Cynthia Littleton Latest Celebrity News & Gossip

Cynthia Littleton Business Editor “The Simpsons” occupies a unique perch in the history of global television. At 36 seasons and 750-plus episodes and counting, the Fox animated franchise been a steady engine of employment for writers, producers, directors, actors and other Hollywood artisans for more than a generation. The show’s legacy was saluted Friday morning with a “Simpsons”-themed Writers Guild of America picket gathering outside Fox Studios that drew dozens of staffers past and present. In the context of labor battles over the future of TV, “The Simpsons” is seen as an example of the kind of employment and the kind of series that is disappearing in the new era.

Cynthia Littleton Business Editor Netflix chief content officer Bela Bajaria used the platform of her keynote address Friday at the UCLA Entertainment Symposium to dispel a few myths that persist around the streamer that has transformed television viewing during the past decade. During an hourlong, wide-ranging Q&A with veteran entertainment attorney Ken Ziffren, Bajaria made the forceful case that “algorithms don’t decide what we make” when it comes to how Netflix uses data to inform programming and strategic decisions. “There’s not an algorithm that would probably say, you know what’s a great idea? A period show about a woman playing chess,” Bajaria said, pointing to 2021’s “The Queen’s Gambit,” which raked in 11 Emmys for the streamer including the trophy for best limited series. Nor would data analytics ever deliver a report instructing them to “do something thematically about connection and lonliness, and maybe throw in road rage for the inciting incident,” Bajaria added, pointing to this year’s Ali Wong-Steven Yeun starrer “Beef.”

Jennifer Maas TV Business Writer HBO and Max chief Casey Bloys thinks AI has no place in the creative process at his brands. “Two things to keep in mind when I say this: One is, remember I grew up in Bethlehem, Pennsylvania, which is Steel Town,” Bloys, the chairman and CEO of HBO and Max content, told Variety co-editor-in-chief Cynthia Littleton during a keynote conversation Wednesday at the Variety TV FYC Fest. “So I am very, very aware of what happens when a company does not think about the future or is not aware of the future. But also, I’ve been at HBO for 19 years and I have never tested a pilot to decide whether to pick it up or not. We just don’t use all of the things other places do, it’s just not something we do. So my take on AI, the idea that AI would be involved in any sort of development or the creative process in the kinds of shows that I do, or we do, at HBO, that’s not something I want to be a part of.

Cynthia Littleton Business Editor Producer DeVon Franklin has been cutting his own path through Hollywood for more than two decades. He’s made a career as a producer out of pursuing inspirational and faith-infused movies and now TV shows. On the latest episode of Variety podcast “Strictly Business,” Franklin explains that he is unabashedly on a mission to use movies and now TV shows to provide inspiration and uplift to the audience. He feels the faith-based genre is broadly defined enough to include his latest project, the spicy Cheetos origin story “Flamin’ Hot,” directed by Eva Longoria. The by-the-bootstraps business story from Searchlight premieres June 9 on Hulu. Franklin notes that the film’s business trajectory began as a theatrical film. When Hulu came into the picture for a streaming debut, Franklin didn’t balk.

Cynthia Littleton Business Editor Longtime WME partner Sean Perry is preparing to exit the agency after 25 years to launch a production company, 2500 Media. Perry’s banner will focus on unscripted series as well as documentaries and some scripted projects. Perry has quietly been working with WME leaders on the transition for several months. Ever the dealmaker, Perry has already lined up commitments for projects from cable, broadcast and streaming platforms. He will also stay close to his longtime colleagues, albeit as a client, as WME will represent 2500 Media. “While there’s sadness in leaving WME after 25 amazing years, this has been a dream that went from something I’d like to do to something I have to do. It’s time to roll up my sleeves and actually make what I’ve been selling for years,” Perry said. “I want to thank all of my friends, colleagues and partners at Endeavor and WME. WME will forever be my family, I am just switching seats at the table from partner to client.“

Cynthia Littleton Business Editor From Paul Lee’s perspective, the streaming boom that led Hollywood to binge on original content has evolved significantly during his half-dozen years as CEO of production company Wiip. Over the past year, the industry has been through “a moment where the streaming revolution went from a land grab to ‘This land needs to be fertile,’ ” Lee says on the latest episode of Variety podcast “Strictly Business.” Lee spent a dozen years at Disney, rising to become head of ABC Family and later head of ABC Entertainment and ABC Studios. He’s mostly kept a low profile since launching Wiip in partnership with CAA in 2016.

