City Sandman Showbiz Latest News and Updates

Karen Idelson When Variety’s annual Entertainment & Technology Summit presented by City National Bank returns Sept. 15 at 1 Hotel in West Hollywood, creatives, executives and everyone in between will be looking for ways to use the latest technologies to tell the kinds of stories that hook audiences and keep them coming back to their chosen platform for more. Whether that means finding ways to use cutting-edge devices such as NFTs or even a more traditional theatrical release, events seem to be evolving at the speed of light. Writer and producer David Goyer, who will speak at the Producers in the Zeitgeist — Creating Across Platforms panel has had hits across the media landscape from the film “Blade” to the “Sandman” series. His experiences give him a particularly broad view of how creators can use new and existing media for their content.

Todd Spangler NY Digital Editor The dojos have mojo: “Cobra Kai” Season 5, the latest installment in the popular “Karate Kid” sequel TV series on Netflix, currently has a perfect 100% critics score on Rotten Tomatoes. All 10 episodes of the fifth season, which stars Ralph Macchio and William Zabka (reprising their roles from the original “Karate Kid” movies), were binge-released Sept. 9 on Netflix. As of Friday, “Cobra Kai” Season 5 registered a 100% Tomatometer score, based on Rotten Tomatoes’ aggregation of 37 reviews. Season 1 of “Cobra Kai” also has a 100% critics score on the site, while seasons 2 and 3 have a 90% critics score and S4 clocks in at 95%. By comparison, many other recent TV premieres have Tomatometer scores in the 80s. Those include Disney+’s “She-Hulk: Attorney at Law” (88%); Netflix’s “The Sandman” (87%); FX/Hulu’s “The Patient” (86%); HBO’s “House of the Dragon” (85%); and Prime Video’s “The Lord of the Rings: The Rings of Power” (84%).

EXCLUSIVE: Apple TV+’s The Morning Show has booked another high-profile cast addition for Season 3. Stephen Fry (The Sandman, The Dropout) is set for a major recurring role alongside new series regulars Nicole Beharie and Jon Hamm. as well as fellow new recurring player Tig Notaro and Julianna Margulies, who signed a deal to reprise her Season 2 recurring role.

BreAnna Bell “Stranger Things” has been dethroned from Nielsen’s No. 1 spot. During the Aug. 8-Aug. 14 viewing window, Netflix’s “The Sandman” was the show to finally overthrow “Stranger Things,” racking up 1.4 billion minutes watched. And after “Uncharted” took fifth place in three days of availability on Netflix last week, the Tom Holland-led film was viewed for 1.2 billion minutes in its first full week. “Stranger Things” was bumped to No. 3 on the chart with 1.1 billion minutes watched, ending a nearly three month run at No. 1 (with a brief intermission at No. 2 after the debut of “The Umbrella Academy Season 3).

Ending a stretch of almost three months when Stranger Things was No. 1 or No. 2, The Sandman knocked it down to third place for the week of August 8 to 14. Nielsen said the fantasy drama series won the week with almost 1.4 billion minutes of viewing.

The success of monster hits such as Squid Game, Netflix’s most popular series ever, as well as Money Heist, All of Us Are Dead, Elite and Lupin, has proven that there is no language barrier for non-English-language series to become global phenoms.

Selome Hailu “Echoes” was watched for 36.6 million hours in its second full week of availability on Netflix, per the streamer’s weekly Top 10 rankings. This is the limited series’ second time landing in the No. 1 spot, though viewership during the Aug. 29-Sept. 4 window dropped from last week’s 68.5 million hours. “Devil in Ohio” debuted at No. 2 with 35.4 million hours watched in its first 3 days of availability. The limited series is created by Daria Polatin based on her novel of the same name and stars Emily Deschanel as hospital psychiatrist Dr. Suzanne Mathis as she shelters a mysterious cult escapee whose arrival threatens to tear her own family apart.

Filming has been taking place in Bolton town centre this week ahead of a new Netflix crime thriller series set to air next year on the streaming platform. Crews have been seen shooting scenes for Bodies, an adaptation of a graphic novel by Si Spencer.

