U.K. Horror Film Festival Grimmfest Unveils Line-Up Including ‘House of Darkness,’ ‘The Loneliest Boy In The World’

Director: Aitch Alberto

Ana de Armas is a proud actress. The 2022 Venice Film Festival comes to an end tomorrow and Thursday saw the world premiere of the highly anticipated film about Marilyn Monroe’s life, Blonde. Once the movie ended, there was a 14-minute long standing ovation.According to Variety, the Cuban-Spanish actress was glowing as tears ran down her face.

Hollywood’s glory days were on full display Thursday as the cast of Blonde, with star Ana de Armas resplendent in a pink full-length gown, walked the red carpet before the film premiered in the Palazzo del Cinema at the 79th Venice Film Festival.

Brad Pitt joins Ana de Armas and the rest of the cast of Blonde on the red carpet at the film’s premiere during the 2022 Venice Film Festival Thursday (September 8).

Eugene Hernandez has been set as the next Director of the Sundance Film Festival, as well as the Sundance Institute’s Head of Public Programming. The film and media industry veteran joins the Institute as its fourth official Festival Director after spending 12 years at Film at Lincoln Center, most recently as Senior Vice President of FLC, Executive Director of the New York Film Festival and publisher of Film Comment.

Chris Pine's rep is denying a fan theory. In a statement to ET, the 42-year-old actor's rep shuts down claims that Harry Styles spit on Pine at the premiere of their flick, at the Venice Film Festival. «This is a ridiculous story… a complete fabrication and the result of an odd online illusion that is clearly deceiving and allows for foolish speculation,» Pine's rep tells ET.

Penelope Cruz turned heads in two amazing looks at the 2022 Venice Film Festival this weekend!

Nick Vivarelli International Correspondent Top international news agencies, including the Associated Press and Reuters, are up in arms against the Venice Film Festival over what they claim are restrictions to access footage of the fest’s star-studded red carpet activities and press conferences. In past years, the agencies have been able to give their clients more or less unlimited amounts of Venice footage, excluding live feeds. Upon arrival on the Lido this year, with no forewarning, agency video teams collected their red carpet accreditation on opening day and were then handed a form to sign telling them there is a 90-second limit, the groups allege. The 90-second limit is allegedly due to Italian media regulation that was always in existence, but is only being enforced this year.

Following the unveiling of its world premieres, including Guillermo del Toro’s highly-anticipated animated feature, “Pinocchio,” the 66th BFI London Film Festival (LFF) has announced its full program line-up, which will be presented in cinemas and online across the U.K. Over twelve days from October 5-16, the LFF will return to its flagship venues in the heart of London – BFI Southbank and the Southbank Centre’s Royal Festival Hall, which between them host Galas, Special Presentations, and Official Competition.

of late, from the translucent Interior NYC gown she wore to Westworld’s season four premiere to the dramatic and cycling shorts she sported on the streets of London earlier this summer.Over at Venice Film Festival, the actor has already delivered a series of stand-out moments—arriving in style in , paired with a clashing Vivienne Westwood bag and bright red gloves. This was quickly followed up with a black tulle skirt and oversized blazer by Rodarte, worn with a black bralette underneath.For her latest red-carpet appearance on Wednesday, August 31, Thompson opted for vintage—stepping out for the White Noise premiere in a sci-fi inspired look from Armani Privé’s autumn/winter 2009 couture show.

“White Noise.” She ditched her usual pantsuit look and instead donned a baby blue kaftan and shiny flats for the evening.Many were confused about why she was there, but rumors have swirled around that it was due to her connection to Netflix. The streaming giant is also at the helm of Clinton and her daughter Chelsea’s documentary, “In Her Hands.” The project will be the first from the Clintons’ new production company, HiddenLight Productions.

