Anthony Joshua has enjoyed a hugely successful career to date, with the Londoner having become a two-time heavyweight world champion following gold medal success at the 2012 Olympics.
19.03.2023 - 19:39 / deadline.com
Refresh for latest…: New Line/DC/Warner Bros’ Shazam! Fury of the Gods has had a less than heroic launch with $65.5M global, including $35M from the international box office. We always knew this sequel was going to come in lower than its predecessor, but the result is also far off where projections were ahead of the weekend.
Overall, the main issue on Shazam 2 appears to be a disconnect with hardcore DC fans, and, when it comes to China, an increasingly cold-shoulder approach of audiences to Hollywood fare. Fury of the Gods was simply a no-show in the PRC with a slight $4.4M weekend. Despite getting a day-and-date release there, moviegoers did not turn up for Shazam 2 (in the heady days of 2019, the first movie bowed to nearly $30M). This is part of a concerning trend in the world’s second biggest box office market where (outside of Avatar) folks have shied away from Hollywood fare. Interestingly, Shazam 2 has an 8.8 audience score on Maoyan whereas the first movie ended with a 7.9. On Douban, it had a higher score going into the frame than the original, but is now tied with it at 6.2 from critics.
Families did turn out in higher numbers over the weekend in some markets, but it wasn’t enough to jump out. Mexico gave Shazam 2 a No. 1 start at $4M (-32% versus the first movie). The UK debuted to $3M at No. 1, 39% below the previous installment; Indonesia ($1.6M), Brazil ($1.6M) and Australia ($1.6M) all follow.
As Anthony has noted with regard to the light domestic debut, you can’t fault Warner distribution for doing their jobs: They protected Shazam 2, getting it away from Avatar: The Way of Water so that it could have access to premium screens. The IMAX launch was good for $5.1M worldwide, including $2.5M from
Anthony Joshua has enjoyed a hugely successful career to date, with the Londoner having become a two-time heavyweight world champion following gold medal success at the 2012 Olympics.
Patrick Frater Asia Bureau Chief Japanese animation film “Suzume” made just shy of $50 million on its opening weekend in mainland Chinese theaters. Data from consultancy Artisan Gateway, shows “Suzume” grabbing the top spot at the box office with $49.6 million (RMB342 million) between Friday and Sunday. That is the biggest opening score by any film this year outside of the Chinese New Year holiday week in late January. The next best is “Ant-Man and the Wasp: Quantumania” which opened with $19.4 million in mid-February. Directed by Shinkai Makoto, “Suzume” was a hit in Japan where it was released late last year and has remained on screens for a $105 million total. It played in February at the Berlin Film Festival, where it came away largely empty-handed, but has subsequently performed strongly in the Asian territories where it has released. (In South Korea, where it is now the second highest grossing film released in 2023, its third weekend is its strongest to date.)
EXCLUSIVE: The most critically acclaimed John Wick of all-time, Lionsgate’s John Wick: Chapter 4, is seeing the franchise’s best Thursday previews of all-time at around $8M per industry estimates tonight.
Former two-time heavyweight world champion Anthony Joshua makes his ring return in London later this year, facing Jermaine Franklin on April 1 as he hopes to bounce back from three defeats in his last five fights.
Naman Ramachandran Warner Bros.’ “Shazam! Fury Of The Gods” debuted atop the U.K. and Ireland box office with £2.3 million ($2.9 million), according to numbers released by Comscore. In its third weekend, in second place, another Warner Bros. title, “Creed III,” punched its way to £1.2 million for a total of £11.6 million. In third place, Paramount’s “Scream VI” scared up £987,312 in its second weekend and now has a total of £5.1 million. Debuting in fourth position was Warner Bros.’ “Allelujah” with £715,783 and rounding off the top five was Sony’s “65,” which earned £567,710 in its second weekend for a total of £2.4 million.
