A honky-tonk romance! Luke Combs has a forever fan in his wife, Nicole Combs (née Hocking) — and it’s been documented in the country artist’s songs.
24.01.2023 - 00:09 / theplaylist.net
Brendon (Algee Smith) isn’t a bad kid. An aspiring artist living in Los Angeles, in his last month of high school, the pressures of his daily life, however, are beginning to overwhelm him.
His mother, Janice (Sanaa Lathan), is not only working long hours to support the family, but she’s also with his loafing stepdad drug dealer (Mike Epps). Meanwhile, her precocious little sister and brother are mostly cared for by him.
Continue reading ‘Young. Wild.
A honky-tonk romance! Luke Combs has a forever fan in his wife, Nicole Combs (née Hocking) — and it’s been documented in the country artist’s songs.
The Scottish Government has been forced to fund a "personal fire service" for a massive apartment complex in Glasgow after developers failed to make improvements in the wake of the Grenfell Tower disaster.
Ready for the ton’s next romance? While season 3 of Bridgerton is premiering soon, viewers can’t help but speculate about what is in store for season 4.
Lady in red! Pamela Anderson looked radiant at the red carpet premiere of her new Netflix documentary, Pamela: A Love Story.
It’s challenging and/or impossible to speak about Chilean art and disassociate it from Chilean politics— the two are forever tragically intertwined, bonded together by trauma in a way that few modern countries have experienced. Because Chile suffered a collective social trauma in the 1970s, the country has never recovered and still grapples with it today.
“Scrapper” starts in a dreary English flat with a child all alone but not incapable. That seems to be the M.O.
After first falling for each other half a century ago, King Charles and Queen Consort Camilla’s romance has survived painful divorce, widespread criticism and a string of scandals. Finally marrying in 2005, they proved they are meant to be together, and now command the respect and admiration from millions, both in the UK and overseas.
After growing up on a steady diet of “Law & Order: SVU,” Dianey Bermeo wanted to be like Olivia Benson, helping victims of sex crimes by bringing their assailants to justice. She gave up on that dream after police investigators in her college town failed to find the man who she said impersonated an officer and sexually assaulted her.
A memory, tinged with aching rawness, emerges in “All Dirt Roads Taste of Salt,” the feature debut by writer/director Raven Jackson. This memory briefly foretells the knotting stream of remembrances that roots our protagonist, Mack (played in these early childhood scenes by a sage Kaylee Nicole Johnson). It begins in 1970, with young Mack’s hands softly holding a fishing reel, its pole stretched across the frame.
There’s a popular song in North Korea called “Nothing to Envy.” Lines include, “Who can ever break our strength? / We are not afraid of any storm or stress” and “Our home is the bosom of the Party / We are all brothers and sisters / We envy nothing in the world.” Though they lack running water, indoor plumbing, and basic freedom of thought — to name just a few things — North Koreans are taught to believe that they genuinely have it better than any other country on earth.
In Greek mythology, it holds that for a time, gods and mortals mingled freely, creating demigods whose sole aim was to prove their worth so they might join their celestial kin. For the Greeks, the gods who ruled on mount Olympus formed the idealized version of humans—often possessing super strength to match their perfect physiques.
It’s a backhanded compliment to Sundance to see such an emotionally-stunning film as Belgian director Veerle Baetens’ When It Melts, which premiered tonight in the festival’s World Cinema Dramatic Competition, and wonder, right away, why a film of this power won’t be debuting in the official selection at Cannes this year. This is in no way to suggest that the American indie showcase is a kind of second-best place for it, more an indictment of Europe’s biggest cinema event, which routinely takes such harrowing stories of tortured and troubled women — as long as they are directed by men.