City Tehran Showbiz Latest News and Updates

SAG-AFTRA has revealed more thinking behind its interim agreements, with leadership saying the initiative is “designed to undermine the production slates and timing of the AMPTP companies and ensure that they come back to the table”.

The beloved family western drama, “When Calls the Heart,” is set to ride on despite the ongoing strike, thanks to an interim agreement from SAG-AFTRA.

SAG-AFTRA, which launched a strike against Hollywood studios on July 14, launched its interim agreements program that allows independent productions with no direct ties to members of the Alliance of Motion Picture and Television Producers to continue filming.

The Gray House, a Civil War spy drama series that is being produced by Kevin Costner and Morgan Freeman, is the latest high-profile project to land an interim agreement from SAG-AFTRA.

When Calls The Heart, the long-running family western drama from Hallmark Media, is set to continue filming after being awarded an interim agreement by SAG-AFTRA.

SAG-AFTRA has granted more waivers in recent days that give permission to indie projects to shoot during the current strike, including the independent film The Summer Book starring Glenn Close. Other recent projects that will be allowed to shoot include the TV series Underdeveloped and Sight Unseen.

Naman Ramachandran Ali Ahmadzadeh, director of Locarno competition title “Critical Zone,” is under threat from Iran’s ministry of security. The film, shot without Iranian authorities’ permission before the “Woman, Life, Freedom” revolution in Iran, is billed as an artistic reflection on the anger and the rage of the young generation of Iranians. “Guided by the voice of his GPS, Amir navigates the underworld districts of Tehran to comfort the troubled souls of the night,” reads the film’s description in the Locarno program. “Instead of actors, I worked with real people. In most situations, we had to hide the camera or find complicated tricks to work around the limitations. Making this film was a big rebellion. Showing it means an even bigger victory for us,” Ahmadzadeh said in his director’s statement.

Following SAG-AFTRA’s clearance of AppleTV+’s Israeli spy series Tehran and New Line’s horror movie Watchers –prolific projects from AMPTP studios that the guild remains in talks with– in their interim agreement process, some producers and filmmakers in town have been miffed.

Tehran, the Israeli spy thriller that airs globally on Apple TV+, has become one of the most high-profile TV series to land a SAG-AFTRA interim agreement.

K.J. Yossman “Reginald the Vampire” producer December Films has inked a first-look deal with Cineflix Studios (“Tehran”). The first project to come out of the deal is a new ten-part series, “Carpe Demon” from showrunner Emily Andras (“Wynonna Earp”). Based on the Julie Kenner novels of the same name, the series about a demon hunting suburban mom is in development for Paramount+ Canada. Canada and LA-based December Films launched in 2020, founded by Julie DiCresce and Todd Berger. The company has numerous series in productions and is in post on feature “Out Come the Wolves” for IFC Films, Altitude Films and Level Film and rom-com “Bootcamp.”

Amber Dowling In 1998, Glen Salzman and Katherine Buck launched Montreal-based Cineflix Media with one of its first series, “Dogs with Jobs.” Unable to secure Canadian financing, they pitched the series at the Banff World Media Festival to international broadcasters during a market simulation session. From there, the company produced five seasons of the factual series, which continues to sell internationally. More impressively, it was the beginning of Cineflix growing from a company with three factual shows into one of Canada’s largest independent producers, with creative, production and distribution arms in Montreal, Toronto, New York, London and Dublin.

Amber Dowling In 1998, Glen Salzman and Katherine Buck launched Montreal-based Cineflix Media with one of its first series, “Dogs with Jobs.” Unable to secure Canadian financing, they pitched the series at the Banff World Media Festival to international broadcasters during a market simulation session. From there, the company produced five seasons of the factual series, which continues to sell internationally. More impressively, it was the beginning of Cineflix growing from a company with three factual shows into one of Canada’s largest independent producers, with creative, production and distribution arms in Montreal, Toronto, New York, London and Dublin.

A behind-closed-doors trial is being held in Tehran for an Iranian journalist on charges resulting from her coverage of Mahsa Amini, whose 2022 death in custody by Iran’s morality police sparked months of protest.

EXCLUSIVE: Avital Onn-Shachar, who oversaw legal and business affairs for series such as Apple’s Suspicion and HBO’s Our Boys, is leaving Keshet International to establish her own venture.

Nick Vivarelli International Correspondent This year at Cannes Iran being repped by just one film, the timely underground drama “Terrestrial Verses,” co-directed by Canada-based Alireza Khatami and Iran-based Ali Asgari, premiering in Un Certain Regard. Shot in Tehran after the Mahsa Amini movement started, “Verses” consists of 12 tableaus depicting the increasingly absurd and tragic plight that Iranians face in their everyday life with a scathingly ironic deadpan tone. Variety spoke to the directors about how they teamed up and decided to capture the zeitgeist in turbulent Tehran. How did the project germinate?

Nick Vivarelli International Correspondent German producer Silvana Santamaria has come on board as a lead producer on “The Witness,” the new Tehran-set project reuniting Jafar Panahi and Nader Saeivar that Arthood entertainment is selling in Cannes. Saeivar will direct “The Witness.” Saeivar wrote “3 Faces,” the Panahi-directed drama that premiered in 2018 in Cannes where it won the award for best screenplay. Panahi, who is one of Iran’s most prominent auteurs, was recently released from Tehran’s Evin prison after being incarcerated for “propaganda against the system.” He is expected to work very closely with Saeivar on “The Witness” shoot and be on set every day, as he did for Saeivar’s previous films “No End” and “Namo,” according to Santamaria. Panahi will also serve as editor on this previously announced film that is expected to start shooting soon.

