Shah Rukh Khan’s ‘Pathaan’ Tops $100M At Global Box Office

‘Dead Pixels’ Remake Set At India’s Disney+ Hotstar

Patrick Frater Asia Bureau Chief Hong Kong courtroom drama film “A Guilty Conscience” edged aside Chinese and Hollywood tentpole films to top the mainland China box office in its opening weekend. According to data from consultancy service Artisan Gateway, the film earned $8.5 million (RMB58.4 million) in its opening three days between Friday and Sunday. “The Wandering Earth 2,” which has been in cinemas for over a month, earned $7.4 million to elevate its cumulative total to $568 million. “Ant-Man and the Wasp: Quantumania,” which opened on top a week earlier, collected $7.0 million, giving it a 10-day cumulative of $31.4 million.

Refresh for latest…: Coming out of its second weekend, Disney/Marvel’s Ant-Man and The Wasp: Quantumania has grossed $363.6M globally. Of that, $167.3M is from domestic and $196.3M from the international box office.

One year since Russia launched its invasion of Ukraine, networks continue to rotate reporters in and out of the country. Media outlets reassess security precautions as the nature of the battle changes. Correspondents are preparing for the possibility of an even longer and more brutal war, perhaps with even more risks and uncertainties.

Jon Burlingame This year’s Oscar song competition is the usual mix of musical superstars and intriguing unknowns. But for the first time in 30 years, four out of the five entries have a past Oscar winner among their writers. And for only the 14th time in Oscar history, one of the nominated songs is not sung in English; “Naatu Naatu” is the fourth nominee to be performed in an Indian language (including two from 2008’s “Slumdog Millionaire” and one from 2012’s “Life of Pi”). “Applause” from “Tell It Like a Woman”Diane Warren, who recently received an Honorary Oscar for her body of work, earned her 14th competitive nomination for this little-seen anthology of seven short films made by women directors. “I needed a song that could tie it all together,” she says.

A little less than five years after a tax-evasion scandal saw Chinese star Fan Bingbing disappear from public view for several months, the actress today addressed the Berlin Film Festival press corps in support of her latest movie, Green Night. 

Brent Lang Executive Editor Sometimes it takes more than a pair of global blockbusters to shake off the lingering impact of a devastating public health crisis. Quarterly sales and profits fell at Imax despite the commercial success of “Avatar: The Way of Water” and “Black Panther: Wakanda Forever.” The big screen company recorded revenues of $98 million, a 10% drop from the $108.6 million that Imax recorded in the year-ago period. The company also recorded profits of $2.6 million, compared to the $10.1 million that Imax logged in the year-ago period. That came out to earnings of 19 cents a share, which failed to match the profits of the 31 cents that Imax recorded in the same period in 2021.

Imax chief executive Rich Gelfond said blockbuster titles will probably be back on Imax screens later this year, as per Top Gun: Maverick last year and, more recently, Titanic’s 25th anniversary re-release.

Imax said today it expects return to pre-pandemic gross box office level of $1.1 billion in 2023.

Taylor Swift has been named IFPI's Global Recording Artist of the Year 2022, an annual honour celebrating the most popular recording act in the world based on streaming and sales; including vinyl, CDs and downloads.

Patrick Frater Asia Bureau Chief “Ant-Man and the Wasp: Quantumania” topped the box office chart in mainland China on its opening weekend, with a $19.4 million start. But the much-discussed arrival of the Marvel movie was weak compared its franchise predecessor. And its debut was not enough to reignite the China box office market. The film arrived in a fashion that was adequately signalled for marketing purposes. And it opened on a date that was coordinated with the North American and other international debuts. In the context of the Chinese market, the film also had the advantage of landing at a time when the big, Chinese-made, Lunar New Year titles were losing their power.

Ant-Man and the Wasp: Quantumania,” Disney/20th Century’s “Avatar: The Way of Water” has reached one last box office milestone in its tenth weekend in theaters by passing the lifetime gross of “Titanic” with a global total of $2.24 billion. This means that the Best Picture Oscar-nominated sequel sits only behind the first “Avatar” and “Avengers: Endgame” in third on the all-time global box office list before inflation adjustment.

Despite Disney/Marvel Studios’ Ant-Man and the Wasp: Quantumania soaking up the global box office with $225M start, the studio’s sister 20th Century Studios/Lightstorm James Cameron sequel Avatar: The Way of Water refuses to stop, despite the fact that the former title has all the premium tickets. Avatar: The Way of Water‘s running worldwide total now stands at $2.243 billion, making it the third highest movie ever, sending Cameron’s own Titanic (which recently had a re-release) to fourth with $2.242 billion.

