Ed Meza Latest Celebrity News & Gossip

Ed Meza @edmezavar Madrid-based Latido Films is partnering with the organizers of the new genre-focused Fantastic Pavilion at the Cannes Film Festival’s Marché du Film on a new award that will offer international distribution to selected Spanish-language Iberoamerican films. The prize will also provide theatrical release in Latin America for winning titles. News of the prize comes as plans for the Fantastic Pavilion, one of the major innovation of this year’s Cannes Film Market, are beginning g to emerge, based on a undeniable market reality: Elevated genre films and thrillers, if they are shaped by an auteurist vision, are proving to be among the surest sellers on the international market and genre is embraced by a new generation of young filmmakers who are often creating artistically ambitious films of substance, sometimes dealing with urgent gender and social issues.  

Ed Meza @edmezavar “Ctrl: Z. Russian Voices,” a documentary that examines the impact of the Ukraine war on the everyday lives of people in a small Russian town, has sold to broadcaster across Europe, including Franco-German channel Arte, TV 3 in Spain and CNN in Portugal. Distributed internationally by Paris-based Java Films, the documentary was filmed in the small Russian town where director Natacha Rostova, using a pseudonym, grew up. It examines the lasting effects the ongoing conflict is having on the lives of families and couples, ordinary people who are silenced, often too afraid to speak out, while others have become fervent opponents of the war.

Ed Meza @edmezavar Spanish producers taking part in a Spanish content showcase at the Berlinale Series Market on Monday debated what was jokingly referred to as the “devil’s bargain” offered by major streaming platforms that are propelling Spanish shows around the globe often at the cost of IP ownership.    Álex de la Iglesia of Madrid-based production powerhouse Pokeepsie Films said the company for years retained the IP of films that played in local cinemas. “We assumed there was no other model. Now, maybe we lose our IP, but suddenly our movies are in the houses of the whole planet. Maybe you have to sell your soul to these ‘diabolical’ platforms,” he joked. “But I can only say that working with the devil is worth it.,” he added.

Ed Meza @edmezavar “Snow,” an Austrian-German co-production and one of 16 titles presented in the Berlinale Series Market Selects showcase, weaves the timely issue of climate change and local folklore into a suspenseful mystery drama set in the picturesque Austrian Alps. Brigitte Hobmeier stars as Lucia, a physician who with her husband and children moves to the village, where she is replacing the local doctor, who is retiring. Things take a troubling turn when her daughter is visited by a strange woman at night. The series presentation at the EFM event brings the title back to Berlin, where it came together in 2020 at the Berlinale Co-Production Market’s Co-Pro Series event.

Ed Meza @edmezavar Political assassinations, war, espionage, royal scandals, teen angst and magic: new German series are setting the bar ever higher in terms of challenging and risky subject matter. The Berlinale Series Market’s Up Next: Germany showcase on Monday presented four forthcoming series projects that look set to entice international buyers: Presenting “Herrhausen,” creator Christer von Lindequist and actor Oliver Masucci discussed the impact of the 1989 assassination, which continues to reverberate in Germany. It was also the subject of Andres Veiel’s acclaimed 2001 documentary “Black Box BRD.”

Ed Meza @edmezavar German distributor and world sales company Kinostar has acquired Polish filmmaker Maria Sadowska’s erotic thriller “Temptation.” Based on the bestselling novel by Edyta Folwarska, “Temptation” tells the story of young journalist Inez, whose assignment to cover soccer star Maks Wygoda leads her onto a dangerous journey. “Temptation” was produced by Daniel Markowicz of Warsaw-based Lightcraft, who also produced and directed the recent hit Netflix actioner “Lesson Plan,” and executive producers Paulina Nowak and Anita Dabrowska. “Maria and Daniel are extremely talented, and we are very happy to start working with Lightcraft on this movie, with hopefully many more to follow,” said Kinostar head Michael Roesch.

