Cannes Film Festival on Friday, Glazer’s disquieting essay-film takes place almost entirely in and around the comfortable, middle-class home of Auschwitz commandant Rudolf Höss, tackling both the banality and quiet domesticity of evil with eerie formal rigor.Viewed from afar, Rodolf (Christian Friedel) and Hedwig (Sandra Hüller) live an idyllic and unexceptional life. They’re happily married, upwardly mobile strivers, with faith in their government and hope for the future.