Albert Serra Latest Celebrity News & Gossip

As 2022 comes to a close, the season of year-end lists begins, with critics and publications announcing their top 10 films from the last calendar year. And few publications’ annual lists carry as much gravity for movie fans as Cahiers du Cinéma, the critical stalwart of the French film world.

The Berlin Film Festival officially kicked off this evening with an eventful opening ceremony at the Berlinale Palast theater in the German capital. 

The build-up to the 74th Berlin Film Festival (Feb 15 – Feb 25) has been highly politicised and the international jury press conference this morning was no different.

Ellise Shafer During a press conference on Thursday, Berlinale jury president Lupita Nyong’o responded to the festival inviting and then disinviting politicians from far-right group AfD to its opening ceremony. “I’m a foreigner here. I don’t know the ins and outs of the political situation here,” Nyong’o said in response to a question asking if she would have attended the ceremony had the politicians still been invited.

Will Tizard Contributor Producer Pierre-Olivier Bardet has become a hero to filmmakers who rock the boat – feature and documentary revolutionaries who work in ways that he says are “completely unique,” as he puts it: Albert Serra, Frederick Wiseman, Wang Bing and Alexandr Sokurov. And it’s hard to imagine anyone else who would have agreed to produce an English version of Mozart’s “The Magic Flute,” directed by Kenneth Branagh (after Francis Ford Coppola and several luminaries declined the project), set in World War I.

John Hopewell Chief International Correspondent Spain’s status as Cannes’ Marché du Film’s Country of Honor is a “milestone,” says María Peña, CEO of ICEX Spain Trade & Investment. But it’s also a mark of recognition, she says, after Spain’s big wins just this year at the Berlinale (three prizes for Estibaliz Urresola’s “20,000 Species of Bees”) and France’s Cesars (foreign film win for “The Beasts” and actor trophy to Benoît Magimel for Albert Serra’s “Pacification” and cinematography for its DP, Artur Tort). Peña also points to April’s MipTV, where Rafael Cobos’ “The Left Handed Son,” from Movistar Plus+, won Canneseries’ Short Format Competition, and “The Caravan,” produced by Barcelona’s Caravan Films, the first MipDoc International Buyers Screenings honors.

Peter Debruge Chief Film Critic They instructed her no one must turn their back to the king, but she did so anyway. They warned that she was not to look Louis XV directly in the eyes, lest others take it as “an invitation,” but she ignored Versailles’ advisers on this point as well, defiantly meeting the king’s gaze. Jeanne Bécu was not the type of woman to do as she was told. In this respect, divisive French actor-director Maïwenn can relate, casting herself as the courtesan-turned-comtess in “Jeanne du Barry,” a sensitive and surprisingly low-key portrait of the French monarch’s last mistress. That Maïwenn saw fit to engage tabloid-embattled Johnny Depp as “her king” is just one of the many hurdles she set for herself — but then, no one embarks on such a project with the intention of pleasing her critics.

Callum McLennan Recently, there has been a consistent tide of well crafted and highly regarded films coming out of Spain. “Alcarràs,” “The Beasts,” “Lullaby,” “La Maternal,” “Prison 77,” to name just the five that the Spanish Academy Goyas singled out in early February.  This level of quality, over a short period, is getting noticed internationally. Last week the Glasgow Film Festival, Scotland’s largest, shone a light on eight films in its Viva el Cine Español program. A cultural moment is a strange beast, hard to fathom, but there are strong signals that Spanish Film is having one.   In addition to the aforementioned five, Glasgow added Andrea Bagney’s debut “Ramona,” “Wild Flowers,” from Jaime Rosales, another debut with Elena López Riera’s “The Water,” and a Penelope Cruz starrer, in Juan Diego Botto’s “On The Fringe.” 

Elsa Keslassy International Correspondent Cannes’ Marché du Film has named Spain its Country of Honor for the upcoming 2023 edition which will take place May 16-24 during the 76th edition of the Festival de Cannes. The Marché du Film will work with ICEX Spain Trade & Investment and ICAA – Institute of Cinematography & Audiovisual Arts to showcase Spanish talent and content, ranging from cinema to documentary, animation and extended reality. Spain follows India which became Cannes’ first official Country of Honor in 2022. The industry event launched the initiative last year to spotlight and celebrate different nations at each market edition. Spain’s cinema sector has been having a banner 2023. Last month, Estibaliz Urresola Solaguren’s debut feature “20,000 Species of Bees” won three awards at the Berlinale, while Albert Serra’s “Pacifiction” won two Cesar awards, and Rodrigo Sorogoyen’s “The Beasts” won the Cesar award for best foreign film. Recent successes last year also include Carla Simón’s “Alcarràs” which won last year’s Golden Bear at the Berlin Film Festival and Alberto Mielgo’s “The Windshield Wiper” which won best animated short film at The Academy Awards).