Marvel Studios’ “Ant-Man and the Wasp: Quantumania” has earned $17.5 million in previews at the domestic box office. Internationally, “Ant-Man and the Wasp: Quantumania” has opened in more than 40 international markets, earning an estimated $23.8 million in its first two days of release. The superhero sequel is currently playing in such major territories as Mexico, South Korea, Germany, Brazil, and Australia. It debuts in China on Friday. Paul Rudd’s latest Marvel adventure is expected to bring in $95 million to $100 million domestically in its opening weekend. With the Presidents’ Day holiday on Monday, that figure could grow to $110 million. It’s a smaller haul than previous Marvel openings, such as “Doctor Strange in the Multiverse of Madness” ($185 million), “Thor: Love and Thunder” ($144 million) and “Black Panther: Wakanda Forever” ($181 million), but the “Ant-Man” movies, like his name suggests, have pulled smaller box-office receipts than his Avengers teammates.

Clayton Davis Senior Awards Editor It’s old school versus new school for best director at the DGA Awards. Steven Spielberg’s semi-autobiographical “The Fabelmans” is the culmination of more than 50 years of moviemaking. Then there’s the visionary whimsy of Daniel Kwan and Daniel Scheinert, the duo behind the sci-fi comedy “Everything Everywhere All at Once.” The veteran and the newcomers are the front-runners to win the top prize at the DGA ceremony, which take place on Feb. 18. Which picture will prevail among the guild’s 19,000 members? One camp esteems a long and storied career; the other points to a cinematic future that will look different but be just as enjoyable.

South Indian mega-hits like K.G.F: Chapter 2 and RRR and Disney’s Avatar: The War Of Water helped drive India’s box office to its second biggest year ever in revenue terms in 2022, but the gains are also partly attributed to rising ticket prices as overall admissions are still down on 2019.

Rebecca Rubin Film and Media Reporter “Ant-Man and the Wasp: Quantumania,” which sees the return of Paul Rudd’s subatomic superhero, is expected to reinvigorate the sluggish winter box office when the latest Marvel adventure opens in theaters over the weekend. Disney’s third standalone “Ant-Man” movie is expected to collect $95 million to $100 million in North America over the traditional weekend and $110 through President’s Day on Monday. As the only new nationwide release, it’ll take the No. 1 spot, from “Magic Mike’s Last Dance,” with ease. At the international box office, “Ant-Man 3” is looking to clear at least $160 million — though estimates range from $130 million to as high as $190 million. China, where “Quantumania” is projected to bring in $35 million to $55 million, will be key in the final weekend tally. It’s one of the rare Hollywood movies — and only the second Marvel tentpole since 2019’s“Avengers: Endgame” and “Spider-Man: Far From Home” — to play in Chinese movie theaters.

The tentpole drought, created by the pandemic’s post-production logjam, is officially over this weekend as Disney and Marvel Studios’ Ant-Man and the Wasp: Quantumania opens the flood gates on what is a consisted flow of event movies from this Friday until early September.

Julia MacCary editor “Bridgerton” fans, rejoice! Netflix has released a premiere date, full trailer and first-look images for the upcoming prequel series “Queen Charlotte: A Bridgerton Story.” “Queen Charlotte: A Bridgerton Story” follows Charlotte’s rise to power and her monumental marriage to King George. The trailer invites viewers to “the story that started it all,” showing glimpses of Charlotte and George’s romance. At a virtual event on Valentine’s Day, showrunner Shonda Rhimes was joined by cast members Golda Rosheuvel (Queen Charlotte), India Amarteifio (Young Queen Charlotte), Corey Mylchreest (Young King George) and Arsema Thomas (Young Lady Danbury) to talk about the new series, its themes, actors’ inspiration and its relationship to the “Briderton” universe. The event also featured taped messages from Adjoa Andoh (Lady Danbury) and Ruth Gemmell (Lady Violet Bridgerton).

Naman Ramachandran Banijay’s Endemol Shine India and Bollywood star Saif Ali Khan’s Black Knight Films will adapt hit Danish/Swedish scripted series “Bron/Broen” (“The Bridge”) for Indian audiences.  ” ‘The Bridge’ is actually something that I was actively looking to produce. So I went looking for it,” Khan told Variety. The original show opens with a dead body on a border that is shared by two countries and the discovery leads to a joint investigation by the police forces of the two regions, forcing detectives from both sides to work together to solve the crime. The global success of “The Bridge” – which has aired in 188 countries – has led to its adaptation in multiple languages, set across the international borders of U.S./Mexico, U.K./France, Germany/Austria, Singapore/Malaysia and Russia/Estonia.