Cynthia Littleton Business Editor In its heyday, “ER” would keep about 75 background actors on hand per episode to be called up as needed to fill out scenes in hospital corridors and whatnot. On Tuesday, about 75 “ER” alumni filled the sidewalks outside the show’s old studio on Olive Avenue in Burbank. Writers, actors and crew members who worked on the beloved NBC drama series rallied behind the Writers Guild of America on Day 29 of the strike called against Hollywood’s major employers. Many of those who gathered for the “ER” reunion-themed picket on the day after the Memorial Day holiday weekend were emotional about what “ER” represented in their professional careers. It’s an apt symbol for the WGA strike because “ER” is the kind of long-running scripted series that television networks don’t seem to make anymore.

William Earl Leaders in the TV industry will convene at Variety’s in-person TV FYC Fest on June 7 in Los Angeles, featuring Christina Applegate, Kerry Washington, Elle Fanning and more. Fanning (“The Great”), Janelle James (“Abbott Elementary”), Rodriguez (“Not Dead Yet”) and Washington (“UnPrisoned”) will participate in a roundtable celebrating Disney’s TV female comedy standouts, moderated by Angelique Jackson, Senior Entertainment Writer, Variety. Jean Smart will present Christina Applegate with the 2023 Variety TV Fest Legacy award, recognizing her storytelling achievements as an actor and producer.

Cynthia Littleton Business Editor National Amusements, the parent company of Paramount Global, has received a $125 million investment from BDT Capital Partners, an investment firm that specializes in supporting family-controlled businesses and estates. The influx of cash is designed to take pressure off of Paramount Global stock price, which has been under water in recent months in part because of concern about National Amusements’ financial health. The deal will allow National Amusements to pay off some existing loans that have been secured by the company’s Paramount Global shares. “Our expanded partnership with BDT & MSD reflects our strong belief in Paramount’s ability to deliver value to all shareholders. Paramount has the best assets in the media industry, with an incredible content library and IP spanning all genres and demographics, as well as the No. 1 broadcast network, the leading free ad-supported streaming television service and the fastest-growing pay streaming platform in the U.S.,” said Shari Redstone, Chair, CEO and President of NAI. “NAI has conviction in Paramount’s strategy and execution, and we remain committed to supporting Paramount as it takes the necessary steps to build on its success and capitalize on the strategic opportunities in our industry.”

Cynthia Littleton Business Editor That was the week that was, and last week was an upfronts week like no other. Variety’s team of New York-based television and digital reporters offer a debrief on the 2023 programming presentations in New York on the latest episode of Variety weekly podcast “Strictly Business.” The drama roiling the industry was evident in all the Writers Guild of America picket signs that swarmed around the major events held from May 15 to May 17. That added to the general madness of the week that is a television and advertising industry tradition but is starting to feel anachronistic in the streaming era. But the upfronts are still a hard habit to break. Netflix even crashed the party this year, albeit virtually.

Cynthia Littleton Business Editor Purpose and character. These are now solidly enshrined as the buzzwords of copyright law on the heels of the Supreme Court’s 7-2 ruling earlier this week in the case involving the estate of Andy Warhol and photographer Lynn Goldsmith. The decision at first blush seemed to be a clear-cut win for copyright owners and artists who create original works. But the court’s majority decision, penned with verve by Justice Sonia Sotomayor, is already proving divisive among experts on intellectual property rights. It demonstrates the difficulty of setting up hard and fast rules around highly subjective questions, such as when an artistic or literary work is “transformative” of an earlier work and whether its ultimate use is for commercial purposes, or not. The case has been closely watched in part because it’s sure to have implications for the tidal wave of AI-generated art and literary works that are to emerge, and the still-larger wave of litigation likely to follow.

