John Hopewell Latest Celebrity News & Gossip

John Hopewell Chief International Correspondent “The Simple Life,” the sixth movie of Oscar-shortlisted Abner Benaim, and “The Coast,” the directorial feature debut of “The Gypsy Bride” star Nerea Barros, both make their market debut at next March’s Malaga Festival Fund & Co-Production Event (MAFF), one of the top forums for arthouse projects in the Spanish-speaking world. Proving the possibility to carve out an international film career based out of Panama, “The Simple Life” (“La Vida Simple”) marks the sixth feature from Benaim, Oscar shortlisted for “Plaza Catedral.” Marking a departure, “The Simple Life” looks like a more personal turn, about a film director, sans camera and crew, in Panama, compelled by unforeseen circumstances to live the very movie he’s longed to capture on film, suffering existential crisis.

John Hopewell Chief International Correspondent Winner of a Spanish Academy supporting actress Goya Award for “Marshland” and nominated for a 2023 best doc short Spanish Academy Goya Award for “Memory,” which she also directed, Nerea Barros, star of “The Gypsy Bride” is preparing “The Coast” (“La Costa”) which will mark her directorial feature debut. Also written by Barros, “The Coast” will make its market debut in March at the 2024 Malaga Festival Fund & Co-Production Event (MAFF). Its news comes little more than a month after the end of the run on Nov.

John Hopewell Chief International Correspondent Just after Spaniard J.A. Bayona’s Oscar-shortlisted “Society of the Snow” opened on Netflix to a massive 55.8 million hours watched over Jan. 4-7 – the second best bow ever in watching time for a non-English Netflix movie – ICEX Spain Trade & Investment, the country’s powerful export and inward investment board, has unveiled a new deal with Parrot Analytics.

John Hopewell Chief International Correspondent Temps Noir, the French documentary production powerhouse behind Mediawan Rights sales hits “Kubrick by Kubrick” and “Cinecittà: Making of History,” has boarded “Passengers for the Last Trip,” the fiction feature debut of Cuba’s Marta María Borrás (“Atardecer en el Trópico”). It will hit Spain’s Malaga Festival Fund & Co-Production Event (MAFF) this March as the most laureled of Latin America’s projects in the showcase.

John Hopewell Chief International Correspondent Powered by “Barbenheimer,” 2023 box office in Spain surged 31% to €487.5 ($541.1 million), still 18.2% below a pre-pandemic average of €596 million ($661.6 million) over 2015-19. At 74.9 million tickets sold, admissions rose 26%, 24% down on pre-COVID cinemagoing, according to Comscore Movies Spain, which announced 2023 results through Dec. 29 on Friday.

John Hopewell Chief International Correspondent “There are really only two things that can turn a bad day into a great one: The first is love. But to be honest, that’s not for today. My third wife just dumped me.

John Hopewell Chief International Correspondent In bigger picture terms, the major highlights of Ventana Sur were a masterclass by Cannes head Thierry Frémaux and an impromptu speech by San Sebastián director José Luis Rebordinos, heads of the most important film festivals in the world and Spanish-speaking world, supporting the continued existence of INCAA. There words came after Argentinian President elect Javier Milei had vowed on the campaign trail to shutter Argentina’s state-backed film-TV agency if voted into power. In industry terms, never has Ventana Sur, Latin America’s most important film-TV market, been this big, its final attendance numbers sky-rocketing to 4,300, some 30% up on 2022, beyond even the wildest expectations of organizers, Cannes Marché du Film and the INCAA.

John Hopewell Chief International Correspondent Mexican Rigoberto Pérezcano’s “Lovers Fare Goodbye,” a poignant, exquisitely shot tale of star-crossed young love dominated prizes at Primer Corte, Ventana Sur’s key arthouse pic competition. The prize and dozens of others were announced Friday at Latin America’s most important film-TV mart-meet.

John Hopewell Chief International Correspondent BUENOS AIRES — In one of the first deals to close at this week’s Ventana Sur market, Spain’s Latido Films has boarded “Lo Que Quisimos Ser,” written-directed by Alejandro Agresti, produced by Fernando Sokolowicz at Aleph Media, and Gastón Duprat, who have teamed as producer and co-writer-director on “The Distinguished Citizen,” “The Man Next Door,” and “The Artist.” “Lo Que Quisimos Ser” marks the latest film from Agresti, one of Argentina’s most international talents best known for a Hollywood sojourn which saw him directing Sandra Bullock and Keanu Reeves in “The Lake House” and writing Argentina-set, English-language “No somos animales,” with John Cusack. Of his Argentine film, “Valentín” weighs in as a big-hearted coming of age tale of a cross-eyed and very lonely young kid.

