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Jessica Kiang Expanding on the scope of his impressive but constrained 2018 debut (the demonic-possession-meets-therapeutic-improv-exercise “Luz”) while retaining that film’s bird-flipping attitude toward unnecessary niceties like coherent plotting or narrative logic, German director Tilman Singer makes what ought to be his breakthrough with “Cuckoo” an energetically outlandish fusion of stylish atmospherics, old-school reproductive horror and pro-flickknife advertorial. The profile of this highly enjoyable, unashamedly convoluted creepfest will be further raised by “Euphoria” star Hunter Schafer‘s terrific Final Girl performance and by Dan Stevens‘ hilariously eccentric villain, the second recent showcase for Stevens’ excellent spoken German after Maria Schrader’s “I’m Your Man.” Few are the films and fewer are the actors that can get such sinister mileage out of a character’s insistently Teutonic, semi-sibilant mispronunciation of the name “Gretchen.” Gretchen, aka “Ggrraaytshayn” (Schafer) appears, initially, to be the cuckoo.

Marta Balaga Films Boutique has reunited with “Green Border” director Agnieszka Holland on her Franz Kafka biopic “Franz,” currently in pre-production. Set to begin principal photography in April in the Czech Republic and Germany — during the centenary of the author’s death — the film has already been acquired for theatrical distribution by Bac Films Distribution (France), X Verleih (Germany), Bioskop (Czech Republic) and Kino Świat (Poland).

Marie Amachoukeli’s Ama Gloria has won the Best International Film Prize at the 40th edition of the Jerusalem Film Festival, running from July 13 to July 26.

EXCLUSIVE: Anonymous Content has hired longtime literary agent and former UTA partner Bec Smith as a partner and manager in their LA-based lit team.

win Best Picture still seemed crazy. After all, nobody had seen any of the fall festival movies that often dominate the awards lineup.

The 75th annual Directors Guild Awards are being handed out at the Beverly Hilton, and Deadline is updating the winners as they are announced. Check out the list below.

EXCLUSIVE: UTA partner Bec Smith, a company vet of 16 years, is leaving the agency, we can reveal.

should be on the list as well. Here are the most glaring omissions from the from Viola Davis and Danielle Deadwyler to Mia Goth to Dolly De Leon.  seemed like a no-brainer nomination for best actress given her performance as General Nanisca of the Agojie in The Woman King.

The Oscar nominations revealed Tuesday did not include any female directors, extending a trend that across this season’s awards landscape. It means the modest streak of women winning the Directing Oscar will end at two, after back-to-back wins the past two years with Jane Campion (The Power of the Dog) in 2022 and Chloé Zhao (Nomadland) in 2021.

Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.

EXCLUSIVE: Talent management firm One Entertainment is joining forces with Talent Management and Production Company Circle of Confusion. The two will merge under Circle’s banner.

In She Said, Maria Schrader’s telling of the Harvey Weinstein take-down by New York Times journalists Jodi Kantor and Megan Twohey, we see the birth of a historic moment: The turning of #MeToo from a movement into an unstoppable train of change. Based on Kantor and Twohey’s book, and from a screenplay by Rebecca Lenkiewicz, the reporters painstakingly gather evidence from silenced survivors, many of whom consulted on, and in some cases starred in, the film. For Zoe Kazan, alongside Carey Mulligan as Twohey, playing Kantor meant understanding her humanity, the practical nuts and bolts of reporting life, and the weight of what it is to bring others’ devastating personal truths to light. In conversation with Antonia Blyth, Kazan and Kantor discuss the portrayal of women at work to change the world.

EXCLUSIVE: London-based Lark is one of the buzziest new boutique film and TV agencies in Europe.

Today’s launch of Harvey Weinstein exposé movie She Said has given a shot in the arm to a UK campaign to stop the misuse of non-disclosure agreements (NDAs).

She Said tells the heroic story of the New York Times journalists that brought the #MeToo movement to the forefront by exposing Harvey Weinstein and the system that enabled him to thrive as a sexual predator. The film, which opened in theaters this weekend, stars Zoe Kazan as Jodi Kantor and Carey Mulligan as Megan Twohey, the Woodward and Bernstein of the 21st century.

Zoe Kazan recalls her research for playing New York Times journalist Jodi Kantor in the film She Said taking on a “mimetic quality” as the real-life similarities accumulated.

It’s that time again, when Deadline decamps to New York City to bring you the latest installment of our Contenders Film series, with the lowdown on some of our favorite Oscar-season possibilities.

The judge at the center of Harvey Weinstein’s Los Angeles sexual assault trial concluded its first week of hearing testimony by admonishing the jury not to watch the trailer for She Said, the upcoming Universal movie about the events surrounding the New York Times’ investigation of Weinstein that led to its bombshell 2027 exposé and the start of the #MeToo movement.

