Series Mania’s Daring Competition Title ‘Split’ With Alma Jodorowsky Gets Boarded by HAGO (EXCLUSIVE)

Elsa Keslassy International Correspondent French actor-director Maiwenn, whose latest film “Jeanne du Barry” starring Johnny Depp is set to open the Cannes Film Festival, is being sued by Edwy Plenel, the editor-in-chief of Mediapart magazine for allegedly attacking him at a restaurant. A police complaint was filed on March 7 by Plenel, accusing Maiween of aggression. Variety confirmed the filing with the Paris prosecutor’s office following local news reports. In the complaint, Plenel alleges that he was assaulted by Maiwenn in late February while eating at a restaurant in the posh seventh arrondissement of Paris. Maiwenn, who was sitting by herself at a nearby table, allegedly came to his table and grabbed him by the hair before spitting in his face without saying a word, then stormed out of the venue, leaving Plenel “traumatized by the incident,” according to the news outlet AFP, which quoted the police complaint.

Elsa Keslassy International Correspondent Woody Allen’s “Coup de Chance,” the controversial filmmaker’s 50th movie, has found a French distributor. Metropolitan FilmExport, one of country’s biggest independent distributors, has come on board to release the movie in France. The release date has not yet been set, but sources close to the film say it could world premiere at the Cannes Film Festival. Metropolitan FilmExport has never handled a movie directed by Allen before as it typically focuses on commercial U.S. movies such as the “Hunger Games” franchise and “Evil Dead Rises.” While Allen’s movies have also always been widely popular in France, his previous film “Rifkin’s Festival” sold under 100,000 tickets for Apollo Films after world premiering at the San Sebastian Festival. It was the director’s worst B.O. performance in France. Budgeted in the $20-million range, “Coup de Chance” was a pricey acquisition that not many French distributors could afford to gamble on.

Elsa Keslassy International Correspondent Maïwenn’s historical drama, “Jeanne du Barry,” starring Johnny Depp as Louis XV, is slated to world premiere on opening night of the 76th edition of the Cannes Film Festival, Variety has learned. The movie marks Depp’s acting comeback after a three-year hiatus following his long legal battle with ex-wife Amber Heard which culminated in a defamation trial won by Depp in December. Maïwenn’s sixth feature, the period movie revolves around the tumultuous relationship of the French king Louis XV and his lover, Jeanne du Barry (played by Maiwenn), whom he brought into the Versailles Palace to live near him even though she wasn’t a noble. Louis XV, who was nicknamed “the beloved,” ultimately died as an unpopular king after being accused of corruption. He reigned for 59 years, the longest in the history of France after that of Louis XIV. Depp barely spoke French before the start of filming so it will be interesting to see how he pulls it off without an accent.

Elsa Keslassy International Correspondent Don’t expect Warner Bros. Discovery’s French original programming team to follow Netflix and Amazon Prime Video’s trail and chase teen audiences. Vera Peltekian, VP and head of streaming original production for the banner, says the standalone service’s bow in France “is on the roadmap” with a raft of “bold and director-driven Max originals targeting adult audiences in line with what the HBO brand is known for.” Peltekian, who previously worked 15 years at Canal + and played a major role in the pay TV group’s critically acclaimed series such as “The Returned,” “Spiral” and “Savages,” revealed that Warner Bros. Discovery’s first French original will be “The Mythomaniac of the Bataclan,” a four-part series inspired by the true story of a woman who conned her way into a victims’ association and quickly became one of its pillars.

Elsa Keslassy International Correspondent France TV Distribution has scored a raft of deals across its slate of flagship shows, notably Noé Debré’s political satire “Parliament,” whose second season was picked up by Topic in the U.S. “Parliament,” produced by Paris-based Cinétévé, was created by Debré, whose screenwriting include Jacques Audiard’s Palme d’Or winning “Dheepan.” The series is set at the European parliament in Strasbourg and follows a young assistant working for a newly elected member, juggling his ethics, job and love life. The 10-episode series features a young cast from across Europe, including Xavier Lacaille, Liz Kingsman and Philippe Duquesne. The daring show shot partly on location in both French and English languages.