Cynthia Littleton Business Editor Peter Chernin’s North Road Co. has taken a minority stake in Omaha Prods., the busy production banner headed by NFL Hall of Fame quarterback Peyton Manning. The deal brings an influx of capital to Omaha and it allows the company to tap into the production and distribution infrastructure that Chernin is building through North Road, which launched last year with backing from private equity giants Providence Equity and Apollo Global Management. North Road is in assembling a roster of content banners with the goal of creating a strong independent source of TV and film titles for buyers, particularly those outside the U.S. Omaha is already co-producing projects with North Road-affiliated Words + Pictures, which is headed by former ESPN programming executive Connor Schell. Omaha made a splash starting with the 2021 football season with the launch of its “ManningCast” alternative telecast of “Monday Night Football” featuring Manning and his brother Eli Manning, a fellow retired NFL quarterback, commenting on the game in real time with guests for ESPN 2.

Cynthia Littleton Business Editor The major broadcast networks are trying very hard this year to do what they do best – create franchise drama series built around the adventures of larger-than-life characters. Kathy Bates, Kaitlin Olson, Carrie Preston and Shanola Hampton are among the female actors hoping to click as distinctive protagonists with new series in the 2023-24 season. Bates will bring to life a next-generation “Matlock,” while Preston limns a new chapter for Elsbeth Tascioni, the attorney character she has played on and off on CBS’ “The Good Wife” and Paramount+’s “The Good Fight” since 2010. This is good news for the hundreds of international television buyers heading to Los Angeles for next week’s LA Screenings market. Another welcome development is that the largest media congloms are now on a big push to reopen their doors to third-party buyers, after a few years of holding back the biggest shows for in-house streaming services.

Cynthia Littleton Business Editor On May 12, Variety partnered with Reddit’s Television subreddit to host an Ask Me Anything discussion about the ongoing writers strike. Variety co-editor-in-chief Cynthia Littleton — who has covered the television industry for 25 years and wrote the book “TV on Strike: Why Hollywood Went to War Over the Internet” about the 2007 strike — fielded many smart questions from Redditors, touching on topics like AI, who gets paid during the strike, and how long it could last. Below are key selections from the discussion, lightly-edited for clarity.

Cynthia Littleton Business Editor The Roku Channel will shine a spotlight on the work of the veteran-led disaster response organization Team Rubicon through an unscripted series set to premiere May 25 from the production team behind PBS’ “This Old House.” “Team Rubicon” follows the organization’s volunteers as they are sent off in deployments across the country and overseas to help the neediest victims of natural and man-made disasters, from the recent storms in Selma, Ala. to the recent record snowfalls in mountain communities north of San Bernardino, Calif. The half-hour series, hosted by “This Old House’s” Kevin O’Connor, documents the real-world impact of extreme weather events and how the heaviest burdens fall hardest on the poorest communities and most vulnerable residents. The 13 self-contained episodes also emphasize the importance that volunteering plays for servicemembers in their transition to civilian life.

Ethan Shanfeld Variety garnered a record 96 nominations for the SoCal Journalism awards sponsored by the Los Angeles Press Club, with nods across magazine and entertainment journalism, art and photography, video, audio, online content and social media during the 2022 calendar year. Among the nominations announced Friday were Tim Gray for print journalist of the year and Clayton Davis for online journalist of the year. In addition, Owen Gleiberman, Chris Willman and Daniel D’Addario were nominated as entertainment journalists of the year. “We are extremely proud of our newsroom for a banner year in record-breaking traffic, hard-hitting investigative journalism, profile writing and video. These nominations are a testament to the great work Variety is doing covering the entertainment industry,” said Variety co-editor-in-chiefs Ramin Setoodeh and Cynthia Littleton.

Cynthia Littleton Business Editor A birthday ritual at her daughter’s preschool gave Cindy Chupack the inspiration to write her first children’s picture book. When her daughter Olivia was a toddler, Chupack, a veteran TV and film writer and two-time Emmy winner, was invited to read a special picture book to the preschool class to celebrate Olivia’s birthday. As she turned the pages, Chupack quietly struggled with lines like “You were in my tummy” and other references that did not reflect her experience of starting a family through adoption. “I remember wanting to have something that would address all the different ways that families are formed,” Chupack told Variety of the spark that led her to write “We Waited for You: Now We’re a Family,” with illustrator Emily Hamilton. “I wanted something that would be validating to parents who have gone through a lot to get their child.”