K.J. Yossman The BFI London Film Festival has unveiled its full lineup for the festival’s 66th edition, set to take place this October. Among the films that will be screening are “Glass Onion: A Knives Out Mystery,” #MeToo thriller “She Said,” which tells the story of how two New York Times journalists broke the Harvey Weinstein story, and “The Son,” Florian Zeller’s long-awaited follow-up to “The Father.” Among the films already announced for the festival, which runs from Oct. 5-16, are the world premieres of “Pinocchio,” from Guillermo del Toro and “Roald Dahl’s Matilda The Musical.”

Rebecca Rubin Film and Media Reporter Hanif Harji runs Figo, an Italian joint a block away from the heart of the Toronto International Film Festival. Over the years, he’s had a chance to see a lot of A-listers in their element. There was that time Bill Murray started a conga line, or the evening when Joaquin Phoenix stepped outside to take a puff of a cigarette while basking in the glow of the “Joker” premiere. But that was a long time ago. Since COVID, TIFF has operated as a shell of its former self, with either virtual editions or festivals that unspooled at limited capacity.  This year, though, the party is back. For the first time since 2019, TIFF is expected to have a full slate. For local restaurants, bars and hotels, those packed screenings and star-studded red carpets mean big business. Harji and his counterparts in Toronto are eager for the festival to return in all its loud, glittering glory. The 47th edition runs from Sept. 8-18.

Outside of Cannes, which still has big problems with showing Netflix content in-competition, most major film festivals are littered with premieres from the world’s biggest streamer. And this year, Netflix is spreading the wealth to even include the BFI London Film Festival, which is getting the honor of being the world premiere event for Guillermo del Toro’s highly-anticipated animated feature, “Pinocchio.” Today, the BFI London Film Festival announced a slate of world premieres coming to the event.

Patrick Frater Asia Bureau Chief The Busan International Film Festival will further honor its co-founder and former programmer Kim Jiseok, who died suddenly in 2017, by expanding the existing prize in his name into a fully-fledged competitive section. Previously, the Kim Jiseok Award was given to one of ten films selected from the ‘A Window on Asian Cinema’ sidebar which introduces new films from significant Asian directors, defined as those who have each made more than three films.  “Starting this year, the Kim Jiseok Award nominees have been sorted into a section of their own, namely the ‘Jiseok’ section. Also, Korean films will be included in the ‘Jiseok’ section,” Busan organizers said. “This program section aims to both reinforce the spirit and determination of [Kim], who devoted himself to the growth and support of Asian films, and direct attention to the nominated works.”

Chris Willman Senior Music Writer and Chief Music Critic The Nashville Film Festival announced the full lineup Friday for a fall gathering of filmgoers in Music City that will begin with the Brandi Carlile-produced documentary “The Return of Tanya Tucker” as the gala opening on Sept. 29 and end with director Sacha Jenkins’ “Louis Armstrong’s Black & Blues” for closing night on Oct. 5. The 53rd annual edition of the festival will take place both in-person and virtually, with a selection of more than 150 films that includes 38 full-length features, about 30 of which will be world, North American or U.S. premieres. Although the virtual component continues to be strong for the festival, its leaders note that of the 150 or so films in the festival, more than 50 will screen for audiences in Nashville venues, starting with the Tanya Tucker doc, which will be seen in the historic main auditorium of the city’s beloved Belcourt Theater, one of the original homes of the Grand Ole Opry. Other locations include the Franklin Theater in the nearby city of that name, and the TPAC Andrew Johnson Theater in downtown Nashville.

And just like that, summer is over, and the festival season is about to start. That’s right, blockbuster season is essentially over, and now it’s time for the fall film festival circuit to produce and premiere the film titles that will be vying for Oscars later this year.

EXCLUSIVE: The Points North Institute today announced recipients of three of its prestigious fellowship programs, ahead of next month’s Camden International Film Festival in Maine.

Mark Jenkin’s latest Cornish horror Enys Men and Alice Diop’s feature debut Saint Omer are among the eight titles set to compete in the Official Competition of the 66th BFI London Film Festival, running from October 5 – 16.