John Hopewell Latest Celebrity News & Gossip

John Hopewell Chief International Correspondent In a coup for the still growing film-TV event, Rome’s October MIA Market will host the second Spanish Screenings on Tour, Spain’s biggest international industry platform launched last year at Ventana Sur.  Forming part of Spain’s Recovery, Transformation and Resilience Plan (PRTR), the Screenings mark one testament to governments’ attempts around the world to leverage the world’s content production revolution to help power post-pandemic recovery.  MIA’s Spanish Screenings will pack several dozen Spanish titles and a weighty delegation of Spanish producers and creatives to Rome. If the Screenings play out as they did at their first edition in Argentina’s Ventana Sur, attended by a 100+ Spanish delegation, they should help galvanise proceedings at this year’s MIA Market. 

John Hopewell Chief International Correspondent In a broad-based deal, Netflix and Germany’s Constantin Film, one of Europe’s biggest production-distribution companies behind the “Resident Evil” film franchise and TV series “Shadowhunters,” have struck an exclusive long-term partnership.  The powerful alliance sees Netflix acquiring pay distribution rights pay to Constantin Film’s theatrical productions in the German-speaking region. These include national and international original and co-produced films, as well as films acquired for cinema or straight-to-video (STV) release. German and international theatrical productions.  Titles will be made available to Netflix subscribers on an SVOD basis 10-12 months after their theatrical release. In return, Netflix will contribute significantly to the financing of these productions, Constantin Film announced this week. The new agreement grants Netflix licensed access to Constantin Film’s existing film and series catalog, it added. 

John Hopewell Chief International Correspondent A bevy of established auteurs – Joachim Lafosse, Cristi Puiu, Robin Campillo and Martín Rejtman – rub shoulders with the fast-rising figures of Maria Alche and Benjamín Naishtat and new U.S. discovery Raven Jackson among a first batch of directors contending in main competition at September’s San Sebastian Film Festival.  Also in the mix, announced Friday, is U.S. writer-director Noah Pritzker (“Quitters”) whose “Ex-Husbands” headlines “After Hours” co-stars Griffin Dunne and Rosanna Arquette.  Always open under director José Luis Rebordinos to a broader gamut of movies than many other “A” fests, the first features confirmed Friday include four comedies with notably a change of register to lighter comedy for both Naishtat and Alche, who triumphed at 2017’s San Sebastián with “Rojo” and “A Family Submerged,” best director and Horizontes winners respectively. 

John Hopewell Chief International Correspondent O2 Play, the distribution-sales arm of Brazil’s O2 Filmes group, co-owned by “City of God” director Fernando Meirelles, has boarded “Broken” (“Partido”), which is co-directed by Oscar-nominated “City of God” DP César Charlone. O2 Play has acquired Brazilian and world sales rights to the doc feature. O2 Play founder Igor Kupstas will introduce “Broken” to buyers at Locarno Pro, which runs Aug.3-9. Charlone, also “The Two Popes” DP and director of “3%,” South America’s first Netflix series, has directed alongside Sebastián Bednarik (“Maracaná,” “Sangre de Campeones”) and Joaquim Castro (“Máquina do Desejo – 60 Anos do Teatro Oficina”).

John Hopewell Chief International Correspondent New Europe Film Sales is set to launch international sales on “Stepne,”the debut feature of Ukraine’s Maryna Vroda, a best short Cannes Palme d’Or winner, which was announced this July 5 morning as part of Locarno’s main International Competition.  Born in Kyiv, Vroda won a Palme d’Or in 2011 for her short “Cross Country” (“Kross”), a seemingly allegorical psychological drama about a boy who is forced to run, then does so willingly, ending up watching his classmates running a senseless cross-country race as a boy rolls in a transparent ball in a river. “Kross” was inspired by Vroda’s memories of physical education lessons. “Stepne” is equally personal, coming to Vroda when her grandparents died. In it, a middle-aged man travels to his family home to care for his dying mother. He meets his brother and a woman he loves and thinks back to his life choices such as leaving to live in a big city. Then, just before dying, her mother tells her about a treasure she’s buried in the shed.