Patrick Frater Asia Bureau Chief Hollywood’s new release titles fantasy action adventure “Shazam! Fury of the Gods” and horror thriller “M3gan” made only modest impressions on the box office in mainland China in their opening weekends. The box office chart was led by “Post-Truth,” a Chinese comedy which probes the impact of social media in a story about a wronged small-time businessman. It earned $18.8 million (RMB130 million) in its second weekend of release, according to data from consultancy Artisan Gateway. That was an increase of more than 10% on its opening frame. After ten days on release, “Post-Truth” has a cumulative of $51.2 million (RMB353 million).
“Scream 6” star Melissa Barrera shot to fame by starring in the musical “In The Heights,” but she’s actually thankful it didn’t do so hot at the box office.“I am a firm believer in manifesting things into existence, and ‘In the Heights’ was one of those things,” the 32-year-old Mexican actress told People. “That’s the show where I belong — the first time that I ever saw people that looked like me on a Broadway stage.”The movie was directed by John M.
As Ireland celebrated St.Patrick’s Day on Friday, a host of stars from across the UK got into the festive spirit as they donned their best green outfits in celebration of the historic Saint’s day. Leading the way was Paris Fury, who marked the day by dressing her adorable children in green school jumpers and cardigans, before heightening their excitement further by painting shamrocks onto their cheeks. All of the youngster appeared to be loving it, with son Adonis looking especially pleased as he flashed a cheeky grin while wearing a jumper that read “Happy St Patrick’s Day” and hiding his face behind a pair of oversized rainbow sunglasses.
Nick Vivarelli International Correspondent Netflix has acquired global rights to Italian rom-com “Era Ora” (“Still Time”), marking a rare instance in which an Italian comedy is set to gain worldwide visibility. “Still Time” is directed by Alessandro Aronadio, a Los Angeles Film School graduate whose first work “One Life, Maybe Two” launched from Berlin’s Panorama section. The concept comedy stars Edoardo Leo (“Perfect Strangers”) as a workaholic named Dante who is perpetually late to everything important and Barbara Ronchi, soon to be seen in Marco Bellocchio’s “La Conversione,” as his girlfriend Alice with whom Dante winds up leaping ahead a year every few hours, just as he wants to slow down.
New Line’s Covid-delayed DC sequel Shazam! Fury of the Gods finally will hit theaters this weekend in 77 offshore territories and the U.S. with a global outlook between $80M-$85M — $35M of that coming from domestic.
Nick Vivarelli International Correspondent Aardman Animations’ founder Peter Lord and “Waltz With Bashir” director Ari Folman are set to receive Pulcinella Career Awards at Italy’s Cartoons On The Bay TV animation festival which is broadening its scope. The event launched in 1996 by Italian state broadcaster RAI has now expanded beyond TV toons to comprise video game productions, the comic book world, transmedia storytelling and metaverse animation content. Reflecting its more high-tech horizons, the fest’s 27th edition – which will run May 31-June 4 in the Southern seaside city of Pescara – will also be celebrating “Cuphead,” the hit Canadian video game that’s become a Netflix series, and bestowing its creator Maja Moldenhauer with its new Transmedia Award.
Patrick Frater Asia Bureau Chief “Post-Truth,” a Chinese comedy film about a cemetery plot salesman trying to salvage his reputation in the face of online assaults, topped the cinema box office in mainland China over the weekend, ahead of another new release title “Revival.” Data from consultancy Artisan Gateway showed that “Post-Truth” earned $17.0 million between Friday and Sunday. Including preview, it has a cumulative of $20.3 million. Crime drama, “Revival” earned $10.3 million over the weekend and has a running total of $11.4 million including previews. The two newcomers dominated the box office and relegated Hong Kong-produced courtroom drama “A Guilty Conscience” to a distant third place. “Guilty” took $2.3 million (RMB15.8 million) for a cumulative of $23 million since releasing on Feb. 24.