John Hopewell Chief International Correspondent It’s proving a huge and busy Ventana Sur in terms of deal announcements, both sales deals and most especially co-pro pacts across the several hundreds of titles now platformed at Ventana Sur. If you haven’t been able as yet to read the first two Variety Dailies, or haven’t seen them in your inbox, just click on the photos to access Variety’s Ventana Sur Daily One and Two: Variety Ventana Sur Daily One, Monday Nov. 27, 2023 Variety Ventana Sur Daily Two, Tuesday, Nov. 28, 2023 Enjoy!

John Hopewell Chief International Correspondent BUENOS AIRES — Delivering a masterclass in Buenos Aires just days after the election victory of far-right libertarian Javier Milei on Nov. 18, Cannes Film Festival head Thierry Frémaux voiced his support for Argentina’s INCAA public sector film-TV agency, which Milei has promised to destroy. Frémaux’s one and brief direct reference to the INCAA – which oversees Argentina’s crucial federal film funding, without which much of Argentine filmmaking would wither – came towards the end of a 90-minute masterclass entitled Cinema (of) Tomorrow.

John Hopewell Chief International Correspondent Gael García Bernal and Diego Luna, Spain’s Isabel Coixet and Chile’s Bernardita Ojeda, director of “Petit,” feature among the first recipients of funding from Ibermedia Next, a pioneering attempting to fund development on pioneering new IPs which yoke large artistic ambition and cutting edge tech. García Bernal and Luna’s Mexico-based label La Corriente del Golfo co-produces one of the 14 winning submissions, “El Origen De La Experiencia,” which offers a VR immersive experience of Mexican mysticism and trance culture.

John Hopewell Chief International Correspondent BUENOS AIRES — Paris-based sales agency MPM Premium has has closed its second major territory deal on “On the Go,” toplining “Elite” star Omar Ayuso in an Andalusia-set road movie with lashings of sun, sex and sensuality. Directed by Maria Gisèle Royo and Julia de Castro, and one of Spain’s most memorable feature debuts, “On the Go” has been licensed to Outplay Films which plans a theatrical release in Sumer 2024 after the film’s French premiere in premiere in Chéries Chéris.

John Hopewell Chief International Correspondent BUENOS AIRES — Brazil is beginning to come back as Latin America’s production powerhouse. At Ventana Sur on Monday, representatives of key federal, state and city authorities as well as a leading producer outlined some of the directions the giant would like to take on its return.

John Hopewell Chief International Correspondent In a notable prestige project package from Chile, Gonzalo Maza, co-writer of Sebastian Lelio’s Academy Award-winning “A Fantastic Woman,” has boarded “I Don’t Know How to Say Goodbye,” a drama thriller non-fiction series to be directed by Carola Fuentes and produced by Rafael Valdeavellano, re-teaming after their collaboration as co-writers and directors on the admired “Chicago Boys,” (2015) and “Breaking the Brick” (2022). Both doc features were nuanced studies of the impact of Chicago school of Neoliberal thought on standard economic policy in Augusto Pinochet’s Chile.

John Hopewell Chief International Correspondent Jointly organized by Cannes’ Marché du Film with a Thierry Fremaux Cannes Film Week adding star auteur glamor, Ventana Sur turns 15 this week unspooling Nov. 27-Dec.1 at its usual venue of the Universidad Católica Argentina in Buenos Aires’ Puerto Madero, its most modern and most chic of districts.

John Hopewell Chief International Correspondent São Paulo-based activist producer Maria Farinha Films, behind Globoplay hit “Aruanas” and one of the global South’s key impact entertainment companies, has boarded Marcel Beltrán’s mystery drama “Moa,” a big double winner at Locarno’s 2022 Open Doors. Produced by Paula Gastaud at Cuba’s Mediocielo Films, “Moa” is now set up as co-production with Mediocielo Filmes, also in São Paulo, and Maria Farinha Films, and the Dominican Republic’s Stems Group.

John Hopewell Chief International Correspondent Brazilian talents to track Enock Carvalho and Matheus Farias, selected for 2021’s Sundance with short “Unliveable,” are teaming with Janaina Bernardes, a co-producer of Karim Ainouz’s “Nardjes A.” and Argentina’s Frutacine, behind Tribeca player “Initials S.G.,” to produce “Burning Land” (“Terra de Fuego”), Carvalho and Farias’ awaited feature debut. “Unliveable” was voted by Brazil’s Abraccine critics’ assn. as the best short of the year.

John Hopewell Chief International Correspondent For its first Pitching Paradiso, to be held at Ventana Sur on Nov. 30, Brazil’s Projeto Paradiso is looking to Brazil’s North-East and a new more diverse generation of filmmakers which is bringing a sense of urgency and excitement to Brazilian cinema.

John Hopewell Chief International Correspondent As U.S. and European sales agents and distributors gather in Buenos Aires next week for Ventana Sur, there will be a very large elephant in the room: the stunning victory in Argentina’s presidential election Sunday of far right Javier Milei, a self-described “anarcho-capitalist.” Milei won 55.8% of the vote promising to do away with inflation, running at over 140%, as part of “drastic changes” which include scrapping Argentina’s central bank, dollarizing the economy and slashing public spending by 15% of GDP.

