‘Shortcomings’ Review: Randall Park Helms A Perceptive Comedy About Millennial Slackers [Sundance]

Spilling all the tea. The season 10 premiere of Vanderpump Rules came with lots of changes — and some serious revelations.

Randall Emmett and Ambyr Childers are trying to settle their legal issues. The exes — who were married from 2009

For anyone wondering how a film called Crazy Rich Asians ever came to be the poster child for diversity and inclusion, Randall Park’s humorous rebuttal is, almost literally, that film’s poor distant relation. Adapted from a comic book rather than a novel and with a cast of character actors rather than stars, Shortcomings even seems to admit its modest production values in the title. But for adventurous audiences, this rough-edged indie is a refreshing antidote to the horrors of the factory-farmed studio romcom, featuring a caustic male thirtysomething Asian-American lead whose messy love life should ring bells right across the age, gender and culture divide.

Apple has confirmed Deadline’s scoop on winning an all-night bidding battle for the John Carney-directed Flora and Son, as Apple’s Heads of Worldwide Video Zack Van Amburg and Jamie Erlicht and their head of features Matt Dentler burned the midnight oil to make the label’s biggest Sundance Film Festival deal since they acquired CODA in 2021. That film went on to establish Apple as the first streamer to win the Best Picture Oscar, with the film also winning Best Adapted Screenplay for director Sian Heder and Best Supporting Actor for Troy Kotsur.

The "Thoroughbreds" and "Bad Education" filmmaker's sci-fi/comedy finds him working on a larger canvas, but to lesser effect.

Brendon (Algee Smith) isn’t a bad kid. An aspiring artist living in Los Angeles, in his last month of high school, the pressures of his daily life, however, are beginning to overwhelm him.

A memory, tinged with aching rawness, emerges in “All Dirt Roads Taste of Salt,” the feature debut by writer/director Raven Jackson. This memory briefly foretells the knotting stream of remembrances that roots our protagonist, Mack (played in these early childhood scenes by a sage Kaylee Nicole Johnson). It begins in 1970, with young Mack’s hands softly holding a fishing reel, its pole stretched across the frame.

There’s crazy, there’s batshit crazy, and then there’s Brandon Cronenberg’s definition of crazy. It’s a crazy that’s impossible to contain and even more impossible to label: a mind-bending neon-lit nightmare bursting at the seams with perverse imagery, an abrasive embrace of the grotesque, and a ravishing explosion of seduction and power.

On the opening day of the 2023 Sundance Film Festival, Doug Liman’s “Justice” was announced as a last-minute, top-secret addition to the lineup. The news raised eyebrows, not only because it would mark the documentary debut of the 57-year-old filmmaker — known for action thrillers such as “The Bourne Identity” and “Mr.

With her breakout turn as a soulful queer rancher in Kelly Reichardt’s “Certain Women,” Lily Gladstone proved herself to be one of the most unique and affecting performers of the last decade. Although she has worked steadily since it’s ridiculous that it’s taken this long for another role that really allows her tremendous talent to shine.  READ MORE: 25 Most Anticipated Movies At The 2023 Sundance Film Festival Co-written by director Erica Tremblay (“Reservation Dogs”), whose short “Little Chief” also starred Gladstone, and Miciana Alise, the family drama “Fancy Dance” explores the systematic mishandling by the police and the FBI of missing and murdered indigenous women.

While introducing “Radical,” director Christopher Zalla (“Sangre de Mi Sangre”/”Blood of My Blood”) said it was a labor of love. In addition to that, he said it’s a “movie about what happens when kids are empowered.” And while the film definitely explores this in a well-crafted display of filmmaking, it also leaves a bit of a dark shadow in the minds of those allergic to the notion that your mind is all you need to succeed.

Marvel superhero Echo, aka Maya Lopez, played by deaf Native American actress Alaqua Cox, signifies progress in a Hollywood that’s still a real challenge for diverse talent, but there’s so much more to ve done, said Marlee Matlin today at the Sundance Film Festival.

PARK CITY – There is a moment toward the end of “Sometimes I Think About Dying,” part of the 2023 Sundance Film Festival opening night, when one character says to another, “It’s hard isn’t it being a person.” It’s not a question. It’s a statement.