Warwick Thornton on Cate Blanchett and Finding the Perfect Young Star for His Drama ‘New Boy’

Tom Holland is very grateful for the opportunity to have starred as Peter Parker in three Spider-Man movies, but says he is open to passing on the baton to another actor.

Travel blog by Travels of Adam (Hipster Blog) – Travels of Adam (Hipster Blog) - Travel & Lifestyle Hipster Blog Father’s Day is just around the corner, and finding the perfect gift for your adventurous dad can sometimes be a challenging task. Actually, finding a gift for any type of dad can be a challenge! Personally, my dad is the traveling type. I mean, he inspired me to life a life full of travel after all! If your father is a travel enthusiast, an outdoor lover, or simply enjoys exploring new flavors and experiences, you’re in luck! That’s like most dads, hahah.

Harrison Ford has more than just acting skills.

Showing off their love. T.J. Holmes and Amy Robach were seen packing on the PDA while enjoying a Memorial Day weekend date in New York City.

Matty Healy is NOT sorry for what he’s said!

Spike Lee who scored many of his son's early films, has died. He was 94. The filmmaker confirmed the news in an Instagram post, sharing a link to his father's obituary in.

Warwick Thornton is no stranger to La Croisette. His debut feature, “Samson and Delilah,” won the Camera d’Or at the 2009 Cannes Film Festival, where his latest feature, “The New Boy,” just had its premiere.  READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch “The New Boy” never gives its protagonist, the titular New Boy, a name.

Lise Pedersen The highest award for docs-in-progress at the Cannes Film Market’s sidebar dedicated to documentary, Cannes Docs, has gone to Ya-Ting Hsu’s debut feature doc “Islands of the Winds.” Twenty years in the making, the film follows the anti-eviction struggle of the patients of Losheng Sanatorium for lepers, which became a symbol of the fight for democracy in Hsu’s native Taiwan. The prize comes with a €10,000 ($10,800) cash prize and project follow-up by IEFTA (the International Emerging Film Talent Assn.). It is produced by Hsu’s Taiwan-based Argosy Films and Media Productions, Huang Yin-Yu (Moolin Films, Ltd. & Moolin Production, Co., Ltd, Taiwan and Japan) and Baptiste Brunner (Wide Productions – La Cuisine aux Images, France).

Getting the perfect manicure for your wedding day is a big deal - think how many times your hands will be looked at and photographed. Nobody wants to look back at their snapshots from the big day and regret the nail colour they picked! Although there's plenty of pressure on picking a perfect neutral for your actual engagement, your wedding day manicure is even more special and should match the vibe of your day as well as your personal style.

Alicia Vikander was greeted with an eight-minute standing ovation at the May 21 Cannes premiere of Brazilian director Karim Aïnouz’s “Firebrand,” from a crowd that included best actress Oscar winners Michelle Yeoh and Marion Cotillard.With her husband Michael Fassbender beaming on from the row behind, Vikander motioned for the cheering audience to stop or she would cry. But then she gave into the adulation and blew kisses to the upper balconies Vikander’s co-star Jude Law and Aïnouz also got huge applause. Vikander joins a group of Cannes leading ladies including Lily Gladstone, Natalie Portman and Julianne Moore who have turned in show-stopping performances.

Aussie filmmaker Warwick Thornton joked that Cate Blanchett “elbowed” her way into his crafty sixth feature, The New Boy, as he introduced the pic at Deadline’s Cannes Studio shortly before its festival premiere.

Elizabeth Wagmeister Senior Correspondent Cate Blanchett debuted her latest acting role in “The New Boy” at the Cannes Film Festival this week, but the Oscar-winner wouldn’t mind staying behind the camera a bit more. “I’m always trying to get out of acting,” Blanchett said. “I’ve been trying to stop acting my entire professional life.” Speaking at her Kering Women in Motion talk at Cannes, in conversation with her producing partner, Coco Francini, Blanchett said that her recent producing work behind the camera “feels an extension, for me, of my work as an actor.” “I remember an Australian film director saying to me really early on in my career that I had to stop taking small roles,” Blanchett recalled. “And I said, ‘Why?’ I said, ‘That was the most interesting role.’ I didn’t want to play the lead. I want that one.”