John Hopewell Chief International Correspondent TOLEDO, Spain — Carmen Machi (“Piggy,” “30 Coins”), one of the foremost performers of her generation in Spain, is attached to play legendary Barcelona agent Carmen Balcells, prime architect of the Latin American Boom and a key figure in the break out of Gabriel García Márquez and Mario Vargas Llosa to worldwide renown.  Chile’s Invercine, producer of “News of a Kidnapping” which swept April’s Platino Awards, is teaming with Spain’s Abacus, Pausoka and Grupo Lavinia to develop and produce “Boom Agency” (“La Agencia del Boom”) which turns on Balcells extraordinary life, achievement and personality. The deal was confirmed to Variety at Conecta Fiction.

John Hopewell Chief International Correspondent Japan’s Hiroshi Teshigahara, who seemed on track for greatness after winning two Oscar nominations for “Woman in the Sands,” will be the subject of a San Sebastian Festival retrospective.  Nominated for best foreign-language film in 1964, and winning Teshigahara a best director Academy Award nomination a year later, “Woman in the Sands” was just Teshigahara’s second feature, a social and erotic allegory which yoked the political convictions of Teshigahara and screenwriter Kobo Abe, both members of Japan’s communist party in their youth, with Abe’s penchant for the darkly surreal.  Turning on an entomologist from Tokyo who discovers a young widow living at the bottom of an enormous sandpit on a deserted beach, it also won a Cannes Special Jury prize. Hailed as a masterpiece, and building on 1961’s “The Pitfall,” a political allegory which won Teshigahara fans, with Abe adapting his TV play, it looked like Teshigahara would find a niche on the same pantheon as contemporaries Nagisa Oshima and Shohei Imamura. 

John Hopewell Chief International Correspondent TOLEDO, Spain — Adding to its bullish line-up of primetime dramas, Spain’s Atresmedia TV is set to adapt “Angela Black,” its second ITV drama makeover from “The Missing” creators, Harry and Jack Williams, after the Spanish commercial broadcaster’s reversion of “Liar.” Currently casting and set to go into production this fall in Bizkaia’s Bilbao, “Angela,” as the Spanish redo is known, is produced by Buendía Estudios Vizcaya with the participation of Atresmedia TV. An original idea of the Williams’ Two Brothers Pictures, “Angela Black’s” international distribution is handled by All3Media International.

John Hopewell Chief International Correspondent TOLEDO, Spain — Warner Bros. Discovery has announced the greenlight and start of production of its first new Spanish series for Max, crime thriller  “When Nobody Sees Us,” whose eight episodes will be directed by Spain’s Enrique Urbizu (“No Rest for the Wicked”). The produced by “Elite” producer Zeta Studios.   Based on the same title novel by Sergio Sarria, “When Nobody Sees Us” has been written by lead writer Daniel Corpas (“The Ministry of Time,” “Malaka”) heading a writing team with the collaboration of Arturo Ruiz and Isa Sánchez. Set against Spain’s 2023 Holy Week celebrations, “When Nobody Sees Us,” is set in Morón de la Frontera, south east of Seville in Andalusia’s deep Spain, next to a U.S. Army Air Force base. There, Lucía Gutiérrez,  a Spanish Civil Guard sergeant, investigates the bizarre suicide of a neighbour and strange events at the first Holy Week float processions.

John Hopewell Chief International Correspondent TOLEDO, Spain — Global producer-distributor Fremantle has dropped an international trailer for “Negotiator,” a sleek, slick and chic eight-part  São Paulo crime thriller produced by two prominent players on the Latino and Latin-American TV scene – Miami-based Spiral International and Brazil’s Boutique Filmes.  Acquiring world rights outside Latin America and Portugal, Fremantle will use Conecta Fiction in Toledo, Spain to introduce “Negotiator,” which underscores building market trends coursing through the international TV scene. The busy trailer begins with a desperate kidnapper bursting through big church doors, revolver in hand pointing to a victim’s head. “I’m going to kill him,” he shouts hysterically. 

John Hopewell Chief International Correspondent Marking its first corporate step in international expansion outside Spain, Madrid-based Zeta Studios, producer of “Elite” and “García!” has named Marcelo Tamburri, one of Latin America’s preeminent TV execs, to the newly-created position of director of international content. Spun off from the sale of publishing house Grupo Zeta to Prensa Ibérica in 2019, and rebranded from Zeta Audiovisual, when it comes to individual titles., Zeta Studios boasts one of the biggest international reaches of any production house in Spain.   The appointment comes as Netflix preps the bow of “Elite” Season 7 on Oct. 20, making “Elite” one of the longest-running of streamer series and one of the most successful from outside the U.S., its Seasons 3 and 4 ranking in Netflix’s Top 10 of most-viewed non-English series ever on the OTT service with 334.8 million and 302.2 million hours viewed.   