Wendell & Wild.Directed by filmmaker Henry Selick, and written by Selick and Jordan Peele, Wendell & Wild followsscheming demon brothers Wendell (Keegan-Michael Key) and Wild (Peele), who enlist the aid of Kat Elliot (Lyric Ross) -- a tough teen with a load of guilt -- to summon them to the Land of the Living. But what Kat demands in return leads to a brilliantly bizarre and comedic adventure like no other.The animated fantasy defies the law of life and death, all told through the handmade artistry of stop motion.Angela Bassett, James Hong, Tamara Smart, Natalie Martinez, Tantoo Cardinal, Gabrielle Dennis, Igal Naor, David Harewood, Maxine Peake, Ramona Young, Sam Zelaya, Seema Virdi, Gary Gatewood and Ving Rhames also star in the film.Wendell & Wild is one of several titles coming to spook Netflix viewers this year, along with Mike Flanagan's new series The Midnight Club, season two of , the previously teased and more. Wendell & Wild premieres Oct.

Debbie Rowe breaks down in tears as she discusses her ex-husband Michael Jackson’s drug addiction in a candid new documentary.

BreAnna Bell During the Aug. 1 – Aug. 7 viewing window, Disney’s “Lightyear” soared to the No. 3 place on the Nielsen streaming programs chart, raking in 1.3 billion minutes viewed after its premiere on Disney+. The “Toy Story” spinoff scored No. 1 on the movies list, leading Netflix’s “Uncharted,” which premiered on Aug. 5 to 1 billion minutes watched. “The Sandman” broke into Nielsen’s Top 10 streaming rankings following its Aug. 5 release date at No. 4. In its first three days of availability, the fantasy drama based on Neil Gaiman’s comic book series, recorded 1.02 billion minutes viewed. The show followed the platform’s traditional playbook and released 10 episodes on its original release date, as well as a surprise bonus episode two weeks later on Aug. 19.

“Stranger Things” has once again taken back the crown for the Nielsen Streaming Top 10, overtaking “Virgin River” during the week of Aug. 1 through 7. In the No.

With five titles surpassing 1 billion minutes of streaming, the week of August 1 to 7 found a familiar champion on the Nielsen streaming chart: Stranger Things.

Echoes, a mystery limited series from up-and-coming Australian TV creator Vanessa Gazy has surged in viewing in its first full week of release. Launching with little fanfare, the series, starring Michelle Monaghan and executive produced by 13 Reasons Why‘s Brian Yorkey, logged 68.5M hours viewed during the week of Aug. 22 jumping from #5 last week to #2 in Netflix’s weekly Top 10 for English-language series. It pushed The Sandman (53.8M) to #2 in its fourth week after a three-week reign at #1.

Selome Hailu The Michelle Monaghan vehicle “Echoes” was the most-viewed title on Netflix during the Aug. 22-28 viewing window, its first full week of availability after premiering on Aug. 19. With 68.5 million hours watched, the limited series passed Neil Gaiman’s “The Sandman,” which was watched for 53.8 million hours in the same period and had held the No. 1 position on the English-language series chart for the three weeks prior. “Me Time,” the comedy film starring Kevin Hart and Mark Wahlberg, debuted as the second-most-watched title of the week and the No. 1 movie. Racking up 59.2 million hours watched in its first three days of availability on the streamer, “Me Time” follows Sonny (Hart) as he reconnects with his best friend Huck (Wahlberg) for a wild weekend while his wife (Regina Hall) and kids are away.

The road to a filmed adaptation of Neil Gaiman's comic series The Sandman, first published in 1989, finally came to an end with a Netflix series that premiered this month. With a timeline like that, there's bound to be at least one or two surprising pitches for the show that never came to fruition, and Gaiman revealed one on a recent episode of Josh Horowitz’s podcast Happy Sad Confused.

Ethan Shanfeld In 1996, Michael Jackson paraded the globe with the HIStory World Tour, playing 82 shows for over 4.5 million fans. But that same year, the King of Pop apparently had his sights set on an entirely different gig: playing Morpheus in a television adaptation of Neil Gaiman’s “The Sandman.” “By 1996, I was being taken to Warners, where the then-president of Warner Bros sat me down and told me that Michael Jackson had phoned him the day before and asked him if he could star as Morpheus in ‘The Sandman,’” Gaiman said on Josh Horowitz’s “Happy Sad Confused” podcast. “So, there was a lot of interest in this, and they knew that it was one of the Crown Jewels, and what did I think? And I was like, ‘Ooh.’”