Clayton Davis Carey Mulligan and Zoe Kazan are splitting up, at least in terms of their Oscar campaign. “She Said,” which premiered at the New York Film Festival, and then one day later at the Middleburg Film Festival in Virginia, will be campaigned by Universal Pictures in the highly competitive best actress category for Kazan while Mulligan will seek attention in the wide-open supporting actress race.  Directed by Maria Schrader, “She Said” tells the story of New York Times reporters Megan Twohey (Mulligan) and Jodi Kantor (Kazan), who helped launched the #MeToo movement by exposing the silence surrounding sexual assault in Hollywood, and particularly Harvey Weinstein. 

Last week’s world premiere for She Said in New York has afforded Zoe Kazan and Carey Mulligan an opportunity to reflect on the task they just undertook, to tell the story behind the story of Jodi Kantor and Megan Twohey’s 2017 reporting for the New York Times that first exposed the harrowing abuses of Harvey Weinstein. It was a monumental journalistic achievement, and the impact of their reporting, as well as that of the New Yorker’s Ronan Farrow published just a few days later, brought about a seismic shift in industry attitudes to abuse, cracking open a door that survivors of Weinstein and the many other abusers exposed since have been able to step through. Kantor, Twohey and Farrow would go on to share the Pulitzer Prize for their reporting.

It looks like Carey Mulligan must’ve gotten on a plane right after the New York premiere of her movie She Said!

Antonio Ferme editor In 2017, investigative journalists Megan Twohey and Jodi Kantor exposed Harvey Weinstein’s numerous sexual assault scandals and the Hollywood system that enabled him. Five years later, the story behind the influential New York Times report is being told on screen. At the worldwide premiere of “She Said” at the New York Film Festival, director Maria Schrader explained why she believes this story “deserves to be seen on the big screen.” “Hollywood has the duty to tell the really vital stories of our times,” Schrader told Variety on Thursday night. “It’s not about just the wrongdoings of one person but a whole system protecting him. This is something we can find in any kind of industry and even small businesses.”

Carey Mulligan and Zoe Kazan are stepping out for a screening of their new movie at the 2022 New York Film Festival.

Intimacy coordinators, new protocols and safeguards and “things that seem very small on the page” have made Hollywood a better place for women in the MeToo era unleashed by the New York Times’ Oct. 5, 2017 investigation of Harvey Weinstein, said Zoe Kazan, who plays journalist Jodi Kantor in Maria Schrader’s She Said.

Owen Gleiberman Chief Film Critic If, like me, you consider “All the President’s Men” to be one of the most exciting movies ever made, it’s remarkable to consider that it came out in 1976, just four years after the Watergate break-in. The saga of Richard Nixon’s corruption and downfall had saturated the culture, yet every moment in “All the President’s Men” tingled with discovery. That’s why it’s a film you can watch again and again. When a big-screen journalistic drama gets built around a news story that epic, it needs to give you a version of that feeling. “Spotlight,” the Oscar-winning 2015 drama about The Boston Globe’s unraveling of the child sex abuse scandals within the Catholic Church, wasn’t as great as “All the President’s Men,” yet it, too, was laced with a sense of discovery. It’s there in how the film anatomized not just the horrific behavior of abusive priests but the omertà of the Church.

Maria Schrader’s She Said written by Rebecca Lenkiewicz based on a book by Jodi Kantor and Megan Twohey of the same name, and starring Carey Mulligan and Zoe Kazan as the two New York Times reporters who uncovered a web of secrets, lies, and abuse revolving around famed Hollywood producer (and now convicted felon), Harvey Weinstein.

Carey Mulligan has revealed she battled postpartum depression following the birth of her daughter. During an interview with Vanity Fair to promote her new movie, She Said, the British actress shared that returning to work after welcoming Evelyn with her husband Marcus Mumford in 2015 helped her heal from the experience. "It was either cancel the whole thing or just get on and do it.

Andrew Barker Senior Features Writer In September 1963, the first ever New York Film Festival was held in Manhattan’s Lincoln Center, and it counted as something of an experiment, an early test case as to whether the sort of serious, artistically inclined fests that were quickly becoming established in Europe could find real purchase stateside. The inaugural lineup included Luis Buñuel’s “Exterminating Angel,” Roman Polanski’s debut, “Knife in the Water,” and Yasujirō Ozu’s swan song “An Autumn Afternoon.” According to a Film Comment report at the time, the inaugural fest sold more than 20,000 tickets before a single film had unspooled. Not bad for a first time out.

One problem with being The New York Times—big, lumbering, important—is that you sometimes get in your own way. It happens even when you cover the movies. Every now and then, you find yourself looking at a picture that’s looking at you. And that can be awkward.