John Hopewell Chief International Correspondent India looks to be moving closer to hiking its recently inaugurated cash rebates on international shoot spend in the country, including on animation and VXF works. The confirmation came at last week’s Animation Film Festival, as India showed further signs of expansion in animation on various fronts: “Heirloom,” an Annecy Residency project from India’s Upamanyu Bhattacharyya, bowed at MIFA feature film pitches, the strongest in memory, and though it didn’t take a prize, it was regarded as one of the section’s standouts; Annecy-backed, AniMela, India’s first international festival for animation, VFX, XR, gaming and comics (AVGC-XR), revealed dates for its first edition in 2024.    

John Hopewell Chief International Correspondent ANNECY — Bathed by gorgeous sun, the Annecy International Animation Film Festival and MIFA market came of age as a major industry and artistic event last week at the fairy-tale looking town nestling in the laps of the French Alps.  Takeaways from this year’s extraordinary edition, which ran June 11-17: Annecy Blasts Attendance Records The Annecy Festival and MIFA market smashed prior attendance figures to smithereens, recording 15,820 accreditations, 20% up on last year’s then all-time record of 13,200. That reflects “the extraordinary dynamism of the animation industry; more and more countries producing: our support of a lot of talents in emerging countries who want to come, of course; the [year-round outreach] in terms of meetings, and the official selection,” Mickaël Marin, CEO of the Festival and MIFA organizer CITIA, told Variety. “The festival was a great success, in its record numbers of attendance, exhibition booths and companies and dynamism and sensation of an extraordinary energy,” agrees Olivier Lelardoux, Blue Spirit Studio.  

John Hopewell Chief International Correspondent ANNECY — London-based Hanna-Barbera Studios Europe is set to initiate production next week on “Beast Boy: Lone Wolf,” the first time than a DC title that will be made out of the U.K. The announcement was made at a studio focus for Warner Bros. Animation, Cartoon Network Studios and Hanna-Barbera Studios Europe, whose fan favourites had a student/exec audience hollering in approval.  Introduced by Sam Register, president of all three companies, the focus must rate at the fastest-paced of all big studio unveils at Annecy, packed by never-seen-before footage of multiple shows. Register didn’t talk strategy: The audience wanted to see shows, and studio execs were excited to show them. 

John Hopewell Chief International Correspondent Netflix, the world’s preeminent animation producer by production volume, outlay and awards, has set out a roadmap at Annecy for how it is looking to invest in the future of animation. Sketched by John Derderian and Karen Toliver, Netflix animation heads of series and film respectively, the gameplan takes in building on Netflix’s strengths, in adult animation, and genre and anime in series; maintaining a vast diversity of shows and movies; and looking in every project for a creator’s vision which Netflix will seek to connect with the right audience, at the right price. Derderian and Toliver talked to Variety at France’s Annecy Animation Festival whose Netflix’s panel this Wednesday June 14, From Chicken Run: Dawn of the Nugget to Blue Eye Samurai – See What’s Next @ Netflix, promises to be one of Annecy’s most talked-about highlights.

John Hopewell Chief International Correspondent ANNECY —  In what looks like one of the biggest announcements at this year’s Annecy Animation Festival, Disney Branded Television has greenlit a new animated series for preschoolers, “Disney Junior’s Ariel,” inspired by the hugely popular story of “The Little Mermaid.”  The announcement is set to be made today by Ayo Davis, president of Disney Branded Television, during the Annecy Animation Festival, at a new project and sneak peak picked presentation across the upcoming slate of Disney Branded Television and Disney EMEA titles. The new series follows a young Ariel and features fan-favorite characters, including King Triton, Ursula, Sebastian and Flounder, as well as exciting new additions. “Disney Junior’s Ariel” is set to debut on Disney platforms worldwide in 2024.

John Hopewell Chief International Correspondent ANNECY —  In major news for Mexican animation as it comes under the spotlight at Annecy, director Sofia Carrillo (“The Sad House,” “Cerulia”) is teaming with “Roma” producer Nicolas Celis and  ‘Dance of the 41’ writer Monika Revilla to make “Insectario,” which bids fair to become one of the first stop motion features from Mexico. Targeting family audiences, and written by Revilla, “Insectario” is set up at Celis’ Pimienta Films.  Carrillo, who worked on the Mexican second unit on “Guillermo del Toro’s Pinocchio,” based out of Guadalajara’s El Taller del Chucho, told Variety that “Insectario” will build on the same aesthetic universe of “Cerulia” using the same puppets and sometimes the same sets. 