Refresh for latest…: Paramount/Spyglass Media’s Scream VI has slashed its way to a franchise-record opening at the global box office with $67.1M, topping Scream 3 for the best in the bunch of this long-running Kevin Williamson-created series. At the international box office, it also set a franchise-best start with $22.6M from 53 markets, a whopping 60% above the 2022 Scream. Domestic, too, was a record launch.
Baz Luhrmann says it would be “an amazing historical moment” if Elvis cinematographer Mandy Walker were to triumph at Sunday’s Academy Awards. To quote Lizzo, “It’s been too long,” the filmmaker tells me last night at the Australian Oscar nominees soirée held in the Chateau Marmont’s penthouse suite.
Tommy Fury has defended himself after he came under fire for leaving Molly-Mae Hague home alone just weeks after the birth of their first child together. The boxer had to say an emotional goodbye to his girlfriend, who he met on Love Island in 2019, and their newborn daughter weeks before his fight with Jake Paul.
Naman Ramachandran Director Siddharth Anand is jubilant at the continuing success of blockbuster “Pathaan,” starring Shah Rukh Khan. The film’s revenues have surpassed those of the Hindi-language dubbed version of S.S. Rajamouli’s “Baahubali 2: The Conclusion” in recent days. “Pathaan,” produced by Yash Raj Films (YRF), has grossed $126.7 million, beating the Hindi dubbed version of “Baahubali 2: The Conclusion,” which had grossed $98.8 million in 2017. “Baahubali 2,” which was made in the Telugu and Tamil languages, earned $278 million worldwide, making it the second highest grossing Indian film of all time behind 2016’s Hindi-language “Dangal” that collected $311 million globally (much of that from mainland China). “Dangal” collected $65.6 million in India and is now the fourth highest Hindi-language grosser in the country after “Pathaan,” and the Hindi dubbed versions of “Baahubali 2” and “K.G.F: Chapter 2.”
New mum Molly-Mae Hague has left fans in stitches after claiming she's had a "new ick unlocked" from long-term boyfriend Tommy Fury.The former Love Islander, 23, took to her Instagram Story to share a video clip of her "new ick" as Tommy sat down for a hair cut.The clip saw Tommy, 23, with his head just out of frame as he sat down on a tall chair with his feet not quite reaching the ground, as he got his hair cut. Adding some text to the clip, Molly-Mae wrote: "New ick unlocked x When his feet don't touch the floor when he's sat on a tall chair for his hair cut." It comes just one week after Tommy returned to the UK following his much-hyped boxing match against YouTuber turned boxer Jake Paul.Tommy walked away from the ring victorious after his eight-round bout against Jake in Saudi Arabia on February 26.The TV star dedicated his win to Molly-Mae and Bambi before jetting back home to re-unite with his newborn daughter.
After welcoming their first child together in January, it seems Tommy Fury could be ready to pop the question to girlfriend Molly-Mae Hague and the pair have already got huge plans for their wedding day. Molly-Mae, 23, and Tommy, also 23, met on Love Island in 2019 and their romance has continued to go from strength to strength ever since.The couple purchased their dream Cheshire mansion last year and in January announced the arrival of their baby daughter Bambi.
Paramount/Spyglass Media’s Scream VIis headed to a franchise-record opening of $50M+ worldwide from roughly 50 offshore territories including domestic.
Patrick Frater Asia Bureau Chief “Cyber Heist,” a crime thriller directed by Hong Kong’s Wong Hing-fan (“I’m Livin’ It”) and scripted by Soi Cheang (aka Cheang Pou Soi), took the top spot at the mainland Chinese box office over the weekend. It earned a very modest $6.2 million, according to data from consultancy Artisan Gateway. But that was enough to win on the quietest weekend since January’s Lunar New Year holiday season. “Cyber Heist” stars Aaron Kwok as a cyber security engineer who develops a state-of-the-art firewall that is capable of fending off online attacks against the global financial system. But he does not realize that in doing so he has stepped into a minefield that is even more dangerous. The picture also stars Lam Ka-tun and Simon Yam.