Ed Meza @edmezavar German cinema looks set for a major boom this year with a strong lineup of diverse works that span historical dramas, coming-of-age tales, high-octane nostalgia, animation and sci-fi fun. The Berlin Film Festival is bowing a muscular selection of local titles, among them “Afire,” by Berlinale mainstay Christian Petzold (“Undine”), screening in competition. The films centers on a group of young people staying at a holiday house near the Baltic Sea during a hot, dry summer, exploring volatile emotions that start to sizzle when a wildfire spreads through the surrounding forest. Likewise vying for the Golden Bear is Margarethe von Trotta’s biopic “Ingeborg Bachmann: Journey Into the Desert,” starring Vicky Krieps (“Corsage”) as the radical Austrian author. The film examines her relationship with Swiss writer Max Frisch and her 1964 journey of self-discovery through the Egyptian desert.

Ed Meza @edmezavar After a hugely successful year for domestic films, Austria’s movie industry is looking forward to another impressive crop of titles, including many international co-productions that reflect not only cultural and historical ties with neighboring countries but also the sector’s strong cross-border partnerships. Highly anticipated films this year include Hans Steinbichler’s “A Whole Life,” the story of a humble man’s existence in an Alpine valley that spans more than eight decades; Dieter Berner’s “Alma and Oskar,” which explores the passionate and tumultuous affair between Viennese composer and socialite Alma Mahler and artist Oskar Kokoschka in the early 1900s; and Timm Kröger’s “The Theory of Everything,” a black-and-white, 1960s-set mystery-thriller that takes place in a scientific conference in the Alps.

Ed Meza @edmezavar With two new funding programs that could cover as much as 60% of costs for international feature film productions and the new state-of-the-art HQ7 Studios set to open in Vienna next year, Austria is stepping up its game in the film and TV sector in a major way. Approved by the government last year and in effect since Jan. 1, the FISA Plus incentive provides funding for international and domestic films and series, including TV and streaming production. The subsidy, which is not capped, also covers documentaries, animation, virtual reality projects and post-production services, including sound, music and VFX. Specifically, FISA Plus offers a 30% rebate plus an additional 5% “green bonus” for productions that follow environmental sustainability criteria, with maximum funding set at €5 million ($5.4 million) per film and $8.2 million per series.

Ed Meza @edmezavar Lars Kraume, who explores Germany’s 19th-century, bloody colonization of Southwest Africa (present-day Namibia) in his latest work, “Measures of Men,” has lined up his next project, a feature film inspired by a California prison program that brings together young inmates with aging prisoners suffering from dementia. Developed at the California Men’s Colony State Prison in San Luis Obispo, the Gold Coat program selects inmates, known as Gold Coats, to assist severely cognitively impaired inmates. Kraume’s story is set in a Berlin prison with a multi-ethnic population, where a young man signs up for the program in an effort to get early parole only to realize that he has first the first time in his life started to love and care for someone.

Ed Meza @edmezavar The Berlin Brandenburg Airport announced Thursday the cancellation of flights on Friday to and from Frankfurt, Munich and Stuttgart due to planned strikes at other German airports. Planned strikes on Friday have been announced at airports in Frankfurt, Munich, Stuttgart, Hamburg, Hanover, Dortmund and Bremen. The move has the potential to impede industry travel to the Berlin Film Festival, which kicks off Thursday, as Munich and Frankfurt are the country’s main airline hubs, and serve thousands of transit passengers per day. The Berlin airport is advising passengers to check with their airlines. German news service Deutsche Welle reported that a number of airports, including Düsseldorf, Nüremberg, Erfurt-Weimar and Dortmund, suffered website disruptions due to a suspected hacker attack.

Ed Meza @edmezavar International exhibitors gathered at Berlin’s majestic Kino International on the eve of the Berlin Film Festival on Wednesday to discuss challenges and innovative concepts that are pulling audiences back into theaters. Opening the Berlinale edition of Cinema Vision 2030 conference, Christian Bräuer, chairman of Germany’s AG Kino – Gilde e.V. cinema association, which organized the event, said the country’s cinemas were “still suffering from the effects of the pandemic and we still find ourselves in a world in crisis, we feel the consequences of the war, such as the massive increase in energy prices.” He therefore welcomed the opportunity to hear about new ideas and business models that could bolster the sector.