For about half an hour or so, Warwick Thornton’s “The New Boy” could almost fool you into thinking that it’ll be a gentle, evocative and beautifully atmospheric movie about a small group of people who mean well. But then things change, and an understated film that might have quietly dealt with Australia’s original sin – the decades-long removal of indigenous children from their parents – turns complex, spiritual and surpassingly unsettling, a mixture of religion and magic that doesn’t really trust in either.It’s still beautifully composed, but it cuts that beauty with some thorny ideas and puzzling turns; it starts out beguiling, but it may end up getting under your skin.Best known for “Samson and Delilah,” which was nominated for an Oscar for Best Foreign Language Film in 2009, Warwick has largely been working in television since then, with the notable exception of 2017’s “Sweet Country,” which looked at the conflict between white settlers and Aboriginal people.

Cate Blanchett is keeping busy while attending the 2023 Cannes Film Festival.

Warwick Thornton is a master maker of images. The first frames of The New Boy – a sweep of dusty ground; a flash of a small boy on a policeman’s back, strangling him; a pre-war telegraph pole, all drenched in the searing white midday light of the desert – create a collage of inland Australia, a world of open spaces. The boy is duly pulled off of the policeman, put in a sack and delivered in the dark to a mission; a nun opens the door to receive the delivery. At that point, the gallery of Thornton’s frame becomes a series of golden brown interiors that could have come from Rembrandt, except that they are peopled with Indigenous boys – Lost Boys, as Sister Eileen (Cate Blanchett) describes them to God – and the trio of adults who look after them. 

Guy Lodge Film Critic The new boy doesn’t get a name, and he doesn’t give one. Arriving at an isolated orphanage in rural South Australia in the early 1940s, he’s taken in with brisk kindness by the two nuns who oversee the place, but privileges like names are for children a little further along in their understanding and acceptance of this establishment’s firm Christian principles: Until he’s ready for baptism, the shirtless, mostly wordless Aboriginal newcomer will be acknowledged but not identified. It’s a limbo state that evocatively represents the tension between Australia’s Indigenous population and even the most notionally inclusive of their colonizers; in Warwick Thornton’s thoughtful magical-realist fable “The New Boy,” spiritual differences aren’t treated with violence, but echo bloody territorial conflict just the same.

Just a year ago, the image of Johnny Depp smiling and waving atop the Palais steps at the Cannes Film Festival would have been unthinkable to most — including to Depp, himself.

Matt Willis' fans have been left in tears as they praised the "brave" Busted star for opening up about his addictions to alcohol and drugs in a new BBC documentary.The 40 year old, who is now five years clean and sober, has allowed cameras inside his life with his presenter wife, Emma Willis, 47, as they discussed his almost-lifelong battle with drugs and alcohol, and how it has affected them as individuals and as a couple.The documentary, named Matt Willis: Fighting Addiction, saw both Matt and Emma break down as they reflected on the past. Viewers of the show have been left emotional, as many took to Twitter to praise the couple, as they spoke of "tears" and "sobbing". One tweeted: "In absolute bits watching the documentary with @mattjwillis @EmmaWillis.

William Earl Variety has announced the initial lineup for the Kering Women in Motion talks at the Cannes Film Festival. Moderated by Variety’s Senior Correspondent Elizabeth Wagmeister, this year’s talks include some of the most important women working in cinema and offers a mix between up-and-coming talent and iconic figures such as Cate Blanchett and Michelle Yeoh. On Thursday, May 18, playwright, actor and philanthropist Jeremy O. Harris, who stars in Directors’ Fortnight premiere “The Sweet East,” will kick off the Women in Motion series to discuss female representation in his work. Following Harris’ talk, actress and director Katie Holmes will speak about her work as a director and how the industry has changed in its approach to female directors since she first began working in television.

Hard to keep track? Nick Cannon‘s attempt to individually shower the mothers of his children with love on Mother’s Day went awry.