Cynthia Littleton Business Editor Telemundo will add two starry telenovelas, “El Conde: Amor y Honor” and “Vuelve a Mi,” and a ninth season of its hit drama series “El Señor de los Cielos” to its 2023-24 primetime slate. Telemundo is bringing star Fernando Colunga back to the screen after a multi-year break from novelas for “El Conde,” an established novela format. Telemundo’s spin is a period drama set in the 1930s and ’50s, revolving around a man who is thought to have died in jail but turns up 17 years later to the surprise of his family and associates. Other cast members include Ana Brenda Contreras, Marjorie de Sousa, Chantal Andere and Sergio Sendel. It was shot stages and on location

Cynthia Littleton Business Editor Disney is going on a diet — but Hulu is still on the menu. Disney CEO Bob Iger and chief financial officer Christine McCarthy delivered a clear message on Wednesday to Wall Street and to Hollywood during Disney’s quarterly earnings call. Disney will cut the overall volume of content produced for its streaming platforms — primarily Disney+ and Hulu — as it deals with a much tighter macroeconomic environment, not to mention the uncertain impact of the writers strike that began May 2. After spending just under $30 billion on content in Disney’s 2022 fiscal year (which ends in September), Iger has targeted $3 billion in savings for 2023. Of that $30 billion, about 30% is devoted to sports rights for ESPN and ABC Sports.

Cynthia Littleton Business Editor Let the gig economy debate begin. One of the most contentious issues in the writers strike that erupted May 2 is the assertion by the Writers Guild of America that screenwriting is in danger of becoming part of the “gig economy.” The WGA’s proposed solutions — mandatory staffing minimums and guaranteed weeks of employment — are equally dividing labor and management. Now that contract talks between the WGA and the Alliance of Motion Picture and Television Producers have cratered, complex issues are being chewed over by writers who are fired up, walking in circles (literally) and wound up about the long-term employment picture for Hollywood scribes.

Cynthia Littleton Business Editor Endeavor has big financial plans for the rest of the year as the company announced Tuesday it will declare its first dividend and begin its first stock buyback program as it awaits its acquisition of WWE and sale of IMG Academy. Endeavor delivered solid first quarter results on Tuesday, powered by growth in its owned sports properties unit which is about to grow substantially as Endeavor closes its $21 billion takeover of WWE later this year. Endeavor’s events and experiences unit also was in positive territory for the quarter. But the hangover of the January 2022 sale of the Endeavor Content production unit put a dent in the representation unit’s quarterly numbers.

William Earl Variety has promoted Jem Aswad to lead all music content across digital, print and live media platforms as executive editor, music. Aswad will oversee all aspects of Variety‘s music-related editorial operations and staff. He will also continue to serve as Variety‘s leading voice on the business of music, penning cover stories, deep-dive features, investigative stories, personality profiles and reviews. With his promotion, Aswad will also help steer Variety‘s music-related event franchises, including Hitmakers and Music Mogul of the Year, and contribute significantly to developing music programming for live media events. Aswad is based in Variety‘s New York office and reports to co-editors in chief Cynthia Littleton and Ramin Setoodeh. Shirley Halperin, Variety’s executive editor, music since 2017, is stepping down to become editor in chief of Los Angeles magazine.

Cynthia Littleton Business Editor Ellen Stutzman, the Writers Guild of America West’s chief negotiator, was out early Monday morning taking part in the family-themed picket that drew big crowds of striking writers and their children — including a few furry family members — to the sidewalks outside Netflix headquarters at the corner of Sunset Boulevard and Van Ness Avenue in Hollywood. Stutzman’s presence at the location that has been one of the most heavily trafficked picketing sites was praised by WGA members who feel that guild leaders are going the extra mile to provide support and communication on the strike that began May 2. Stutzman, who brought her young son Mateo in a stroller, said the next steps in the process of coming to agreement with the Alliance of Motion Picture and Television Producers are self-evident.

Cynthia Littleton Business Editor David Zaslav and his team could be forgiven for sounding a little stressed on Warner Bros. Discovery’s Q1 earnings call. The company’s numbers were pretty grim for a CEO who prizes his free cash flow. The Warner Bros. Discovery chief was fired up about a number of issues affecting the studio behind the shield, and he fired off verbal volleys, pop culture quotes and metaphors, invoking everything from military terminology to Formula 1 racing to “The Blues Brothers.” But the liveliest moment of the hourlong conference call with Wall Street analysts was Zaslav’s discussion of subscriber churn rates and how they differ between HBO Max and Discovery+, the two streamers that are set to be married and relaunch as a joint product dubbed Max on May 23.