Ed Meza @edmezavar After a long break from feature films, director Uwe Boll is back and ready to roll with his latest project, a crime drama about two mismatched New York City cops on their first day as partners. “First Shift” stars Kristen Renton (“Sons of Anarchy”) and Gino Anthony Pesi (“Shades of Blue”) as the badge-carrying duo, she a transplant from Atlanta new to the Big Apple, he a jaded Brooklyn cop who prefers to work alone but forced to take on the new partner. Set to start shooting in New York City next month, “First Shift” has moved ahead of two other projects Boll has in the works, a South Africa-set thriller and a feature about Prohibition-era federal agent Eliot Ness — famously played by Kevin Costner and Robert Stack in the 1987 film and the 1959 series “The Untouchables” — during the latter part of his career.

Ed Meza @edmezavar German culture commissioner Claudia Roth has called for a fundamental reform of Germany’s €600 million ($640 million) per year film funding system, saying that profound changes in filmmaking, a declining admissions and too much bureaucracy made far-reaching alterations necessary. Writing in a guest column in the Süddeutsche Zeitung, Roth pointed to the success of Netflix’s “All Quiet on the Western Front,” which has garnered nine Oscar nominations, including best picture and international feature, to illustrate how film production has changed. Roth, who is expected to address the issue at the opening ceremony of the Berlin Film Festival on Thursday evening, noted that the “environment for creating, making and experiencing movies” was changing drastically as streaming and global internet providers make films ever less dependent on television broadcasters and theatrical releases.

Ed Meza @edmezavar Cohen Film Collection is continuing its restorations of classic Merchant Ivory productions, among them 1963’s “The Householder,” the first film collaboration between Ismail Merchant and James Ivory. The classics label of Cohen Media Group, Cohen Film Collection is lining up the restorations of four titles that also include the 1977 episodic romantic drama “Roseland,” with Teresa Wright and Christopher Walken, and two films directed by Merchant, “In Custody” (1994), featuring Shashi Kapoor, and “The Proprietor” (1996), starring Jeanne Moreau. Tim Lanza, Cohen Film Collection vice president and archivist, says he chose “In Custody” – Merchant’s feature directorial debut — and “The Proprietor” in particular “because James Ivory was keen to have a rerelease of some of the films that were directed by Ismael Merchant himself.”

Ed Meza @edmezavar The Lumière Festival’s International Classic Film Market (MIFC) in Lyon, France, is celebrating its 10th edition this year with a wide-ranging program focusing on bolstering classic film distribution, the prospects of new commercial territories, film education and a focus on Spain’s heritage film sector. The MIFC, which runs Oct. 18-21, kicks off with a keynote by Gian Luca Farinelli, director of Italy’s Cineteca di Bologna film archive. Market organizers praise Farinelli for “allowing classic films to be found, restored, reviewed and, most often, put back on the market firstly through the Il Cinema Ritrovato Festival, exhibition and distribution activities within the foundation, while maintaining strong links with cinemathques from around the world.”

Ed Meza @edmezavar A restored version of Iván Zulueta’s ground-breaking 1979 film “Arrebato” (“Rapture”) is screening at the Lumière Festival’s International Classic Film Market (MIFC) in Lyon, France, thanks to Los Angeles distributor Altered Innocence and Madrid’s Mercury Films. The cult film, considered a milestone in Spanish cinema from the post-Franco years, is seen as metaphor for how directors can be consumed by filmmaking. It centers on José, a frustrated low-budget horror movie director trying to complete a film while struggling with drug addiction. When he receives a package from past acquaintance Pedro — a Super-8 film reel and audiotape – José soon finds himself sucked back into the eccentric young man’s vampiric orbit.

Ed Meza @edmezavar “Cryptoqueen – The OneCoin Scam,” which makes its market debut at Mipcom in Cannes, chronicles the story of the fake cryptocurrency and its charismatic founder who stole up to $15 billion from trusting investors. Produced by Emmy-award-winning production company A&O Buero and sold internationally by Java Films, the documentary follows Ruja Ignatova, OneCoin’s founder, who hyped the cryptocurrency at rallies that resembled religious gatherings. Ignatova claimed that OneCoin was on course to become the world’s biggest digital currency and change life on Earth, describing it as the cryptocurrency for the poor, a currency that would turn paupers into princes. It was a giant fraud, however, and only turned Ignatova into the Cryptoqueen.