Refresh for latest… The 48th edition of France’s César Awards, the country’s equivalent to the Oscars or the UK’s BAFTA, is unfolding at Paris’s historic Olympia concert hall this evening.

Louis Garrel’s The Innocent has taken a surprise lead in the nominations for the 48th César Awards, which were announced on Wednesday ahead of the ceremony at Olympia concert hall in Paris on February 24.

Dominik Moll’s The Night of The 12th has won best film at the 28th edition of France’s Lumière Awards in Paris on Monday evening.

Albert Serra‘s “Pacifiction” made a splash at its world premiere at the Cannes Film Festival last May. But after Cahiers du Cinéma crowned the film as their top one of 2022 last month, “Pacifiction” became a must-see film for American audiences.

Dominik Moll’s The Night of The 12th, which world premiered in Cannes in May, has topped the nominations for the 28th edition of France’s Lumière Awards.

Rebecca Rubin Film and Media ReporterNew movies from directors Claire Denis, Park Chan-wook, Ruben Östlund, Kelly Reichardt and Paul Schrader will play at the 60th New York Film Festival, which is running from Sept. 30 through Oct.

The 60th New York Film Festival unveiled its main slate from established and upcoming directors with Cannes’ Palme d’Or-winner Triangle of Sadness by Ruben Östlund, Claire Denis’s Stars at Noon (tied for Cannes Grand Prize), Park Chan-wook’s Decision to Leave (Cannes Best Director), and Charlotte Wells’ debut feature Aftersun (Cannes’ French Touch Jury Prize).

MIDNIGHT MADNESSWeird: The Al Yankovic Story – Eric Appel | USAWorld PremiereThe Blackening – Tim Story | USAWorld PremierePearl – Ti West | USANorth American PremiereThe People’s Joker – Vera Drew | USAWorld PremiereProject Wolf Hunting – Kim Hongsun | South KoreaWorld PremiereSick – John Hyams | USAWorld PremiereSisu – Jalmari Helander | FinlandWorld PremiereVenus – Jaume Balagueró | SpainWorld PremiereV/H/S 99 – Flying Lotus, Johannes Roberts, Maggie Levin, Tyler MacIntyre, Vanessa & Joseph Winter | USAWorld PremiereLeonor Will Never Die – Martika Ramirez Escobar | PhilippinesCanadian PremiereWAVELENGTHSFeaturesConcrete Valley – Antoine Bourges | Canada World PremiereDe Humani Corporis Fabrica – Véréna Paravel, Lucien Castaing-Taylor | France, SwitzerlandNorth American PremiereDry Ground Burning (Mato Seco em Chamas) – Joana Pimenta, Adirley Queirós | Portugal, BrazilNorth American PremiereHorse Opera – Moyra Davey | USAFestival PremierePacifiction – Albert Serra | France, Spain, Germany, PortugalNorth American PremiereQueens of the Qing Dynasty – Ashley McKenzie | Canada North American PremiereUnrest (Unrueh) – Cyril Schäublin | SwitzerlandNorth American PremiereWill-o’-the-Wisp (Fogo-Fátuo) – João Pedro Rodrigues | Portugal, FranceNorth American PremiereShortsAfter Work – Céline Condorelli, Ben Rivers | United KingdomNorth American PremiereBigger on the Inside – Angelo Madsen Minax | USAWorld PremiereEVENTIDE – Sharon Lockhart | USAWorld PremiereF1ghting Looks Different 2 Me Now – Fox Maxy | Mesa Grande Reservation/USAFestival PremiereFata Morgana – Tacita Dean | United Kingdom, USAFestival PremiereHors-titre – Wiame Haddad | FranceNorth American PremiereI Thought the World of You – Kurt Walker | Canada North

John Hopewell Chief International CorrespondentFernando Franco’s coming of age drama “The Rite of Spring” and Mikel Gurrea’s rural drama “Suro” will vie for the top Golden Seashell at September’s 70th San Sebastian Festival, the highest-profile film event in the Spanish-speaking world. Also making the cut are Jaime Rosales’s female emancipation tale “Wild Flowers” and Pilar Palomero’s teen motherhood story “La Maternal.”The four titles form part of a Spanish film line-up which looks to be “the strongest Spanish movie presence at San Sebastian in the 11 years I’ve been directing the festival,” San Sebastian director José Luis Rebordinos said on Friday.One or two more Spanish films could still be added to the selection, including one more in New Directors, he went on. Galvanizing the selection is new talent.

