusrat Imrose Tisha‘s “Something Like an Autobiography.” The film has its world premiere at the Busan International Film Festival, where it is in the prestigious Jiseok competition. The film follows Dhaka-based married couple, the filmmaker Farhan (Farooki) and actor Tithi (Tisha), who are under societal pressure to have a baby. Tithi conceives and towards the end of her pregnancy term an incident occurs that throws into sharp relief some realities of contemporary Bangladeshi society.

Hong Kong star Chow Yun-Fat, attending Busan International Film Festival where he has been named Asian Filmmaker of the Year, talked about the challenges facing Hong Kong cinema at a press event today. 

Naman Ramachandran A total of 39 European companies, surpassing 2022, will promote and sell films from the continent at Busan International Film Festival‘s accompanying Asian Contents & Film Market (ACFM). Of these, 32 will be onsite while seven more will participate online.

EXCLUSIVE: EST N8, the international finance, production and sales company launched by EST Studios and Bangkok-based N8 Studios, has acquired world sales rights, excluding South Korea, to April Tragedy (The Daughters Of That Day), directed by Koh Hoon. 

The indie drama City of Wind, marking the feature directorial debut of Lkhagvadulam Purev-Ochir, has been set as Mongolia’s International Feature Oscar entry for 2024.

Naman Ramachandran After 2011’s “Nobel Thief,” 2012’s “Uncle Shyamal Turns off the Lights,” 2015’s “Peace Haven,” 2016’s “Mi Amor” and 2019’s “Aadhaar,” Indian filmmaker Suman Ghosh returns again to the Busan International Film Festival. “The Scavenger of Dreams” has its world premiere in the ‘A Window On Asian Cinema’ strand. A treatise on social inequality, the film follows Birju (Shardul Bhardwaj, 2019 Mumbai Film Festival winner “Eeb Allay Ooo!”) and Shona (Sudipta Chakraborty, Ghosh’s “Searching for Happiness…”), trash collectors who live in a Kolkata slum with their young daughter.

Patrick Frater Asia Bureau Chief “I hope we can communicate and reconcile again,” said Busan Mayor Park Heong-joon on the opening night of the South Korean city’s film festival. With so much of the dialogue in opening drama “Because I Hate Korea” discussing Korean societal rigidities, group loyalties, long working hours and poor pay (which cause the protagonist to emigrate to laid-back New Zealand), it is easy to forget that many of these characteristics are what may have saved this year’s Busan International FIlm Festival from going off the rails.

Patrick Frater Asia Bureau Chief Anthony Chen (“The Breaking Ice”) is attached to direct and Shinho Lee to write “Sunset Park” for Barunson C&C, a film and TV production subsidiary of Barunson E&A, the Korean company that produced Oscar-winning hit “Parasite.” “Sunset Park” recounts a surprising journey in the U.S. made by a Korean father with his son’s room mate, after the man receives tragic news about his son.

It’s no exaggeration to say that Korea’s Busan International Film Festival (BIFF) has been through a fair amount of drama this year. 

Patrick Frater Asia Bureau Chief EST N8, a recently-established finance, production and film sales company, has appointed Chen ; Tata’ Xinrui as its sales and distribution manager. Chen will serve under Tenten Wei, head of studios for EST N8 and will be based in Los Angeles. EST N8 is a partnership between EST Studios and Bangkok-based N8 Studios that was officially launched at Cannes this year and operates under the combined moniker.

Patrick Frater Asia Bureau Chief Equal numbers of Chinese and Japanese titles adorn the main competition section of the Toyo International Film Festival, which was announced on Wednesday – three each. Among the Chinese films is “Snow Leopard,” the last feature by the late Pema Tseden, and “Dwelling by the West Lake,” directed by Gu Xiaogang, the surprisingly inexperienced joint recipient of this year’s Kurosawa Award. The full competition with 15 titles, set to play between Oct. 23 and Nov.

Naman Ramachandran A first trailer has been unveiled for Indonesian filmmaker Yosep Anggi Noen’s “24 Hours With Gaspar.” The film will world premiere at the Busan Film Festival where it is in the prestigious Jiseok competition. Set in 2032 and based on the novel of the same name by Indonesian author Sabda Armandio, the film follows Gaspar, a private detective with 24 hours to live, who finds clues about the mysterious disappearance of Kirana, his childhood friend.