Ed Meza @edmezavar U.S. streaming service Topic has inked an exclusive U.S. and Canadian rights deal with Germany’s Beta Film for four European crime series ahead of this year’s Mipcom TV programming mart in Cannes. Dedicated to crime and suspense, Topic, part of First Look Entertainment, picked up the third season of critically acclaimed Austrian-German series “Pagan Peak”; Finnish title “Helsinki Syndrome”; “Silent Road” from Greece; and Croatian-Ukrainian co-production “The Silence.” The agreement also includes renewals of Italian political thriller “1992” and follow-up seasons “1993” and “1994.” Described as Italy’s “House Of Cards,” the show  examines how Italian politics were shaken to the core by a major criminal investigation against widespread corruption in the 1990s.

Ed Meza @edmezavar In Leni Lauritsch’s gritty sci-fi thriller “Rubikon,” the final frontier could well be humankind’s last refuge. The film, which stars Julia Franz Richter, Georg Blagden (“Versailles”) and Mark Ivanir, screens in the Zurich Film Festival’s Focus Competition. Set in a dark future in which a polluted and barely sustainable Earth is plagued by corporate armies battling for depleting resources as the wealthy live in air domes that protect them from the contaminated atmosphere, the story centers on three astronauts aboard the space station Rubikon, where scientists have developed a possible means of survival, a sustainable algae project to provide oxygen and food.

Ed Meza @edmezavar Celebrated actor and singer Charlotte Gainsbourg, speaking to an audience at the Zurich Film Festival, shared her experiences filming Celyn Jones and Tom Stern’s “The Almond and the Seahorse,” the valuable instructions received from Lars von Trier, and the challenges of shooting a documentary about mother Jane Birkin. Based on the play of the same name by Kaite O’Reilly, who wrote the screenplay with Jones, “The Almond and the Seahorse,” which screens in Zurich’s Gala Premieres section, revolves around two couples struggling with severe brain injuries. Toni (Gainsbourg) is dealing with her partner Gwen (Trine Dyrholm), who no longer is the same person that she was before. She finds support in Sarah (Rebel Wilson), whose husband Joe (Jones) is suffering from a similar brain injury.

Ed Meza @edmezavar Attending the Zurich Film Festival for the screening of his latest film, “The Good Nurse,” Eddie Redmayne spoke about his desire to work with director Tobias Lindholm, the joy of watching Jessie Buckley’s performance in “Cabaret” and the disappointment of missing out on “Games of Thrones.” “The Good Nurse,” which Variety’s Tomris Laffly describes as “soulful” and “devastating,” tells the true story of nurse Charles Cullen, who confessed to murdering at least 29 patients but who may have in fact murdered as many as 400 people, and fellow nurse Amy Loughren (Jessica Chastain), who helped solve the case. It’s based on the book “The Good Nurse: A True Story of Medicine, Madness and Murder,” by Charles Graeber.

Ed Meza @edmezavar Fatih Akin has teamed up with Berlin-based UFA Fiction on his miniseries about German star Marlene Dietrich, starring Diane Kruger. Based on the biography “My Mother Marlene,” by Dietrich’s daughter, Maria Riva, the five-part series, tentatively titled “Marlene,” is produced by UFA Fiction and Akin’s Bombero International in Hamburg. Currently in production, the miniseries chronicles Dietrich’s life as an artist, lover, German emigrant and mother as well as a woman who created her own rules and lived by them, whatever the cost. “‘Marlene’ will be not only the first series I have written and directed but also the greatest challenge in my film career,” said Akin, the series’ creator.

Ed Meza @edmezavar Juan Diego Botto’s feature film debut is a heart-breaking social drama and scathing critique of the neoliberal structures that have resulted in a catastrophic eviction crisis in Spain, where more than 400,000 people have been forced out of their homes over the past decade. “On the Fringe” screens in the Zurich Film Festival’s country focus sidebar, New World View, which this year showcases works from new Spanish filmmakers. The impressive achievement, which premiered in Venice, grew out of a conversation Botto had with friend Penélope Cruz after she saw a play he had written and was starring in. She suggested he write a script for a project they could do together, perhaps a relationship drama, something to do with jealousy, the Argentine-Spanish multi-hyphenate recalls.

