Sundance: MUBI Nabs ‘Passages’ for Theatrical Release

Made In Chelsea favourite Maeva D’Ascanio has urged people to not share their bad comments amid her trip abroad without her baby son. Maeva, 30, welcomed her first child with husband-to-be James Taylor, 27, in November last year, and is currently enjoying a skiing trip abroad. It’s unclear where the new parents have jetted off to, but from the looks of Maeva’s Instagram, it’s somewhere beautiful and snowy.The reality TV star – who used to date Chelsea lothario Miles Nazaire – also shared a snap of her dressed for chilly weather in a pair of leggings, snow boots and black puffer jacket which she paired with an off-white beanie.

EXCLUSIVE: For the second time this week, we can reveal a milestone performance for a Mubi film, with the update that Park Chan-wook’s Decision To Leave has become the company’s most streamed film in North America.

Ready to get “Spirited Away” again?GKIDS, the producer and distributor for some of the most exciting animation from around the world, announced that it has acquired the North American audiovisual distribution rights for “Spirited Away: Live on Stage.” The new movie was filmed during the production’s run at the historic Imperial Theatre in Tokyo, Japan in 2002. Based on Hayao Miyazaki’s Oscar-winning animated feature (one of the greatest films, live-action or animated, ever), the stage adaptation was directed by Tony Award-winner John Caird, known for his groundbreaking adaptation of “Les Misérables.”GKIDS will release two separate filmed performances of the production, starring Kanna Hashimoto and Mone Kamishiraishi, double-cast as the lead heroine Chihiro.

The avant-garde video artist Nam June Paik gets his own adulatory portrait in Amanda Kim’s documentary “Nam June Paik: Moon is the Oldest TV.” An act of biographical recovery that also, somehow, flattens a controversial artist, Kim’s film provides just enough contextual information to maintain interest, even if it’s never as radical as its titular subject.  READ MORE: 25 Most Anticipated Films At The Sundance Film Festival Moving succinctly from birth to death, Kim provides a broad overview of Paik’s history and aesthetic interests.

Caught somewhere between a movie and a series, “Willie Nelson & Family” doubles down on the history and mythology of its namesake to stretch the latter into what would have been better served as the former.  Honest, introspective, yet rarely revelatory, the anthology often mistakes the comprehensive for the essential, and while it succeeds in explaining Willie Nelson to its audience, that’s about all it does.

In writer/director A.V. Rockwell’s feature directorial debut, “A Thousand and One,” Inez (a deeply felt Teyana Talyor) has returned to Harlem after spending a year in Rikers Prison.

This is “a place of mountains and myths,” we’re told as a montage of Central Appalachian imagery fills the frame. The mists, buffalo, ferns, and flowing waters intercut with the coal-filled mountains and mining towns that grew up around them.

There is no shortage of stories about fathers and their kids, specifically sons. But in Justin Chon’s (“Gook,” “Ms.

“Scrapper” starts in a dreary English flat with a child all alone but not incapable. That seems to be the M.O.

Mubi has taken the U.S., UK, Ireland and Latin America on the Ira Sachs directed title Passages which made its world premiere in the premiere section of this year’s Sundance Film Festival.

Few writers have as much of a hold on adults’ childhood selves as Judy Blume. Even if you’ve never read her books, her impact, especially with her most influential novels decades ago, is felt in how YA fiction is laid out today.

After growing up on a steady diet of “Law & Order: SVU,” Dianey Bermeo wanted to be like Olivia Benson, helping victims of sex crimes by bringing their assailants to justice. She gave up on that dream after police investigators in her college town failed to find the man who she said impersonated an officer and sexually assaulted her.

The "Thoroughbreds" and "Bad Education" filmmaker's sci-fi/comedy finds him working on a larger canvas, but to lesser effect.

Brendon (Algee Smith) isn’t a bad kid. An aspiring artist living in Los Angeles, in his last month of high school, the pressures of his daily life, however, are beginning to overwhelm him.

Ira Sachs prefers relationships of the doomed variety — tempestuous passions torn asunder, sometimes by external forces like capitalism, which complicated the search for a home through New York’s cutthroat real estate market in “Love Is Strange” and “Little Men.” His latest film — the sexy, frustrating, loose-yet-compact, altogether irresistible three-hander “Passages” — also concerns property contracts and a homeless protagonist. However, this one’s got nobody but himself to blame for that predicament, fluent as he is in the same toxic strain of amour fou that previously perfumed the air in “Keep the Lights On” and especially Sachs’ debut, “The Delta.” As in that film — also pitched at the admirably humble quotidian scale Sachs hasn’t felt the need to exceed in more than a quarter decade — “Passages” follows a bisexual chaos agent so wrapped up in his own narcissism that he can’t see where his self-exploration ends and insensitivity to those around him begins.

Like most teenagers, Heather (non-binary actor Bobbi Salvör Menuez), a social misfit who lives in a rural town in northern Canada, has a strict midnight curfew to adhere to. But unlike other teenagers, staying out for longer has a much more dangerous effect on her.

EXCLUSIVE: Searchlight Pictures is in final talks to acquire Theater Camp, in a worldwide deal that will land in the $8 million range, with a theatrical release guarantee. Directed by Molly Gordon and Nick Lieberman, the film stars Gordon and Ben Platt as longtime best friends who return to an upstate run down theater camp which is imperiled when its founder lapses into a coma due to an unfortunate strobe light incident. Her son takes over, and he tries to stave off foreclosure even though he initially has little interest in greasepaint and the boards. The project grew out of Booksmart, another Gloria Sanchez production. Elbaum & Ferrell produced with PictureStart’s Erik Feig (who financed), Samie Kim Falvey, Julia Hammer, Ryan Heller, Maria Zuckerman, Noah Galvin, Gordon, Lieberman and Platt.

Searchlight has won a fierce bidding war for one of the buzziest Sundance crowd-pleasers. The Disney-owned distributor has closed a deal for the well-reviewed and well-received “Theater Camp,” with distribution rights going for around $10 million.

Before the pandemic, Amazon Studios was much more interested in releasing films with full theatrical runs before putting the feature on Prime Video. However, when COVID made that an impossibility, we saw the studio rely more heavily on Prime Video exclusives and shy away from full theatrical runs, even for films that were vying for awards season gold.

Ben Affleck’s latest directorial effort, “Air,” will get a global theatrical release from Amazon Studios on April 5, ahead of its global streaming premiere on Prime Video.“Air,” from Amazon Studios, Skydance Sports, Mandalay Pictures, and the first project from Affleck and Matt Damon’s Artists Equity, features what is being described as a “first of its kind arrangement” with Amazon Studios distributing the film globally with Warner Bros. Pictures handling international as part of its distribution pact with Amazon’s MGM.The new movie tells the true story of the partnership between Michael Jordan, a then-rookie with grand ambitions, and Nike’s fledging basketball division.