EXCLUSIVE: Dekanalog has picked up North American rights to the Sarajevo competition title Men of Deeds, the latest feature from Romanian filmmaker Paul Negoescu.

Shakira has left the home she formerly shared with Gerard Piqué in Barcelona for a new life in Miami. The Colombian singer, 46, bade an emotional farewell to the Spanish city she had called home on Sunday as she headed Stateside with her and retired professional footballer Piqué’s two sons Milan, 10, and Sasha, eight. Shakira and Piqué announced last May that they were splitting after 11 years together.

Shakira is on her way to a new and brighter future!

Elsa Keslassy International Correspondent The Cannes Film Festival has confirmed that Martin Scorsese’s highly anticipated “Killers of the Flower Moon” will world premiere on the Croisette. The event will mark Scorsese’s first time presenting a film at Cannes since winning best director for “After Hours” in 1986. The festival has not yet specified whether the film will play in or out of competition. The Apple original film brings together a starry cast, led by Leonardo DiCaprio, Robert De Niro, Lily Gladstone, Jesse Plemons, Cara Jade Myers, JaNae Collins, Jillian Dion and Tantoo Cardinal. All of them are expected to hit the red carpet, along with additional cast and members of the filmmaking team, the festival said. The movie’s premiere is set for May 20, which falls on a Saturday, at the prestigious Grand Théâtre Lumière.

Elsa Keslassy International Correspondent The crack of a bullwhip may soon echo around the Palais. Fifteen years after opening the Cannes Film Festival, the world’s most famous archeologist is expected to return to the Croisette, and follow in the footsteps of 2022’s “Top Gun: Maverick” as this edition’s splashy Hollywood blockbuster premiere. The festival has invited Disney’s “Indiana Jones and the Dial of Destiny” and it certainly boasts all the right ingredients to make for a glamorous and memorable moment. Executive produced by Steven Spielberg and George Lucas, this installment will reportedly be Harrison Ford’s last time playing the titular character. Ford stars opposite an attractive international cast, including Phoebe Waller-Bridge and Mads Mikkelsen, among others. James Mangold, the director of “Logan” and “Ford vs. Ferrari,” slides behind the camera on this one. Details of the film’s plot are being kept under wraps that are tighter than those of a mummy, but based on the trailer this one does find Dr. Jones facing off against former Nazis in a flashback sequence that uses de-aging technology to zap Ford back in time.

Elsa Keslassy International Correspondent Eitan Mansuri, who attended Series Mania Festival to pitch season 2 of “No Man’s Land” (pictured), is re-teaming with award-winning Israeli director Samuel Maoz on his next film “It’s Good to Die For Your Country.” The project will mark Maoz’s follow up to “Foxtrot” and “Lebanon” which won Venice’s Silver and Golden Lion awards, respectively. Mansuri told Variety that “It’s Good to Die For Your Country” will be like the third opus of a trilogy on war, completing “Foxtrot” and “Lebanon.” “‘Lebanon’ was about being a soldier, ‘Foxtrot’ was about the implication of war on families and ‘It’s Good to Die For Your Country’ will be about trauma itself,” said Mansuri, whose produced Maoz’s last two movies.

Patrick Frater Asia Bureau Chief Taiwan has become a go-to destination for Chinese language series production over the past few years, as international streamers have taken the initiative and as the local content trend has become entrenched in Asia. While some of Taiwan’s advantage may have been handed to it as a result of regional political factors, the movement has led to greater interest in Taiwan stories, both historical and modern.Five Taiwan TV projects are being pitched at Series Mania, that are deemed to have international appeal according to Taiwan Creative Content Agency (TAICCA), a government-backed agency that has become noticeably proactive over roughly the same period.

Series Mania on March 21 just after a Spanish series, “Wrong Side of the Tracks” from Mediaset España and Alea Media, had scored 149.6 million watching hours in three weeks on Netflix for Seasons 1 and 2.  That platform connection and power of Spanish series threaded most of the series and much of the commentary at Tuesday’s Next from Spain, supported by Audiiovisual from Spain.  At least in terms of titles now ready to hit the market, there’s little sign as yet of platform pullback in Spain. Rather, it remains a ground zero in the streamer wars.