Ed Meza @edmezavar Next year’s Golden Globes promises to be a major relaunch for the troubled awards show as the Hollywood Foreign Press Association (HFPA) continues to seek ways to reinvent the event, according to president Helen Hoehne. Speaking at the Zurich Film Festival on Saturday, Hoehne listed the changes the HFPA has undertaken to address the criticisms that led to a major industry boycott of the show this year. The HFPA has over the past year “made diversity, equity and inclusion really the cornerstone of our organization. We changed our governance because, as you know, a lot of the award shows are under fire, not just for diversity issues but because of corruption, because of all sorts of other things. And we cleaned up.

Ed Meza @edmezavar The lasting effects of the pandemic and skyrocketing energy prices in Europe mean continued hardship for arthouse cinemas in Europe, but some theater chains are finding new ways to survive and prosper, particular when the movies work their magic. That was the takeaway at Zurich Summit discussion between Christian Bräuer, managing director of Berlin-based Yorck Kinogruppe; David Laub, acquistions and distribution executive at New York City-based A24; Stephanie Candinas, co-managing director of Zurich’s Arthouse Commercio Movie AG; and Sierra/Affinity’s Kirsten Figeroid. “The short-term perspective is about gas prices – that threatens us the most,” said Bräuer. “In Europe most theaters survived [the pandemic] thanks to public support. Without public support, a lot of small theaters, arthouse theaters, would have had to close.”

Ed Meza @edmezavar “Becoming an Astronaut,” an ambitious documentary that will focus on four new astronauts who will be announced by the European Space Agency (ESA) this November, has won the Focal Audience & Market Strategies pitching event at the Zurich Film Festival. Organized by Focal, the Lausanne-based foundation for film and audiovisual media training, Audience & Market Strategies is a three-part training program that helps producers promote their projects at an early stage. This year’s event showcased eight Swiss projects in various states of development. The program culminated with the pitching event, in which the producers presented their projects to sales company representatives, industry experts and an international jury comprising Stephen Kelliher of Bankside Films, Netflix’s Lars Wiebe, Olivier Tournaud of Cinephil, Sven Wälti, head of film at Swiss pubcaster SRG SSR, and Deadline’s Diana Lodderhose.

Ed Meza @edmezavar Sony Pictures Classicspresidents Michael Barker and Tom Bernard offered sound advice to U.S. theater chains, while explaining the reasons behind their continued success, during a discussion at the Zurich Film Festival on Saturday about their colorful and storied partnership that has spanned more than four decades. Zurich is honoring the duo for their services to film culture with its Game Changer Award on Sunday.   Speaking to Roeg Sutherland, co-CEO of CAA Media Finance, at the festival’s Zurich Summit industry event, Barker and Bernard took an engaging and humorous trip down memory lane, from first working together at United Artists Classics and then at Orion Classics, before establishing Sony Pictures Classics in 1992, to working with Akira Kurosawa, and managing to reacquire “Howards End” from Ismail Merchant, despite Harvey Weinstein’s efforts to significantly outbid them.

Ed Meza @edmezavar “H2: The Occupation Lab,” a documentary by Israeli filmmakers Idit Avrahami and Noam Sheizaf, chronicles the impact Jewish settlers and military occupation have had on the Palestinian city of Hebron and how the repressive methods of control there are being widely adopted in other areas of the occupied territories. The film screens in the Zurich Film Festival’s Border Lines sidebar, which showcases works that deal with territorial and social conflicts and humanitarian issues. Avrahami and Sheizaf had long wanted to collaborate on a project about the West Bank. “We both feel that the occupation is the most urgent issue Israeli filmmakers face,” says Sheizaf.

Ed Meza @edmezavar In “Patrick and the Whale,” director and editor Mark Fletcher explores an area not often examined by wildlife filmmakers: the emotional connections that bind sperm whales and their ability not only to communicate to one another, but also, seemingly, to humans. Produced by Austria’s Terra Mater Studios and screening in the Zurich Film Festival’s Focus Competition, the film centers on Patrick Dykstra, a passionate wildlife explorer, BAFTA-winning cameraman and host of the Discovery series “Chasing Ocean Giants,” and his relationships with two female sperm whales. Employing stunning underwater footage, the film follows Dykstra as he delves into the fascinating nature of sperm whales, seeking to better understand their intelligence and complexity while also highlighting their fraught relationship with humankind.