The Sandman creator Neil Gaiman has revealed Michael Jackson had wanted to be cast as Morpheus.Gaiman discussed the early iterations of the Netflix project in the 1990s, adapting his comic book series which ran from 1989 to 1996.In an interview on the Happy Sad Confused podcast, Gaiman said: “By 1996, I was being taken to Warners, where the then-president of Warner Bros sat me down and told me that Michael Jackson had phoned him the day before and asked him if he could star as Morpheus in The Sandman.He continued: “So, there was a lot of interest in this and they knew that it was one of the Crown Jewels and what did I think? And I was like, ‘Ooh.’”In the Netflix adaptation recently released, Tom Sturridge plays Morpheus.

Author and comic book writer Neil Gaiman has been making quite an impact on television in recent years with his series “American Gods,” “Good Omens,” “Lucifer,” and the newly released “The Sandman” on Netflix.

Zac Brown Band is taking a stand against unacceptable behaviour from concertgoers attending their shows. 

Available Aug. 5The fantasy drama series “The Sandman” — based on the graphic novel by Neil Gaiman — centers on the legendary figure Morpheus, the King of Dreams, who must set sail to regain his power. As one of The Endless, Morpheus is immortal, but must follow several rules as he oversees the dreaming part of humanity.

three-decade-long journey to get made, Gaiman said in a recent appearance on the “Happy Sad Confused” podcast that top brass at Warner Bros. told him of the King of Pop’s interest in the part. “By 1996, I was being taken to Warners, where the then-president of Warner Bros.

Neil Gaiman is revealing secrets behind the long process to adapt the “The Sandman” comics for Hollywood.

EXCLUSIVE: Netflix has opted not to order a second season of Resident Evil, its action horror series loosely based on the popular video game franchise. The news, which comes a month and a half after the series’ July 14 release, is not entirely surprising as the drama did not have a particularly strong showing on Netflix’s Top 10 and cost vs. viewing is the streamer’s leading renewal criterion.

After floundering in development hell for many years, Neil Gaiman’s “The Sandman” is finally a TV series, thanks to Netflix. And the critical consensus of the show is, well, pretty good? It may be almost too faithful an adaptation, but for those who love the comic, it’s a great take on a project many thought unfilmable.

Sandman movie, describing it as the “worst script I’ve ever read”.The author, known for his comic book series The Sandman, discussed a script he was sent by producer Jon Peters (Wild Wild West, A Star Is Born) for a potential movie adaptation in an interview with Rolling Stone.“I haven’t read that whole script, [but] I’ve read as much of the script as I could take,” Gaiman said. “And I’m not sure if it would’ve been an action movie or quite what it would’ve been. It was a mess.

Neil Gaiman has a confession. He played a big part in killing a movie adaptation of his classic graphic novel series, The Sandman.

Ethan Shanfeld This year, Neil Gaiman’s comic book series “The Sandman” was finally adapted on screen in Netflix’s popular television series. But this is far from the first time that Hollywood tried to put the sprawling fantasy world to film. In fact, Gaiman declined several movie offers for “The Sandman” throughout the last three decades, but the author recently revealed that he went as far as to sabotage an idea from “Wild Wild West” and “A Star Is Born” producer Jon Peters by leaking the script to the press. “It was the worst script that I’ve ever read by anybody,” Gaiman said in an interview with Rolling Stone.

Extraordinary Attorney Woo wrapped up its first season by becoming the most-watched title on Netflix of the past week.According to data shared by the streaming platform, Extraordinary Attorney Woo was the most viewed non-English show for the week of August 15 to 21, logging 77.4million hours viewed. This marks the K-drama’s seventh week on the list and its fourth consecutive week at the top spot.This made the K-drama, which is about a brilliant lawyer on the autism spectrum, the most watched show on the platform for that week, pipping The Sandman, which was the most-watched English show with 77.2million hours viewed.Other K-dramas on the list include A Model Family, which is ranked third on the non-English list after logging 19.7million hours viewed; and Alchemy of Souls, which ranked fifth after logging 18million hours viewed.The final episodes of Extraordinary Attorney Woo‘s first season aired last week.