The winds of change are sweeping Iran as the ‘Woman Life Freedom’ protests, provoked by the killing of 22-year-old  Mahsa Amini last September, continue. Here, four Iranian disruptors talk about their struggles, their acts of solidarity for the pro-democracy movement, and their hopes for the future of their country.

Ukraine war and the momentous burst of rebellion against the Iranian regime prompted by the death of Mahsa Amini are reverberating profoundly at the Cannes Film Festival. At the festival’s opening ceremony on Tuesday night, legendary French actress Catherine Deneuve paid tribute to the war’s victims by reciting a poem from Ukrainian poet Lessia Oukraïnka, solemnly declaring: “I no longer have either happiness or freedom, only one hope remains to me: to return one day to my beautiful Ukraine.” One year ago, Cannes got off to an emotional start with remarks from Ukrainian President Volodymyr Zelenskyy.

Iranian director Ali Abbasi has responded to Russia’s unexplained ban of his serial killer thriller Holy Spider just days after its theatrical release.

The staff of Los Angeles Times won a Pulitzer Prize on Monday for its stories that uncovered recordings in which City Council members made racist remarks.

The Amsterdam-based International Coalition for Filmmakers at Risk (ICFR) has called on Iran to lift a travel ban on director Mohammad Rasoulof.

Manori Ravindran Executive Editor of International A long-anticipated adaptation of the 2003 bestselling novel “Reading Lolita in Tehran” by Azar Nafisi is hitting the Marché du Film at Cannes this month. Directed by award-winning director Eran Riklis (“Lemon Tree”) and written by Marjorie David, the film stars an ensemble cast led by Golshifteh Farahani (“Pirates of the Caribbean”), Zar Amir-Ebrahimi (“Holy Spider”) and Mina Kavani (“Red Rose”). Set in post-revolution Iran as extremism took hold, Nafisi’s book tells the autobiographical story of a fearless teacher who secretly gathered seven of her female students to read forbidden Western classics.

Iranian-American writer Azar Nafisi’s classic memoir Reading Lolita in Tehran has been adapted for the big screen with an ensemble cast led by actors Golshifteh Farahani (Paterson) and Zar Amir-Ebrahimi (Holy Spider).

Nick Vivarelli International Correspondent Dissident Iranian director Mohammad Rasoulof has been banned from leaving Iran to serve as a member of the Cannes Film Festival’s Un Certain Regard jury, according to a report. News of the travel ban for the director who was recently released from Tehran’s Evin prison after being arrested last July for criticizing the government on social media, has been reported by the Farsi-language news service of Radio France Internationale (RFI). The report said Rasoulof had been asked to be a member of the Un Certain Regard jury but has been forced to decline. The Cannes Film Festival did not immediately respond to a request for comment.

Dissident Iranian filmmaker Mohammad Rasoulof has confirmed that he was unable to accept an invitation from the Cannes Film Festival to participate in its Un Certain Regard jury after being barred from leaving Iran.

Naman Ramachandran Indian media and entertainment company IN10 Media Network has launched its film division, MovieVerse Studios. The film studio aims to “produce fresh and engaging content in Hindi and regional languages that connect with theatre-going audiences and those on streaming platforms,” the studio said in a statement. The studio has revealed a diverse slate across genres. These include an action survival rescue drama based on a true story in partnership with Bake My Cake Films, helmed by Sandeep Leyzell and Shobhna Yadav, which has hit films like “Batla House,” “Dasvi” and the upcoming “Tehran” to its credit. It will be directed by Umang Vyas (“Ventilator,” “Dear Father”).

Addie Morfoot Contributor “Seven Winters in Tehran,” about a 19-year-old Iranian woman sentenced to death for killing the man who tried to rape her, will open the 34th annual Human Rights Watch Film Festival on May 31 in New York City.The festival, co-presented by the Film Society of Lincoln Center and the IFC Center, will feature 10 documentaries about humanitarian challenges around the world. This year’s edition spotlights themes and topics including the Ukraine conflict (“When Spring Came to Bucha”), climate gentrification and justice (“Razing Liberty Square”), women’s rights (“Draw Me Egypt”) transgender rights (“Into My Name”) freedom of the press (“The Etilaat Roz”) and access to health care in the United States (“Pay or Die”).“From the war in Ukraine to women’s rights and bodily autonomy, to environmental gentrification and freedom of the press, these films span some of the most pressing human rights issues of our time,” says John Biaggi, director of the Human Rights Watch Film Festival.

Nick Vivarelli International Correspondent Dissident Iranian director Jafar Panahi’s travel ban has suddenly been lifted after 14 years, allowing the acclaimed auteur and his wife Tahereh Saeedi to reportedly leave Iran for an undisclosed location. Saeedi on Tuesday night posted a picture on Instagram showing her arriving with her husband at an undisclosed airport. It is captioned: “After 14 years, Jafar’s ban was cancelled and finally we are going to travel together for a few days…” Panahi, 62, was temporarily released from prison last month after going on a hunger strike to protest “the illegal and inhumane behavior” of Iran’s judiciary. He was out on bail.

Dissident Iranian director Jafar Panahi is reported to have left Iran for the first time in 14 years following the lifting of a travel ban imposed on him in 2009.