Cynthia Littleton Business Editor It’s deja vu all over again for Patric Verrone, the former WGA West president who led the guild during the 2007-08 writers strike. Verrone, who spoke to Variety while picketing outside Fox Studios in West Los Angeles, sees a number of parallels to the dynamic that led to the work stoppage in November 2007 but also a number of important differences. He is a member of the negotiating committee that has been wrangling this latest three-year contract with executives at the Alliance of Motion Picture and Television Producers. “I would say the chief similarity is that in 2007, and in 2023, the management didn’t believe us, when we said we were going to strike and that our demands were genuine, and that we had the full support of our membership,” Verrone said. “There was skepticism on the part of the companies that this would actually happen.”

Cynthia Littleton Business Editor Here we are at the precipice of an uncertain yet familiar place. The question of whether the TV and film industry will be shut down by labor action will be answered one way or another by the time Monday ends on the West Coast. In broad strokes, the Writers Guild of America and Alliance of Motion Picture and Television Producers face one of three basic outcomes as the WGA contract expires at midnight PST. Behind Door No. 1 – the sides reach a tentative agreement. Door No. 2 — they agree on a short-term extension, which is unlikely but could be anything from 12 hours to 12 days, or more. Door No. 3 – the talks are called off by one side or the other — or both — and picketing ensues in Los Angeles and New York on May 2.

Cynthia Littleton Business Editor The New York Dolls’ wildly original debut album got Martin Scorsese through the making of “Mean Streets” in 1973. Years later, Dolls frontman David Johansen enlivened the soundtrack of Scorsese’s HBO series productions “Boardwalk Empire” and “Vinyl.” Scorsese is also a regular listener of Johansen’s Sirius XM series “Mansion of Fun.” Finally, after Scorsese caught Johansen’s career-spanning cabaret set at the Café Carlyle, the director-producer – a storied teller of New York stories – decided that the time was ripe for a documentary on the proto-punk scion of Staten Island. “Personality Crisis: One Night Only,” which debuted April 14 on Showtime, chronicles Johansen’s evolution from the Dolls to the lounge-y pop of his Buster Poindexter period through his present day life as a husband, stepfather and eminence grise of New York’s music scene.

William Earl Variety will return in-person with its TV FYC Fest on June 7 in L.A., featuring HBO/Max Chief Casey Bloys, Kerry Washington, Elle Fanning, Janelle James, Gina Rodriguez and Weird Al Yankovic. Fanning (“The Great”), James (“Abbott Elementary”), Rodriguez (“Not Dead Yet”) and Washington (“UnPrisoned”) will participate in a roundtable celebrating Disney’s TV female comedy standouts. Bloys, chairman and CEO of HBO and Max Content will offer his vision for TV storytelling with Cynthia Littleton, co-editor-in-chief of Variety, in what will be his first interview following the series finale episode of “Succession.”

Cynthia Littleton Business Editor The first rumblings about Comcast considering a major change involving NBCUniversal started this time last year.Now, in the wake of NBCUniversal CEO Jeff Shell’s abrupt firing, industry speculation about what may be in store for the network-studio conglomerate has gone into what-if overdrive. Maybe NBCU merges with Hulu to become a stand-alone company. Maybe the cable operations of Comcast and the satellite business of the U.K.-based Sky are separated from NBCU.

Cynthia Littleton Business Editor Producers of “The Garcias” have re-acquired the rights to the family comedy series from HBO Max and are shopping the show to other buyers. HBO Max canceled the series after Season 1 aired last year. New Cadence Prods. has reclaimed the streaming and international rights to the 10 episodes and is seeking a new home for the show that revolves around a large, multicultural and multigenerational Latino family. HBO Max still had nine years left on its license for Season 1 of “The Garcias” after dropping the series. New Cadence, headed by “The Garcias” co-creator/showrunner Jeff Valdez and investor Sol Trujillo, struck a deal with HBO Max that gives them the ability to produce new episodes of the series and sell the existing episodes to a rival outlet. New Cadence’s deal with HBO Max already was structured so as to ensure that the company retained long-term ownership of “The Garcias” outright.