Casey Bloys wants Kate Winslet to be venerated in the States.

Elsa Keslassy International Correspondent While she retired prematurely at the age of 39, Brigitte Bardot has left an indelible mark on France’s popular culture in the 1960’s and 1970’s. With her wild blonde mane, smoky eyes and pouty lips, Bardot became a symbol of a modern and effortlessly sexy French woman, and a style emblem that continues to inspire current trends. The event series “Bardot,” which is penned and directed by Daniele Thompson (“The Queen Margot”) and Christopher Thompson (“La bûche”), world premiered at Series Mania Festival to unanimous praise and has been pre-sold by Federation nearly worldwide. “‘Bardot’ is like the French ‘The Crown’ because Bardot embodied France, and through her journey we reminisce about many parts of France’s history and popular culture in the 1950’s and 1960’s,” Federation’s boss and “Bardot” producer Pascal Breton told Variety.

Lille’s Series Mania Forum is kicking off today with a packed schedule of talks, screenings and competitions.

Elsa Keslassy International Correspondent Strand Releasing has bought all North American rights to Emily Atef’s last two movies, “Someday We’ll Tell Each Other Everything” which competed at the Berlin Film Festival, as well as her Cannes entry “More Than Ever.” Both films are represented in international markets by The Match Factory. Based on Daniela Krien’s novel, the film is set in the summer of 1990, shortly after the fall of the Berlin wall, in the countryside of former East Germany. Marlene Burow plays Maria, who is about to turn 19, lives with her boyfriend at his parents’ farm. She engages into a passionate and lustful affair with Henner (Felix Kramer), a reclusive neighbor who is twice her age.“More Than Ever,” meanwhile, premiered at last year’s Cannes Film Festival in the Un Certain Regard. It stars Vicky Krieps (“Corsage,” “Phantom Thread”) and late French actor Gaspard Ulliel as a couple whose bond is tested when one of them is diagnosed with a terminal disease.

Christopher Vourlias Four African episodic screenwriters will take the stage Tuesday at Series Mania to pitch the genre-flavored series they currently have in development, a crop of shows that reflect the rich and fertile landscape for African series creators looking to tap into the global TV market.  The shows are created by the first graduating class of the AuthenticA Series Lab, a training program for African episodic screenwriters launched last year by Realness Institutein partnership with Geneva-based philanthropic organization The StoryBoard Collective and Series Mania. The four participants have spent the past six months in a collaborative environment that included both online workshops and residencies in South Africa and Switzerland, while attending masterclasses with leading industry professionals and working with a mentoring team comprised of creative producer Mehret Mandefro and story expert Selina Ukwuoma.

Marta Balaga Everyone says: “I love you,” at least in Lille, where Japanese star Tomohisa Yamashita – in town to promote “Drops of God” – brought fans to tears. With one admitting that thanks to his 2005 series “Nobuta Wo Produce,” where he played the character of Akira, she decided not to commit suicide 14 years ago.  “You saved my life,” she said. In between interacting with a clearly overwhelmed audience, Japanese singer, dancer, talk show host and actor (“Call me Tomo,” he told his fans) discussed his multifaceted career, one that started when he was just 11 years old. 

John Hopewell Chief International Correspondent Series Mania has always been about discovery: Of drama series as an art form, in its early days from launch in 2009; then of key players on a burgeoning international premium TV scene. Series Mania’s International Panorama now catches a new wave of creatives transitioning from film to scripted TV – Israel’s Yaron Shani with “Innermost,” Spain’s Isaki Lacuesta and Isa Campo with episodes of “Apagón”; and highlights notable emerging auteurs: Denmark’s Kasper Møller Rask, Canada’s Alexis Durand-Brault, Spain’s Fran Araujo, Pakistan’s Assim Abassi and Germany’s Jakob and Jonas Weydemann.  But for having already bowed at national festivals, some of the 12 titles below could well have been in the running for a Competition berth.