John Hopewell Chief International Correspondent ANNECY — Opening under the pall of Thursday’s knife attack, – which prompted a spirited show of solidarity and communal defiance at its opening ceremony on Sunday – this year’s Annecy Intl. Animation Film Festival has never been bigger. Creativity is exploding, from “Spider-Verse” and beyond.  Animation is flowering in India and Africa.  Yet studio work, much courtesy of streamer orders, may rebound, but never return to the halcyon levels of the last few years. Theatrical for most animation titles has yet to return, moreover – save for extraordinary mega-blockbusters such as “Across the Spider-Verse” and “The Super Mario Bros. Movie.” 10 takes on this year’s Annecy, the biggest animation festival on the world:  

John Hopewell Chief International Correspondent At Annecy with four features, including buzzy main competition entry “Mars Express,” Strasbourg-based Amopix will create a second studio, Amopix Annecy, located in the Route des Creuses to the west of Annecy.  The move comes as Amopix, the animation studio behind Cannes’ Directors’ Fortnight title “Margarethe 89,” produced by Eddy, is embarking on some 10 new titles, either as an animation studio or producer or both, including Louis Clichy’s “Le Corset” and “Shalotte, an Onion for All Cases,” a TV series produced in international co-production, a potential growth axis, Amopix founder Mathieu Rolin told Variety. 

John Hopewell Chief International Correspondent French CGI studio TeamTO, one of the biggest animation studios in Europe, has initiated development on “Jade Armor” Season Two. The move comes as TeamTO has produced on a service basis third party IPs ranging from “Kiya & the Kimoja Heroes” to Netflix hit “The Creature Cases.”  Progress on “Jade Armor” TeamTO is made in the wake of its moving last December into a brand new 2,700 square-meter (29,063 square-foot) studio facility in the Bastille district in Paris, as, in its busiest year ever, TeamTO is producing five third-party shows. Five more, all TeamTO original series, are airing around the globe.

John Hopewell Chief International Correspondent Lionel Messi and Sony Music Entertainment will team with the Canary Islands’ Atlantis Animation to bring an animated series on the Argentine soccer megastar several steps closer to reality. The deal sees Atlantis producing as a service company a CG animated series trailer inspired by Messi himself. Sony Music’s Premium Content Division, which is producing in partnership with Leo Messi Management, is overseeing the development and distribution of the series.  Based out of Tenerife, Atlantis Animation is now in full production  of the trailer. Targeting all audiences, the series “will immerse viewers in the epic adventures of a young Messi overcoming titanic challenges as he navigates the vibrant world of video games,” a written statement said.

John Hopewell Chief International Correspondent In a show of force, English-language “Spellbound,” the live-action tween series from “Find Me in Paris” creators and production partners will get a Season Two.  Produced by Cottonwood Media, with ZDF, ZDF Studios and the Opéra national de Paris, the 13 new episodes of the ballet/witchcraft series will go into production in August.  The “Spellbound” renewal news comes as Season One is set to roll out in international markets across broadcasters and streaming services from this fall.  Federation Kids & Family, the sales arm of Cottonwood Media parent Federation Studios, and ZDF Studios, the commercial company of German public broadcaster ZDF, will handle worldwide sales. 

John Hopewell Chief International Correspondent Germany’s Beta has licensed Spanish special ops thriller “La Unidad – Kabul,” to Max for the U.S., the third instalment in one of Movistar Plus+’s longest running franchises, “La Unidad,” whose six episodes deliver an engrossing and sometimes shocking take on the 2021 Fall of Kabul. With the purchase, all 18 episodes of Spanish series “La Unidad” are now available to stream on Max in the U.S.   Beta has previously sold the thriller, spangled by action scenes and haunting in its sudden deaths, to 50 territories including France, Latin America, Finland, Sweden, Norway, Denmark, and Australia.  

John Hopewell Chief International Correspondent Brazil’s on fire, and rapidly putting into place the policies that will rebuild its film and TV industries, which look set to transform it into the film-TV powerhouse of Latin America. That cuts several ways.  Under Jair Bolsonaro, Brazilian president over 2019-2022, ApexBrasil, the Brazilian Trade and Investment Agency, saw its funding for Brazil’s audiovisual sector almost entirely nixed. Often working together, promotion agency Cinema do Brasil, backed by Audiovisual Industry Syndicate of the State of São Paulo (SIESP), Projeto Paradiso, a philanthropic org focusing on new talent and project development, and SP Cine, the energetic São Paulo City film commission, did an extraordinary job to support and promote Brazilian filmmakers and companies’ presence at festivals, drawing on highly contained resources.