Leo Barraclough International Features EditorThe 39th edition of the Munich Film Festival, which runs June 23-July 2, will screen 120 films from 52 countries, including 35 world premieres, such as “Paloma” by Marcelo Gomes, one of several films in the festival that tackles the subject of trans identities.The three international competition sections will feature numerous highlights from the Cannes Film Festival, including “Corsage,” which opens the event. Vicky Krieps was honored in Cannes with the best actress award in the Un Certain Regard section for her performance as Empress Elisabeth of Austria, also known as “Sissi.” Four films come to Munich fresh from Cannes’ main competition: “Leila’s Brothers” by Iranian director Saeed Roustayi, about a family’s struggle for survival in an Iran economically weakened by Western sanctions and consumed by corruption; “Pacifiction” by Albert Serra, in which Benoît Magimel excels as a conflicted police commissioner; “The Eight Mountains,” directed by Charlotte Vandermeersch and Felix van Groeningen, a touching adaptation of Paolo Cognetti’s novel about a friendship forged in the spectacular natural environment of the Western Alps; and Hirokazu Kore-eda returns with “Broker,” which received the award for best acting performance in Cannes for Song Kang-ho.

Manori Ravindran International EditorCannes competition title “Pacifiction,” from “Liberté” director Albert Serra, has been acquired for the U.S. by specialty distributors Grasshopper Film and Gratitude Films.Serra won the Un Certain Regard section’s Special Jury Prize in 2019 for “Liberté” and cracked the festival’s official selection this year with “Pacifiction.”The film is set on the French Polynesian island of Tahiti, and centers on the High Commissioner of the Republic and French government official, whose role brings him to navigate both the high-end “establishment” and shady venues where he mingles with the locals.

Guy Lodge Film CriticIt was Paul Gauguin, France’s most celebrated Polynesian tourist, who once wrote of “learning to know the silence of a Tahitian night.” It’s a void, he wrote, in which other senses and sensory awarenesses are heightened, amplifying his sense of loneliness and separation from others: “The inhabitants of the district and I mutually watched each other, and the distance remained the same.” Gauguin isn’t mentioned in “Pacifiction,” Albert Serra’s languorous, meandering tour of modern-day Tahiti, though those words echo through its survey of the island’s distanced, distracted residents — even if the nights here aren’t as silent as the artist might remember, disrupted as they are with tinny discotheque beats, darkened trysts and the hovering, unidentified threat of nuclear warfare. The first film by cultish Catalan provocateur Serra to crack Cannes’s competition lineup, “Pacifiction” is an unhurried, 164-minute tropical tour that is sort of about nothing and everything at once.

Catalan artist and director Albert Serra (The Death Of Louis XIV, Liberte) returns to Cannes Film Festival Official Competition with a rarity for him, a contemporary feature film, not what we have come to expect from this filmmaker who usually works in period pieces. And even though he is not French he has made a fascinating movie all in French and set in the colorful French Polynesia island of Tahiti.

John Hopewell Chief International CorrespondentIn February, Carla Simon’s “Alcarràs” walked off with Spain’s first Berlin Golden Bear in nearly 40 years as Spain notched up its biggest main competition presence at the Berlinale since 1997.This May, Spain has four movies selected for Cannes – Albert Serra’s Competition entry “Pacifiction”; Rodrigo Sorogoyen’s “The Beasts,” in Premiere; Elena López Riera’s Directors’ Fortnight bow “The Water”; and José Luis López Linares’ “Goya, Carrière and the Ghost of Buñuel,” a Cannes Classics doc feature. That reps a Cannes presence roughly on par with recent standout years such as 2018 and 2019.With Netflix launching “Through My Window” in February, three of the streaming giant’s five most-watched non-English language movies are from Spain.

Emiliano De Pablos Spain’s Cannes presence this year offers testimony to its developing co-production scene, as well as economic concerns driving the search for international partners and the ambitions of a highly cosmopolitan generation of cineastes that is driving art cinema production in Spain.Four Spanish features have made this year’s Cannes cut: Albert Serra’s competition entry “Pacifiction”; Rodrigo Sorogoyen’s “The Beasts,” in Premiere; José Luis López Linares’ Cannes Classics title “Goya, Carriere and the Ghost of Buñuel”; and Directors’ Fortnight contender “El Agua,” by Elena López Riera.All four are international co-productions. Also at Cannes, a Spanish Producers Network showcase, backed by ICEX Trade and Investment and ICAA Film Institute, will highlight eight potential overseas co-production projects.

Emilio Mayorga “Alcarràs,” from Catalonia’s Carla Simón, won Berlin’s top Golden Bear in February. “One Year, One Night,” from Catalan Isaki Lacuesta, also played in main competition.