John Hopewell Chief International Correspondent Co-organized by the Cannes Film Festival and Market and Argentina’s INCAA film-TV agency, late November’s Ventana Sur market looks set to have at least one star: Cannes head Thierry Fremaux himself. Presenting the Cannes Film Week, a extraordinary showcase of 2023 winners led this year by Justine Triet’s Cannes Palme d’Or winner “Anatomy of a Fall” and bowing on Nov.

John Hopewell Chief International Correspondent Tessa Ía, who broke out heading “After Lucía,” Michel Franco’s Cannes winning first feature, is set to star in “Hyperballad,” which offers what is proving one of the most potent mixtures in cutting-edge Latin American film: Genre, ambition, and a first-feature young woman director. Directed by Alejandra Villalba García, “Hyperballad” (“Hiperbalada”) is lead produced by Hiperbalada, a production house lead by Villalba Garcñia and pic producer Carlos Paz.

John Hopewell Chief International Correspondent Belgium’s Stenola Productions, behind Joachim Lafosse’s 2022 Cannes Competition player “The Restless” and this year’s San Sebastian’s Golden Shell contender “A Silence,” has boarded “Elena,” written by Cannes Camera d’Or winner César Díaz (“Our Mothers”) and a potential highlight at this month’s Ventana Sur Proyecta forum. Stenola, which looks set to handle part of post-production, joins Norwegian lead producer Staer, founded by Elisa Fernanda Pirir, and Lithuania’s Just a Moment on a film which marks the anticipated feature debut of Dalia Huerta Cano, whose “Flesh That Remembers” won best doc short at Mexico’s Morelia Film Festival and DF Docs.

John Hopewell Chief International Correspondent Buoyed with Paco Plaza’s “Sister Death” riding high in Netflix non-English film global rankings for a second week running, Miami, Mexico City and Madrid-based El Estudio has named seasoned Spanish showrunner Tirso Calero, creator and script co-ordinator on “Servir y Proteger,” “Bandolera” and “L’Alqueria Blanca,” as TV contents director in Spain. He is based out of Madrid.

John Hopewell Chief International Correspondent “It is undoubtedly the best debut in Spanish cinema for years,” Pedro Almodóvar announced of Alauda Ruíz de Azua’s movie “Lullaby,” as it began to prove one of Spain’s liveliest sleepers of 2022, going on to score a Spanish Academy Goya Award for new director. Having made such an illustrious first feature, what kind of TV debut could Ruíz de Azua make directing her first series? Some large inkling was given on Wednesday as Movistar Plus+ opened up the set of miniseries “Querer” to a select delegation of Spanish press.

John Hopewell Chief International Correspondent Tunisian Youssef Chebbi’s “Plague,” Moroccan Adnane Baraka’s “We Don’t Forget” and Meryam Joobeur’s “Motherhood” feature among buzz titles at this year’s Marrakech Festival Atlas Workshops, which will have Martin Scorsese as their official patron. Consolidated as a key platform for Moroccan, Arab and African projects and pix in production made by a new generation of filmmakers and created by Marrakech Festival artistic director Remi Bonhomme, the Atlas Workshops unspool Nov. 27-30.

John Hopewell Chief International Correspondent Filmax has boarded “The Monster of Many Noses,” which marks yet another feature debut of a Barcelona-based female director, Abigail Schaaff, here in a movie which blends fantasy genre and local lore to large social point. Filmax, which also handles distribution in Spain, will show first images of the film at the American Film Market. Connecting 1960s Spain to its 1930s, the decade of Spain’s Civil War whose atrocities were silenced as the price of transition to democracy in 1970s Spain, “The Monster of Many Noses” (“L’home dels lassos”) is set in 1968 in a small village in the mountains.

John Hopewell Chief International Correspondent U.K. based sales agency Film Republic has picked up Peru’s 2024 Oscar entry “The Erection of Toribio Bardelli,” the latest film from Adrián Saba, one of Peru’s most prominent auteurs on the festival scene. Film Republic has also shared a first international trailer with Variety.

John Hopewell Chief International Correspondent Barcelona-based studio Filmax has scooped international rights to “Just One Small Favor,” the new film from Zeta Studios, which is behind Netflix smash hit “Elite” and HBO Max Spanish banner title “García!” Released in Spain by Universal on Nov. 10, “Favor” will receive its market premiere at this week’s American Film Market.

John Hopewell Chief International Correspondent 2023’s American Film Market may be shaping up for “a rather quiet year,” says Martin Moszkowicz, chairman of the executive board at Germany’s Constantin Film. That said, Moszkowicz will stay in Los Angeles for around 10 days. “We have so much business there – and much of it is not related directly to the market,” he says.