John Hopewell Chief International Correspondent “Creatura,” the feature debut of Elena Martín, exploring female sexual desire and repression, has won this year’s 20th Europa Cinemas Cannes Label for best European Film at the 2022 Cannes Directors’ Fortnight. Announced Thursday by Europa Cinemas, ahead of the closing ceremony this afternoon, the prize is one of two at Directors’ Fortnight, and awarded by one of the sidebar’s partners, given the section is non-competitive.   A second partner plaudit, the SACD Prize, handed out by France’s Writers’ Guild, will be announced simultaneously to the Europa Cinemas Label. 

Emiliano De Pablos Variety’s Global Locations Panel Conversations kicked off Saturday with a focus on Spain in which Juan-Manuel Guimeráns, Spain Film Commission general secretary, posited a new further reason for shooting in Spain.  Much is made of the country’s OMG locations, highlighted in “Game of Thrones,” its talent and technical prowess, and now extraordinary incentives. Now, as big international companies seek cost control and to promote sustainability, increasing attention will be paid to the Spanish industry’s ability to produce quality, cost-effective film and TV content very largely shot on a limited number of soundstages. Variety’s John Hopewell, in conversation with Guimeráns, pointed to the example of milestone series from Spain, such as “Grand Hotel,” “Velvet” and the first two parts of “Money Heist” (“La Casa de Papel”). In the final stretches of the conversation, Guimeráns drilled down on some of key projects and recently opened studio facilities in Spain. 

John Hopewell Chief International Correspondent If São Paulo state were a country, its 47 million population would make it the third largest in South America: Only the rest of Brazil and Colombia are larger.  From the turn of the century, it has consolidated ever more as Brazil’s artistic powerhouse, growing to represent 50% of Brazil’s creative industries GDP, said Secretary of Culture and Creative Economy Marília Marton at Cannes Marché du Film.  Audiovisual production is in São Paulo’s DNA, she told Variety. “As some other sectors decline, creative industries have a large potential of returns, employment and a market future, so our idea is to grow and broaden the audiovisual market,” she explained. 

John Hopewell Chief International Correspondent Álvaro Morte, immortalized by his performance as the Professor in “Money Heist,” has inked a multi-year producing deal with Sony Pictures Television through his Madrid-based production company 300 Pistolas, which he founded alongside Blanca Clemente. The accord sees 300 Pistolas, a theater company, making the transition into producing scripted TV, with Morte developing English-language scripted series exclusively with SPT, which he and Clemente will serve on as producers via 300 Pistolas.  Morte and Clemente will have access to SPT’s development teams. SPT will serve as exclusive production and distribution partner to any projects produced under the deal, SPT confirmed Wednesday.

John Hopewell Chief International Correspondent CANNES —  Belinda, one of Mexico’s biggest popstars and a star of Netflix hit “Welcome to Eden,” is attached to headline “The Red Diamond,” the latest project from Erik Barmack’s L.A. and Mexico City-based Wild Sheep Content. One of the fastest-growing of production companies in international markets, Wild Sheep has a production alliance with The Mediapro Studio.  “The Red Diamond” is also set up at Mexico City’s Wild Sheep Content Latin America, headed by producer Jimena Rodríguez who produced “3 Idiots,” the second highest-grossing Mexican movie of 2017. Rodríguez was instrumental in helping bringing Belinda to the project.

John Hopewell Chief International Correspondent Spain’s Revelations showcase has focused on shorts, not features, unveiling the huge breadth of animation talent and techniques in Spain. Some shorts directors are already stars, such as Alberto Mielgo with the Oscar-winner “The Windshield Wiper.” Diego Porral, director of “Leopoldo From the Bar,” served as animation lead on “Love, Death + Robots” episode “Kill Team Kill.” Standouts among new projects in Revelations included “Latente,” a Next Lab Generation winner from Carlos Zaragoza and Aurora Jiménez, and Martín Romero’s “To Bird or Not to Bird,” from Uniko and Abano Producións, which is a 2D short made largely in black and white featuring an angst-ridden clock cuckoo and other birds beset by environmental destruction.