Yellow Door: ’90s Lo-fi Film Club, a new documentary that will feature Parasite director Bong Joon-ho.According to Netflix, the upcoming documentary is an “ode to the golden era of Korean cinephilia” that will take a look at the “young film enthusiasts who paved the way for the Korean cinematic renaissance”The upcoming film is directed by Lee Hyuk-rae (2022’s Sewing Sisters) and will delve into the history and members of the Yellow Door Film Club, of which Oscar-winning Parasite director Bong Joon-ho was a member of.“The 1990s witnessed an explosion of film clubs on Korean campuses, providing young students with a creative outlet and a platform to study the art of cinema,” said Netflix of the film in a press release. “Yellow Door Film Club was one of them.”In the new trailer for Netflix’s Yellow Door: ’90s Lo-fi Film Club, Bong and his fellow Yellow Door Film Club are seen reuniting to speak about the club, how it came about and its influence on the South Korean entertainment industry.“At overseas film festivals in the early to mid-2000s, people would ask, ‘Where did all these directors come from?'” Bong recalls in the trailer.

Patrick Frater Asia Bureau Chief Disney has given a green light to a second season of Japanese drama -horror series “Gannibal.” Set in a fictional Japanese village, season one of Gannibal saw recently relocated police officer Agawa Daigo arrive in his new home a broken man. Wrestling with his guilt over an event that traumatized his daughter, things started off promisingly for the new arrival before a series of alarming events quickly led Agawa to the horrifying realization that something was deeply wrong with the villagers and the mysterious Goto family.

Cynthia Littleton Business Editor Mo Abudu is an entrepreneur on a mission to make her native Nigeria a bigger player in global media. The CEO of Lagos-based EbonyLife Media is tapping into wave of interest from streamers in content from outside the U.S. and Europe to generate a flurry of deals for her production banner, known for producing the detective drama series “Blood Sisters” for Netflix.

The 2023 film festival season has wound its way from Sundance and SXSW through Cannes and Tribeca to the fall stops at Venice, Telluride and Toronto.

EXCLUSIVE: EST N8, the international finance, production and sales company launched by EST Studios and Bangkok-based N8 Studios at Cannes this year, has hired Sophie Changhui Shi as acquisition and production executive, based in Los Angeles. 

Patrick Frater Asia Bureau Chief Steven Yeun has bucked stereotypes and carved a new niche as sexy Asian leading man with his roles in “Burning” and “Beef.” Justin Chon transitioned from a supporting role in “Twilight” to directing “Gook,” “Jamojaya” and half of Apple TV+’s “Pachinko.” And Busan-born Daniel Dae Kim has expanded from “Lost” and “Hawaii” to becoming one of Hollywood’s leading producers. The stateside successes of Korean-born and Korean American talent are growing and are worth celebrating. But the Busan International Film Festival’s planned party is being dialed down a notch under the impact of the twin writers’ and SAG Actors strikes in the U.S. Busan’s ‘Special Program in Focus: Korean Diasporic Cinema’ will go ahead with a screening schedule including six films, public talk sessions that include Oscar-winning actor Youn Yuh-jung, Lee Isaac Chung, director of Oscar-winning film “Minari,” and John Cho, the Seoul-born “Star Trek” and “Searching” star.

Patrick Frater Asia Bureau Chief Japan’s Dean Fujioka (“Fullmetal Alchemist,” “The Man From The Sea”) and the U.K.’s Callum Woodhouse (“All Creatures Great and Small,” “The Durrells”) are set to star in “Orang Ikan,” a WWII-set creature horror film. The picture is scripted by Singapore and Indonesia-based Mike Wiluan (“Buffalo Boys,” HBO series “Grisse”) who will also direct the picture from next month. International rights to “Orang Ikan” have been picked up by London-based SC Films International, which will give the project its sales launch at the Busan festival and accompanying market next month. Set in the Pacific, 1942, a Japanese ship transports prisoners of war to occupied territories as slave labor.

Patrick Frater Asia Bureau Chief That the Toronto world premiere of “The Movie Emperor” is sponsored by high-end home appliance manufacturer Dyson is deliciously and understatedly ironic. In the movie, innocuous-seeming domestic equipment — from the humble suitcase to floor sweeping robots — run quietly amok.

Patrick Frater Asia Bureau Chief Oscar-winning Korean actor Youn Yuh-jung (“Minari,” “Pachinko”) will headline the Actors’ House section of the upcoming Busan International Film Festival, it was announced on Thursday. Introduced in 2021, Actors’ House is a special series that connects audiences and film enthusiasts with iconic actors from the current generation through its in-depth discussions. “There’s much anticipation to hear her words of wisdom, as she’s known for her insightful observations,” said the festival. Others this year include: Han Hyo-joo, Song Joong-ki and Korean-American actor and author John Cho.